Click on the headline to link to a Wikipedia entry for the crime noir , Pick Up On South Street
DVD Review
Pick Up South Street, starring Richard Widmark, Jean Peters, Richard Kiley, 20th Century-Fox, 1953
I have previously in this space seemingly beaten to death the idea that not all crime noirs are created equal. Here I am again giving a thumbs down to this one based on that elusive standard. And here‘s why. While most of crime noirs , those that have good or bad femme fatales to muddy up the waters or not, have crime, the solving of crime, and the message that crime does not pay built into their plot lines. The film under review here, Pick Up On South Street, however tries to combine crime with a political message, a 1950s Cold War “red scare” political message-don’t mess with the reds or you’ll be dead. Courtesy of one J. Edgar Hoover, and about a million other unnamed, unmourned anti-communists. Moreover, given the year of the film, 1953, it seems to have been specially created to kick dirt on the names of Julius and Ethel Rosenberg who were being executed for their efforts on behalf of the Soviet Union. But argument over that possible link is for another time.
Here’s the plot line to give you an idea of how the two themes mesh (or don’t mesh) in this film. A woman, Candy (played by Jean Peters), while riding a New York subway has her wallet pick-pocketed by one low-life grafter, Skip (played by Richard Widmark). Not big deal in New York City, except that the wallet contained, unknown to Ms. Candy, secret microfilmed documents headed overseas (to Uncle Joe, okay) through (nefarious, of course) agents working here. Skip is not privy to what he has unleashed until Candy is ordered by one of the agents, someone who has “befriended” her, Joey (played by Richard Kiley), to get the damn thing back. Hence she finally winds up on South Street where in a run-down fishing shack Widmark hangs his hat. Through guile, sexual advance, and anything else she can think of she tries to get the microfilm taking more than her fair share of beatings in the process. No dice, for a while. Of course to tie the red scare theme together agents, and you know what agents, are on the case looking out for the national interest. So the "win" is in the bag. Overall pretty thin gruel, right?
Right, except for Richard Widmark’s self-dramatizing flare as Skip, and his duplicity. See once Skip does become privy to what he has he is ready to sell to the highest bidder, and it takes hell and high water, including some cooing by Ms. Peters to get him on the right side of the angels. And this is where the whole thing falls down a little. No self-respecting criminal (or certified lumpenproletarian to use Marx’s term) is really going to go through hoops out of some patriotic fervor when he has gold right in front of him. Widmark and the cooing been-around-the-block Ms. Peters going off the deep-end for some patriotic reasons just stretches the imagination a little too far. But then you have to reach back to the old stand-by rationale of crime noir-crime, crime crime, or political crime, doesn’t pay to learn the lesson put forth here. Got it.
Tuesday, November 29, 2011
The Smells, Ah, The Smells Of Childhood- Ida's Bakery
Click on the headline to link to a website devoted to oatmeal bread recipes. Hey, I never said I wasn't quirky on some of these links.
Peter Paul Markin, North Adamsville High School Class of 1964, comment:
There are many smells, sounds, tastes, sights and touches stirred up on the memory’s eye trail in search of the old days in North Adamsville. Today though I am in thrall to smells. The why of this thralldom is simply put. I had, a short while ago, passed a neighborhood bakery here on the St. Brendan Street that reeked of the smell of sour-dough bread being baked on the premises. The bakery itself, designated as such by a plainly painted sign-Mrs. Kenney’s Bakery- was a simple extension of someone’s house, living quarters above, and that brought me back to the hunger streets of the old home town and Ida’s holy-of-holies bakery over on Sagamore Street.
Of course one could not dismiss, dismiss at one’s peril, that invigorating smell of the salt air blowing in from North Adamsville Bay when the wind was up. A wind that spoke of high-seas adventures, of escape, of jail break-out from landlocked spiritual destitutes, of, well, on some days just having been blown in from somewhere else for those who sought that great eastern other shoreline. Or how could one forget the still nostril-filling pungent fragrant almost sickening smell emanating from the Proctor &Gamble soap factory across the channel down in the old Adamsville Housing Authority project that defined many a muggy childhood summer night air instead of sweet dreams and puffy clouds. Or that never to be forgotten slightly oily, sulfuric smell at low- tide down at North Adamsville Beach, the time of the clam diggers and their accomplices trying to eke a living or a feeding out of that slimy mass. Or evade the fetid smell of marsh weeds steaming up from the disfavored Squaw Rock end of the beach, the adult haunts. (Disfavored, disfavored when it counted in the high teenage dudgeon be-bop 1960s night, post-school dance or drive-in movie love slugfest, for those who took their “submarine races” dead of night viewing seriously. And I do not, or will not spell the significance of that teen lingo race expression even for those who did their teenage “parking” in the throes of the wild high plains Kansas night. You can figure that out yourselves.)
Or the smell sound of the ocean floor (or dawn, if you got lucky) at twilight on those days when the usually tepid waves aimlessly splashed against the shoreline stones, broken clam shells, and other fauna and flora turned around and became a real roaring ocean, acting out Mother Nature’s high life and death drama, and in the process acted to calm a man’s (or a man-child’s) nerves in the frustrating struggle to understand a world not of one’s own making. Moreover, I know I do not have to stop very long to tell this retro crowd, the crowd that will read this piece, about the smell taste of that then just locally famous HoJo’s ice cream back in the days. Jimmied up and frosted to take one’s breath away. Or those char-broiled hot dogs and hamburgers sizzling on your back-yard barbecue pit or, better, from one of the public pits down at the beach. But the smell that I am ghost-smelling today is closer to home as a result of a fellow classmate’s bringing this to my attention awhile back (although, strangely, if the truth be known I was already on the verge of “exploring" this very subject). Today, after passing that home front bakery, as if a portent, I bow down in humble submission to the smells from Ida’s Bakery.
You, if you are of a certain age, at or close to AARP-eligible age, and neighborhood, Irish (or some other ethnic-clinging enclave) filled with those who maybe did not just get off the boat but maybe their parents did, remember Ida’s, right? Even if you have never set foot one in old North Adamsville, or even know where the place is. If you lived within a hair’s breathe of any Irish neighborhood and if you grew up probably any time in the first half of the 20th century you “know” Ida’s. My Ida ran a bakery out of her living room, or maybe it was the downstairs and she lived upstairs, in the 1950s and early 1960s (beyond that period I do not know). An older grandmotherly woman when I knew her who had lost her husband, lost him to drink, or, as was rumored, persistently rumored although to a kid it was only so much adult air talk, to another woman. Probably it was the drink as was usual in our neighborhoods with the always full hang-out Dublin Grille just a couple of blocks up the street. She had, heroically in retrospect, raised a parcel of kids on the basis of her little bakery including some grandchildren that I played ball with over at Welcome Young field also just up the street, and also adjacent to my grandparents’ house on Kendrick Street.
Now I do not remember all the particulars about her beyond the grandmotherly appearance I have just described, except that she still carried that hint of a brogue that told you she was from the “old sod” but that did not mean a thing in that neighborhood because at any give time when the brogues got wagging you could have been in Limerick just as easily as North Adamsville. Also she always, veil of tears hiding maybe, had a smile for one and all coming through her door, and not just a commercial smile either. Nor do I know much about how she ran her operation, except that you could always tell when she was baking something in back because she had a door bell tinkle that alerted her to when someone came in and she would come out from behind a curtained entrance, shaking flour from her hands, maybe, or from her apron-ed dress ready to take your two- cent order-with a smile, and not a commercial smile either but I already told you that.
Nor, just now, do I remember all of what she made or how she made it but I do just now, rekindled by this morning’s sough-dough yeasty smell, remember the smells of fresh oatmeal bread that filtered up to the playing fields just up the street from her store on Fridays when she made that delicacy. Fridays meant oatmeal bread, and, as good practicing Catholics were obliged to not eat red meat on that sacred day, tuna fish. But, and perhaps this is where I started my climb to quarrelsome heathen-dom I balked at such a desecration. See, grandma would spring for a fresh loaf, a fresh right from the oven loaf, cut by a machine that automatically sliced the bread (the first time I had seen such a useful gadget). And I would get to have slathered peanut butter (Skippy, of course) and jelly (Welch’s grape, also of course) and a glass of milk. Ah, heaven.
And just now I memory smell those white-flour dough, deeply- browned Lenten hot-cross buns white frosting dashed that signified that hellish deprived high holy catholic Lent was over, almost. Beyond that I draw blanks. Know this those. All that sweet sainted goddess (or should be) Ida created from flour, eggs, yeast, milk and whatever other secret devil’s ingredient she used to create her other simple baked goods may be unnamed-able but they put my mother, my grandmother, your mother, your grandmother in the shade. And that is at least half the point. You went over to Ida’s to get high on those calorie-loaded goodies. And in those days with youth at your back, and some gnawing hunger that never quite got satisfied, back that was okay. Believe me it was okay. I swear I will never forget those glass-enclosed delights that stared out at me in my sugar hunger. I may not remember much about the woman, her life, where she was from, or any of that. This I do know- in this time of frenzied interest in all things culinary Ida's simple recipes and her kid-maddening bakery smells still hold a place of honor.
Peter Paul Markin, North Adamsville High School Class of 1964, comment:
There are many smells, sounds, tastes, sights and touches stirred up on the memory’s eye trail in search of the old days in North Adamsville. Today though I am in thrall to smells. The why of this thralldom is simply put. I had, a short while ago, passed a neighborhood bakery here on the St. Brendan Street that reeked of the smell of sour-dough bread being baked on the premises. The bakery itself, designated as such by a plainly painted sign-Mrs. Kenney’s Bakery- was a simple extension of someone’s house, living quarters above, and that brought me back to the hunger streets of the old home town and Ida’s holy-of-holies bakery over on Sagamore Street.
Of course one could not dismiss, dismiss at one’s peril, that invigorating smell of the salt air blowing in from North Adamsville Bay when the wind was up. A wind that spoke of high-seas adventures, of escape, of jail break-out from landlocked spiritual destitutes, of, well, on some days just having been blown in from somewhere else for those who sought that great eastern other shoreline. Or how could one forget the still nostril-filling pungent fragrant almost sickening smell emanating from the Proctor &Gamble soap factory across the channel down in the old Adamsville Housing Authority project that defined many a muggy childhood summer night air instead of sweet dreams and puffy clouds. Or that never to be forgotten slightly oily, sulfuric smell at low- tide down at North Adamsville Beach, the time of the clam diggers and their accomplices trying to eke a living or a feeding out of that slimy mass. Or evade the fetid smell of marsh weeds steaming up from the disfavored Squaw Rock end of the beach, the adult haunts. (Disfavored, disfavored when it counted in the high teenage dudgeon be-bop 1960s night, post-school dance or drive-in movie love slugfest, for those who took their “submarine races” dead of night viewing seriously. And I do not, or will not spell the significance of that teen lingo race expression even for those who did their teenage “parking” in the throes of the wild high plains Kansas night. You can figure that out yourselves.)
Or the smell sound of the ocean floor (or dawn, if you got lucky) at twilight on those days when the usually tepid waves aimlessly splashed against the shoreline stones, broken clam shells, and other fauna and flora turned around and became a real roaring ocean, acting out Mother Nature’s high life and death drama, and in the process acted to calm a man’s (or a man-child’s) nerves in the frustrating struggle to understand a world not of one’s own making. Moreover, I know I do not have to stop very long to tell this retro crowd, the crowd that will read this piece, about the smell taste of that then just locally famous HoJo’s ice cream back in the days. Jimmied up and frosted to take one’s breath away. Or those char-broiled hot dogs and hamburgers sizzling on your back-yard barbecue pit or, better, from one of the public pits down at the beach. But the smell that I am ghost-smelling today is closer to home as a result of a fellow classmate’s bringing this to my attention awhile back (although, strangely, if the truth be known I was already on the verge of “exploring" this very subject). Today, after passing that home front bakery, as if a portent, I bow down in humble submission to the smells from Ida’s Bakery.
You, if you are of a certain age, at or close to AARP-eligible age, and neighborhood, Irish (or some other ethnic-clinging enclave) filled with those who maybe did not just get off the boat but maybe their parents did, remember Ida’s, right? Even if you have never set foot one in old North Adamsville, or even know where the place is. If you lived within a hair’s breathe of any Irish neighborhood and if you grew up probably any time in the first half of the 20th century you “know” Ida’s. My Ida ran a bakery out of her living room, or maybe it was the downstairs and she lived upstairs, in the 1950s and early 1960s (beyond that period I do not know). An older grandmotherly woman when I knew her who had lost her husband, lost him to drink, or, as was rumored, persistently rumored although to a kid it was only so much adult air talk, to another woman. Probably it was the drink as was usual in our neighborhoods with the always full hang-out Dublin Grille just a couple of blocks up the street. She had, heroically in retrospect, raised a parcel of kids on the basis of her little bakery including some grandchildren that I played ball with over at Welcome Young field also just up the street, and also adjacent to my grandparents’ house on Kendrick Street.
Now I do not remember all the particulars about her beyond the grandmotherly appearance I have just described, except that she still carried that hint of a brogue that told you she was from the “old sod” but that did not mean a thing in that neighborhood because at any give time when the brogues got wagging you could have been in Limerick just as easily as North Adamsville. Also she always, veil of tears hiding maybe, had a smile for one and all coming through her door, and not just a commercial smile either. Nor do I know much about how she ran her operation, except that you could always tell when she was baking something in back because she had a door bell tinkle that alerted her to when someone came in and she would come out from behind a curtained entrance, shaking flour from her hands, maybe, or from her apron-ed dress ready to take your two- cent order-with a smile, and not a commercial smile either but I already told you that.
Nor, just now, do I remember all of what she made or how she made it but I do just now, rekindled by this morning’s sough-dough yeasty smell, remember the smells of fresh oatmeal bread that filtered up to the playing fields just up the street from her store on Fridays when she made that delicacy. Fridays meant oatmeal bread, and, as good practicing Catholics were obliged to not eat red meat on that sacred day, tuna fish. But, and perhaps this is where I started my climb to quarrelsome heathen-dom I balked at such a desecration. See, grandma would spring for a fresh loaf, a fresh right from the oven loaf, cut by a machine that automatically sliced the bread (the first time I had seen such a useful gadget). And I would get to have slathered peanut butter (Skippy, of course) and jelly (Welch’s grape, also of course) and a glass of milk. Ah, heaven.
And just now I memory smell those white-flour dough, deeply- browned Lenten hot-cross buns white frosting dashed that signified that hellish deprived high holy catholic Lent was over, almost. Beyond that I draw blanks. Know this those. All that sweet sainted goddess (or should be) Ida created from flour, eggs, yeast, milk and whatever other secret devil’s ingredient she used to create her other simple baked goods may be unnamed-able but they put my mother, my grandmother, your mother, your grandmother in the shade. And that is at least half the point. You went over to Ida’s to get high on those calorie-loaded goodies. And in those days with youth at your back, and some gnawing hunger that never quite got satisfied, back that was okay. Believe me it was okay. I swear I will never forget those glass-enclosed delights that stared out at me in my sugar hunger. I may not remember much about the woman, her life, where she was from, or any of that. This I do know- in this time of frenzied interest in all things culinary Ida's simple recipes and her kid-maddening bakery smells still hold a place of honor.
Monday, November 28, 2011
Out In The 1970s Be-Bop Rock ‘N’ Rock Night-When The Music’s Over- “The Last Waltz- A Film Review
Click on the headline to link to a Wikipedia entry for The Band’s last stand, The Last Waltz.
DVD Review
The Last Waltz, The Band, various rock, folk rock and blues artists, directed by Martin Scorsese, United Artists, 1978
It’s funny sometimes how when you are hooked into certain musical vibes like going back in the day to classic rock ‘n’ roll things, things like remembrances of long lost bands, turn up in odd places. That is the case here with the Martin Scorsese documentary film, The Last Waltz, the filming of The Band’s last concert in 1976.
And here is the sequence of how I got there. I had heard, several years ago, that Bob Dylan was putting out as part of his now seemingly never-ending official boot-leg series, some work that he did with The Band back in the mid-1960s when he was “hiding” out with them after his motorcycle accident out in the Woodstock (ya, that Woodstock) area of upstate New York making all kinds of interesting music from a number of genres. I made a mental note to check it out but did not pursue the thought until recently. Then I headed to a local library to see if they had a CD of the work since they had other in the series (and in fact has a separate Dylan drawer for all of their CD collection of him). They didn’t have it, or rather it was out. So I went to the Dylan drawer to check on some other possibilities and there I found a set of five CD’s entitled the “Real Woodstock Sessions Boot-leg” series (or something like that). And that find contained (along with plenty of odd-ball outtakes and other miscellanea) some incredible versions of famous folk, folk rock, and country songs like Joshua Gone Barbados, Spanish Is The Loving Tongue, I Forgot To Remember To Forget Her, and stuff like that. All done in just kind of off-handedly way, Dylan and The Band off-handedly.
That is a rather circuitous way to explain the why of this review of The Last Waltz that I had seen when it originally came out in 1978 and have now re-viewed. What popped out at me in this second sighting was that these guys displayed in this two hour documentary that same kind of off-handed serious musicianship that I sensed in the boot-leg CD series mentioned above. No only did they rock, when rock was called for, but they could turn around musically (and instrumentally too) and do, well, a waltz. Hell, some of the instruments they were playing, and playing with professional abandon, I am not even sure I know the names of. And that explains Scorsese interest in doing this piece. He sensed a good story behind the rock and roll, a story of a band coming together when it counts-on stage. But also when, as band leader Robbie Robertson put it, it is time to move on after over a decade on the road. The road is a monster only the crazed, and Bob Dylan, can keep rolling along on. The Band got “off the bus” while they still had plenty of music left in them, just not together.
That said, all that is left is to pick out some highlights from some of the performers who showed up to bid adieu. Aside from a couple of numbers of their own The Band’s strength here was as “back-up” for a number of performers, most notably Neil Young on Helpless, Van Morrison on Radio, Joni Mitchell on Coyote, Bob Dylan on I Shall Be Released (along with the entire ensemble), Muddy Waters On Mannish-Child, and going back to their roots, Ronnie Hawkins on Who Do You Love. Nice stuff, nice stuff indeed if you are interested in knowing what it was like when men (and women) played rock and roll for keeps.
DVD Review
The Last Waltz, The Band, various rock, folk rock and blues artists, directed by Martin Scorsese, United Artists, 1978
It’s funny sometimes how when you are hooked into certain musical vibes like going back in the day to classic rock ‘n’ roll things, things like remembrances of long lost bands, turn up in odd places. That is the case here with the Martin Scorsese documentary film, The Last Waltz, the filming of The Band’s last concert in 1976.
And here is the sequence of how I got there. I had heard, several years ago, that Bob Dylan was putting out as part of his now seemingly never-ending official boot-leg series, some work that he did with The Band back in the mid-1960s when he was “hiding” out with them after his motorcycle accident out in the Woodstock (ya, that Woodstock) area of upstate New York making all kinds of interesting music from a number of genres. I made a mental note to check it out but did not pursue the thought until recently. Then I headed to a local library to see if they had a CD of the work since they had other in the series (and in fact has a separate Dylan drawer for all of their CD collection of him). They didn’t have it, or rather it was out. So I went to the Dylan drawer to check on some other possibilities and there I found a set of five CD’s entitled the “Real Woodstock Sessions Boot-leg” series (or something like that). And that find contained (along with plenty of odd-ball outtakes and other miscellanea) some incredible versions of famous folk, folk rock, and country songs like Joshua Gone Barbados, Spanish Is The Loving Tongue, I Forgot To Remember To Forget Her, and stuff like that. All done in just kind of off-handedly way, Dylan and The Band off-handedly.
That is a rather circuitous way to explain the why of this review of The Last Waltz that I had seen when it originally came out in 1978 and have now re-viewed. What popped out at me in this second sighting was that these guys displayed in this two hour documentary that same kind of off-handed serious musicianship that I sensed in the boot-leg CD series mentioned above. No only did they rock, when rock was called for, but they could turn around musically (and instrumentally too) and do, well, a waltz. Hell, some of the instruments they were playing, and playing with professional abandon, I am not even sure I know the names of. And that explains Scorsese interest in doing this piece. He sensed a good story behind the rock and roll, a story of a band coming together when it counts-on stage. But also when, as band leader Robbie Robertson put it, it is time to move on after over a decade on the road. The road is a monster only the crazed, and Bob Dylan, can keep rolling along on. The Band got “off the bus” while they still had plenty of music left in them, just not together.
That said, all that is left is to pick out some highlights from some of the performers who showed up to bid adieu. Aside from a couple of numbers of their own The Band’s strength here was as “back-up” for a number of performers, most notably Neil Young on Helpless, Van Morrison on Radio, Joni Mitchell on Coyote, Bob Dylan on I Shall Be Released (along with the entire ensemble), Muddy Waters On Mannish-Child, and going back to their roots, Ronnie Hawkins on Who Do You Love. Nice stuff, nice stuff indeed if you are interested in knowing what it was like when men (and women) played rock and roll for keeps.
Wednesday, November 23, 2011
The Face Of Old Irish Working-Class North Adamsville- Another Moment In History -In Honor Of Kenny, Class Of 1958?
Another Moment In History- A Guest Post, Of Sorts
Kenny Kelly, Class of 1958? comment:
A word. I, Kenneth Francis Xavier Kelly, at work they just call me Kenny, although my friends call me “FX”, am a map of Ireland, or at least I used to be when I was younger and had a full head of very wavy red hair, a mass of freckles instead of a whiskey and beer chaser-driven mass of very high-proof wrinkles, and my own, rather than store-bought, rattlers, teeth I mean. For work, ya, I’m still rolling the barrels uphill, I, well, let’s just say I do a little of this and a little of that for Jimmy the Mutt and leave it at that. I am also the map, the Irish map part anyway, of North Adamsville, from the Class of 1958 at the old high school, or at least I should have been, except for, well, let’s leave that as at a little of this and that, for now, as well. I’ll tell you that story another time, if you want to hear it. Or talk to that old bastard, Headmaster Kerrigan, Black-Jack Kerrigan, and he’ll give you his lying side of the story if he can still talk the bastard.
Let’s also put it that I grew up, rough and tumble, mostly rough, very rough, on the hard drinking-father-sometimes-working, and the plumbing-or-something-don’t-work- and-you-can’t- get- the-tight-fisted-landlord-to- fix-anything-for-love-nor- money walk up triple decker just barely working class, mean streets around Sagamore and Prospect Streets in one –horse Atlantic. At least my dear grandmother, and maybe yours too, called it that because there was nothing there, nothing you needed anyway. You know where I mean, those streets right over by the Welcome Young Field, by Harry the Bookie’s variety store (you knew Harry’s, with the always almost empty shelves except maybe a few dusty cans of soup, a couple of loaves of bread and a refrigerator empty except maybe a quart of milk or two, an also active pin-ball machine, and his “book” right on the counter for all the world, including his cop-customer world, to see), and the never empty, never empty as long as my father was alive, Red Feather (excuse me I forgot it changed names, Dublin Grille) bar room. Now I have your attention, right?
But first let me explain how I wound up as a “guest” on this “Tales of Old North Adamsville” blog. Seems like Peter Paul Markin, that’s the half-assed, oops, half-baked, manager of this site, posted up some story, some weepy cock and bull story, about the Irish-ness of the old town, “A Moment In History… As March 17th Approaches” to the “North Adamsville Graduates Facebook” page and my pride and joy daughter, Clara, North Adamsville Class of 1978 (and she actually graduated), saw it and recognized the names Riley, O’Brian and Welcome Young Field and asked me to read it. I did and sent Peter Paul an e-mail (christ, where does he get off using two names like he was a bloody heathen Boston Brahmin and him without a pot to piss in, as my dear grandmother used to say, growing up on streets on the wrong side of the tracks, over near the marshes for chrissakes, wronger even than the Sagamore streets). (Or my baby Clara did, after I told her what to write. I’m not much of hand at writing or using this hi-tech stuff, if you want to know the truth)
I don’t know what he did with that e-mail, and to be truthful again, I don’t really care, but in that e-mail I told him something that he didn’t know, or rather two things. The first was that I “knew” him, or rather knew his grandmother (on his mother’s side) Anna Riley because her sister, Bernice, and my dear grandmother, Mary, also an O’Brien but with an “e”, who both lived in Southie (South Boston, in those days the Irish Mecca, for the heathens or Protestants that might read this) were as thick as thieves. When I was just a teenager myself I used to drive his grandmother over to her sister’s in Southie so that the three of them, and maybe some other ladies joined them for all I know, could go to one of the Broadway bars (don’t ask me to name which one, I don’t remember) that admitted unescorted ladies in those days and have themselves a drunk. And smoke cigarettes, unfiltered ones no less, Camels I think when I used cadge a few, which his stern grandfather, Dan Riley, refused to allow in the house over on Young Street.
I know, I know this is not the way that blue-grey haired Irish grandmothers are supposed to act, in public or private. And somebody, if I know my old North Adamsville gossips, wags and nose-butters, and my North Adamsville Irish branch of that same clan especially, is going say why am I airing that “dirty linen” in public. That’s a good point that Peter Paul talked in his story about Frank O’Brian and not airing the family business in public (in that post mentioned above). So what am I doing taking potshots as the blessed memories of those sainted ladies. That is where my second thing comes in to set the record straight – Peter Paul, and I told him so in that e-mail (or Clara did) with no beating around the bush, is to me just another one of those misty-eyed, half-breed March 17th Irish that are our curse and who go on and on about the eight hundred years of English tyranny like they lived it, actually lived each day of it. (Yes half-breed, his father, a good guy from what my father told me when they used to drink together, was nothing but a Protestant hillbilly from down in the mountain mists hills and hollows Kentucky)
Now don’t get me wrong. I am as patriotic as the next Irishman in tipping my hat to our Fenian dead, and the boys of ’16, and the lads on the right side in 1922, and the lads fighting in the North now but Peter Paul has got the North Adamsville Irish weepy, blessed “old sod” thing all wrong. No doubt about it. So, if you can believe this, he challenged me, to tell the real story. And I am here as his “guest” to straighten him out, and maybe you too. Sure, he is helping me write this thing. I already told you I’m a low-tech guy. Jesus, do you think I could write stuff like that half-assed, oops, half- baked son of an expletive with his silly, weepy half-Irish arse goings on? I will tell you this though right now if I read this thing and it doesn’t sound right fists are gonna be swinging, old as I am. But let’s get this thing moving for God’s sake.
Let me tell you about the shabeen, I mean, The Red Feather, I mean the Dublin Grille, bar room on Sagamore Street. That’s the one I know, and I am just using that as an example. There were plenty of others in old North Adamsville, maybe not as many as in Southie, but plenty. If you seriously wanted to talk about the “Irish-ness” of North Adamsville that was the place, the community cultural institution if you will, to start your journey. Many a boy, including this boy, got his first drink, legal or illegal, at that, or another like it, watering hole. Hell, the “real” reason they built that softball field at Welcome Young was so the guys, players and spectators alike, had an excuse to stop in for a few (well, maybe more than a few) after a tough battle on base paths. That’s the light-hearted part of the story, in a way. What went on when the “old man”, anybody’s “old man”, got home at the, sometimes, wee hours is not so light-hearted.
See, that is really where the straightening out job on our boy Peter Paul needs to be done. Sure, a lot of Irish fathers didn’t get drunk all the time. Although the deep dark secret was that in almost every family, every shanty family for certain and I know, and many “lace curtain” families they was at least one reprobate drunk. Hell, the local city councilor’s brother, Healy I think it was, was in thrown the drunk tank by the coppers more times than he was out. They could have given him a pass-key and saved time and money on dragging him to the caboose. But the king hell takes-the-cake was old Black-Jack’s Kerrigan’s brother, Boyo (sorry, I forget his real name). Ya, the North Adamsville High headmaster’s brother, the bastard that I had a run-in with and had to hightail it out of school, although it was not over his brother. See Black-Jack’s family though they were the Mayfair swells since Black-Jack had gone to college, one of the first in the old neighborhood, and they had that big single-family house over on Beach Street. But more than one night I found Boyo lying face-down on Billings Road drunk as a skunk and had to carry him home to his wife and family. And then head back to the other side of the tracks, that wrong side I already told you about. Next day, or sometime later, Boyo would give me a dollar. Naturally when I went to school after that I went out of my way to flash the dollar bill at Black-Jack, saying “Look what Boyo gave me for helping him out.” That’s all I had to say. Black-Jack always turned fuming red, maybe flaming red.
A lot of Irish fathers didn’t beat on their wives all the time either. And a lot of Irish fathers didn’t physically beat their kids for no reason. Plenty of kids go the “strap” though when the old man was “feeling his oats.” (I never heard of any sexual abuse, but that was a book sealed with seven seals then.) And more than one wife, more than one son’s mother didn’t show her face to the “shawlie” world due to the simple fact that a black eye, a swollen face, or some other wound disfigured her enough to lay low for a while. I had to stop, or try to stop, my own father one time when I was about twelve and he was on one of his three day Dublin Grille whiskey straight-up, no chaser toots and Ma just got in his way. He swatted me down like a fly and I never tried to go that route again. But he didn’t try to beat my mother again either, at least not when I was a around or I would have heard about it on the shawlie wire.
And a lot of Irish wives didn’t just let their husbands beat on them just because they were the meal ticket, the precious difference between a home and the county farm or, worst, the streets. And a lot of Irish wives didn’t make excuses for dear old dad (or pray) when the paycheck didn’t show up and the creditors were beating down the door. And a lot of Irish wives didn’t let those Irish fathers beat on their kids. And a lot of Irish mothers didn’t tell their kids not to “air the dirty linen in public.” But, don’t let anyone fool you, and maybe I am touching on things too close to home, my home or yours, but that formed part of the scene, the Irish scene.
Maybe, because down at the Atlantic dregs end of North Adamsville the whole place was so desperately lower working-class other ethnic groups, like the Italians, also had those same pathologies. (I am letting Peter Paul use that last word, although I still don’t really know what it means, but it seemed right when he told me what it meant). I don’t know. Figure it out though, plenty of fathers (and it was mainly fathers only in those days who worked, when they could) with not much education and dead-end jobs, plenty of triple decker, no space, no air, no privacy rented housing and plenty of dead time. Ya, sure, I felt the “Irish-ness” of the place sometimes (mainly with the back of the hand), I won’t say I didn’t but when Peter Paul starts running on and on about the “old sod” just remember what I told you. I’ll tell you all the truth, won’t you take a word from me.
Kenny Kelly, Class of 1958? comment:
A word. I, Kenneth Francis Xavier Kelly, at work they just call me Kenny, although my friends call me “FX”, am a map of Ireland, or at least I used to be when I was younger and had a full head of very wavy red hair, a mass of freckles instead of a whiskey and beer chaser-driven mass of very high-proof wrinkles, and my own, rather than store-bought, rattlers, teeth I mean. For work, ya, I’m still rolling the barrels uphill, I, well, let’s just say I do a little of this and a little of that for Jimmy the Mutt and leave it at that. I am also the map, the Irish map part anyway, of North Adamsville, from the Class of 1958 at the old high school, or at least I should have been, except for, well, let’s leave that as at a little of this and that, for now, as well. I’ll tell you that story another time, if you want to hear it. Or talk to that old bastard, Headmaster Kerrigan, Black-Jack Kerrigan, and he’ll give you his lying side of the story if he can still talk the bastard.
Let’s also put it that I grew up, rough and tumble, mostly rough, very rough, on the hard drinking-father-sometimes-working, and the plumbing-or-something-don’t-work- and-you-can’t- get- the-tight-fisted-landlord-to- fix-anything-for-love-nor- money walk up triple decker just barely working class, mean streets around Sagamore and Prospect Streets in one –horse Atlantic. At least my dear grandmother, and maybe yours too, called it that because there was nothing there, nothing you needed anyway. You know where I mean, those streets right over by the Welcome Young Field, by Harry the Bookie’s variety store (you knew Harry’s, with the always almost empty shelves except maybe a few dusty cans of soup, a couple of loaves of bread and a refrigerator empty except maybe a quart of milk or two, an also active pin-ball machine, and his “book” right on the counter for all the world, including his cop-customer world, to see), and the never empty, never empty as long as my father was alive, Red Feather (excuse me I forgot it changed names, Dublin Grille) bar room. Now I have your attention, right?
But first let me explain how I wound up as a “guest” on this “Tales of Old North Adamsville” blog. Seems like Peter Paul Markin, that’s the half-assed, oops, half-baked, manager of this site, posted up some story, some weepy cock and bull story, about the Irish-ness of the old town, “A Moment In History… As March 17th Approaches” to the “North Adamsville Graduates Facebook” page and my pride and joy daughter, Clara, North Adamsville Class of 1978 (and she actually graduated), saw it and recognized the names Riley, O’Brian and Welcome Young Field and asked me to read it. I did and sent Peter Paul an e-mail (christ, where does he get off using two names like he was a bloody heathen Boston Brahmin and him without a pot to piss in, as my dear grandmother used to say, growing up on streets on the wrong side of the tracks, over near the marshes for chrissakes, wronger even than the Sagamore streets). (Or my baby Clara did, after I told her what to write. I’m not much of hand at writing or using this hi-tech stuff, if you want to know the truth)
I don’t know what he did with that e-mail, and to be truthful again, I don’t really care, but in that e-mail I told him something that he didn’t know, or rather two things. The first was that I “knew” him, or rather knew his grandmother (on his mother’s side) Anna Riley because her sister, Bernice, and my dear grandmother, Mary, also an O’Brien but with an “e”, who both lived in Southie (South Boston, in those days the Irish Mecca, for the heathens or Protestants that might read this) were as thick as thieves. When I was just a teenager myself I used to drive his grandmother over to her sister’s in Southie so that the three of them, and maybe some other ladies joined them for all I know, could go to one of the Broadway bars (don’t ask me to name which one, I don’t remember) that admitted unescorted ladies in those days and have themselves a drunk. And smoke cigarettes, unfiltered ones no less, Camels I think when I used cadge a few, which his stern grandfather, Dan Riley, refused to allow in the house over on Young Street.
I know, I know this is not the way that blue-grey haired Irish grandmothers are supposed to act, in public or private. And somebody, if I know my old North Adamsville gossips, wags and nose-butters, and my North Adamsville Irish branch of that same clan especially, is going say why am I airing that “dirty linen” in public. That’s a good point that Peter Paul talked in his story about Frank O’Brian and not airing the family business in public (in that post mentioned above). So what am I doing taking potshots as the blessed memories of those sainted ladies. That is where my second thing comes in to set the record straight – Peter Paul, and I told him so in that e-mail (or Clara did) with no beating around the bush, is to me just another one of those misty-eyed, half-breed March 17th Irish that are our curse and who go on and on about the eight hundred years of English tyranny like they lived it, actually lived each day of it. (Yes half-breed, his father, a good guy from what my father told me when they used to drink together, was nothing but a Protestant hillbilly from down in the mountain mists hills and hollows Kentucky)
Now don’t get me wrong. I am as patriotic as the next Irishman in tipping my hat to our Fenian dead, and the boys of ’16, and the lads on the right side in 1922, and the lads fighting in the North now but Peter Paul has got the North Adamsville Irish weepy, blessed “old sod” thing all wrong. No doubt about it. So, if you can believe this, he challenged me, to tell the real story. And I am here as his “guest” to straighten him out, and maybe you too. Sure, he is helping me write this thing. I already told you I’m a low-tech guy. Jesus, do you think I could write stuff like that half-assed, oops, half- baked son of an expletive with his silly, weepy half-Irish arse goings on? I will tell you this though right now if I read this thing and it doesn’t sound right fists are gonna be swinging, old as I am. But let’s get this thing moving for God’s sake.
Let me tell you about the shabeen, I mean, The Red Feather, I mean the Dublin Grille, bar room on Sagamore Street. That’s the one I know, and I am just using that as an example. There were plenty of others in old North Adamsville, maybe not as many as in Southie, but plenty. If you seriously wanted to talk about the “Irish-ness” of North Adamsville that was the place, the community cultural institution if you will, to start your journey. Many a boy, including this boy, got his first drink, legal or illegal, at that, or another like it, watering hole. Hell, the “real” reason they built that softball field at Welcome Young was so the guys, players and spectators alike, had an excuse to stop in for a few (well, maybe more than a few) after a tough battle on base paths. That’s the light-hearted part of the story, in a way. What went on when the “old man”, anybody’s “old man”, got home at the, sometimes, wee hours is not so light-hearted.
See, that is really where the straightening out job on our boy Peter Paul needs to be done. Sure, a lot of Irish fathers didn’t get drunk all the time. Although the deep dark secret was that in almost every family, every shanty family for certain and I know, and many “lace curtain” families they was at least one reprobate drunk. Hell, the local city councilor’s brother, Healy I think it was, was in thrown the drunk tank by the coppers more times than he was out. They could have given him a pass-key and saved time and money on dragging him to the caboose. But the king hell takes-the-cake was old Black-Jack’s Kerrigan’s brother, Boyo (sorry, I forget his real name). Ya, the North Adamsville High headmaster’s brother, the bastard that I had a run-in with and had to hightail it out of school, although it was not over his brother. See Black-Jack’s family though they were the Mayfair swells since Black-Jack had gone to college, one of the first in the old neighborhood, and they had that big single-family house over on Beach Street. But more than one night I found Boyo lying face-down on Billings Road drunk as a skunk and had to carry him home to his wife and family. And then head back to the other side of the tracks, that wrong side I already told you about. Next day, or sometime later, Boyo would give me a dollar. Naturally when I went to school after that I went out of my way to flash the dollar bill at Black-Jack, saying “Look what Boyo gave me for helping him out.” That’s all I had to say. Black-Jack always turned fuming red, maybe flaming red.
A lot of Irish fathers didn’t beat on their wives all the time either. And a lot of Irish fathers didn’t physically beat their kids for no reason. Plenty of kids go the “strap” though when the old man was “feeling his oats.” (I never heard of any sexual abuse, but that was a book sealed with seven seals then.) And more than one wife, more than one son’s mother didn’t show her face to the “shawlie” world due to the simple fact that a black eye, a swollen face, or some other wound disfigured her enough to lay low for a while. I had to stop, or try to stop, my own father one time when I was about twelve and he was on one of his three day Dublin Grille whiskey straight-up, no chaser toots and Ma just got in his way. He swatted me down like a fly and I never tried to go that route again. But he didn’t try to beat my mother again either, at least not when I was a around or I would have heard about it on the shawlie wire.
And a lot of Irish wives didn’t just let their husbands beat on them just because they were the meal ticket, the precious difference between a home and the county farm or, worst, the streets. And a lot of Irish wives didn’t make excuses for dear old dad (or pray) when the paycheck didn’t show up and the creditors were beating down the door. And a lot of Irish wives didn’t let those Irish fathers beat on their kids. And a lot of Irish mothers didn’t tell their kids not to “air the dirty linen in public.” But, don’t let anyone fool you, and maybe I am touching on things too close to home, my home or yours, but that formed part of the scene, the Irish scene.
Maybe, because down at the Atlantic dregs end of North Adamsville the whole place was so desperately lower working-class other ethnic groups, like the Italians, also had those same pathologies. (I am letting Peter Paul use that last word, although I still don’t really know what it means, but it seemed right when he told me what it meant). I don’t know. Figure it out though, plenty of fathers (and it was mainly fathers only in those days who worked, when they could) with not much education and dead-end jobs, plenty of triple decker, no space, no air, no privacy rented housing and plenty of dead time. Ya, sure, I felt the “Irish-ness” of the place sometimes (mainly with the back of the hand), I won’t say I didn’t but when Peter Paul starts running on and on about the “old sod” just remember what I told you. I’ll tell you all the truth, won’t you take a word from me.
Thursday, November 17, 2011
Writer's Corner-From The Pages Of "Socialism Today (September 2011)"-DASHIELL HAMMETT: HARD-BOILED WRITER, COMMUNIST FIGHTER-A Review
Click on the headline to link to an American Left History post on the crime noir writer, Dashiell Hammett.
DASHIELL HAMMETT: HARD-BOILED WRITER, COMMUNIST FIGHTER-A Review Socialism Today No.151 September 2011
EARLIER THIS year it was announced that 15 previously unpublished short stories by the US writer Dashiell Hammett had been discovered in a university archive in Texas, provoking much excitement among fans of the hardboiled detective fiction genre.
Hammett is regarded by many literary critics as one of the most important writers of the 20th century. His most famous book, The Maltese Falcon, featuring the immortal detective, Sam Spade, was made into a film three times in the 1930s and 1940s. The best known version featured Humphrey Bogart, turning him into an international film star. His stories are still used by writers and film-makers today as a source and inspiration. The Coen brothers' film, Miller's Crossing, for example, lifts ideas from both The Glass Key and Red Harvest, books written by Hammett 80 years ago.
Hammett was also an antifascist activist and a member of the Communist Party of America. He went to jail rather than hand over evidence that could have been used against other activists during the anti-communist witch-hunt led by Senator Joseph McCarthy in the 1950s.
Hammett was born in 1894, growing up in a working-class area of Baltimore. He left school at 13 and had a variety of jobs, including a freight clerk, a newsboy and a messenger for the B&O railroad. It was on the Baltimore waterfront that Hammett first came across socialist ideas, though he did not become active at that time. Instead, he made a contradictory career move when, in 1915, he joined the Pinkerton Private Detective Agency.
The Pinkertons carried out 'traditional' detective work but they were more often used as a private strike-breaking force by bosses. From the 1870s to the 1930s, labour movement activists were beaten up and many killed fighting for their rights. For example, in the 'Homestead' strike in Pittsburgh in 1892 pitched battles were fought between steel strikers and the Pinkertons, leading to 16 deaths.
Hammett worked for the Pinkertons until 1922, interrupted by service in the first world war. In 1920, he was sent to the Anaconda copper strike in Butte, Montana, in which copper workers led by the Industrial Workers of the World were battling for increased wages and the eight-hour day. Hammett revealed much later that he had been offered $5,000 by the mine-owners to murder one of the workers' leaders. In another incident, a striking miner was shot in the back, probably by a Pinkerton agent. The experience at Anaconda, together with his poor health - in 1919 he was a victim of the influenza epidemic that swept the world and was later struck down with bronchial pneumonia -seems to have been decisive in leading Hammett to leave the Pinkertons.
While recovering from illness, Hammett began writing the detective stories that made
his name. In the early 1920s, a key starting point for an aspiring writer was the short
story magazines. Many of these magazines, aimed at a working-class readership, were
printed on cheap pulp-wood paper, hence they became known as 'pulps'. Typically, they cost ten cents and were made to be read and then thrown away. Pulp fiction writers were paid by the word. The more a writer wrote, the more he or she got paid. Not surprisingly, the quality of much of what was produced was questionable.
Hammett's decision to start story writing coincided more or less with the appointment of a new editor at what was to become the most important of the detective pulp magazines, The Black Mask. Joseph Shaw, or Cap Shaw as he became known, transformed The Black Mask magazine into a pulp that featured a new 'hard-boiled' style of writing. Hammett became the master of this style and type of story.
Hardboiled detective fiction differed from earlier 'cosy' detective stories in that they tended to feature a more violent career "criminal than the lords, ladies, retired colonels, vicars and rich aunts who cropped up in stories typified by those written by Agatha Christie. Hardboiled stories tended to be fast paced, often narrated through the first person private investigator.
It was not accidental that the hardboiled detective story developed in the USA in the 1920s. Prohibition (the alcohol ban) had created an opportunity for gangsters to add to the huge profits they were already making from prostitution, protection rackets and gambling. Organised crime would often control or at least have a significant influence over the police and city politics. This was the America of Al Capone and Bugsy Siegel. Violence and corruption were everywhere.
This violent backdrop provided the perfect canvas on which Hammett could write his stories. While the traditional detective fiction featured an eccentric 'thinking machine' like Hercule Poirot or Sherlock Holmes, the hard-boiled detective had to be good with his fists and a gun. Hammett's short stories mostly featured an anonymous private detective known as 'the Op'. He is certainly intelligent but not exceptionally so. The people he encountered were often ordinary and spoke with the language of the street. Hammett's brilliance was in capturing the language of ordinary Americans and putting it on the page. This, together with a crisp style of short staccato sentences, gave a pace and authenticity to his stories.
While not politically active during the bulk of his writing career, many of his stories brilliantly expose the link between crime and the nature „ of capitalist society. As Hemet has Sam Spade say in The Maltese Falcon, "most things in San Francisco can be bought, or taken".
In Red Harvest, Hammett's first novel, the Op is sent to Clean up a town called Person-ville. The opening paragraph typifies Hammett's genius: "I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte. He also called his shirt a shoit. I didn't think anything of what he'd done to the city's name.
Later I heard men who could manage their r's give it the same pronunciation. I still didn’t see anything in it but the meaningless sort of humor that used to make richard-snary the thieves' word for dictionary. A few years later I went to Personville and learned better".
Personville/Poisonville is loosely based on Anaconda but is a metaphor for America: "Don't kid yourselves that there's any law in Poisonville except what you make for yourself. For Hammett, it was not just a case of cleaning up a town or removing a few bad eggs. Corruption and violence are structural in capitalist society.
In the 1930s, Hammett gave up writing and became more politically active. He joined the Communist Party (CP) although his membership was kept secret because the party leadership thought that he would thereby be able to reach a wider audience. Instead, he was involved in a number of CP front organizations. Hammett wanted to play a more active role and volunteered to fight against the fascists in the Spanish civil war by joining the International Brigade. The CP stopped him, however, preferring to use him as a spokesperson in the USA.
Unfortunately Hammett, like many CP members, loyally followed the 'party line', dictated by the Stalinist bureaucracy that had removed all vestiges of workers' democracy in Russia. He publicly supported the Moscow purge trials that were used by the Stalinists to attack Leon Trotsky and other opponents of Stalinism. He followed the CP line in condemning the second world war up until the Nazi invasion of Russia. Once Russia had been invaded, Hammett was among the first to volunteer for army service.
Hammett was not a 'bohemian communist' who joined the CP because it was trendy. At the height of the cold war, when hundreds of ex-communists and former sympathisers were desperate to distance themselves, he loyally stood by the party and his comrades.
Hammett was a trustee of the New York branch of the Civil Rights Congress, a CP front set up to provide legal and financial assistance for activists. In 1951, the McCarthyite witch-hunt was at its height. Hemet was subpoenaed to appear in court. Asked to name any contributors to the civil rights fund he refused. He was then asked to hand over the records of the fund. This would have meant giving the names of thousands of activists to the state, potentially leaving them vulnerable to the witch-hunt. Again he refused.
The court sentenced him to six months in jail. Hammett offered no defence. After his release, he was blacklisted. His books that had sold in their hundreds of thousands were removed from public libraries. Screenings of film versions stopped. He became a non-person, dependent on the support of a few loyal friends for accommodation and food in his final years, finally dying from lung cancer in January 1961.
Dashiell Hammett was a principled though at times mistaken socialist who believed in a better life for all. We should remember him for his courage in standing up to the American state and going to prison rather than reveal the names of his comrades. However, most of all we should treasure the marvelous legacy of his writing, which is as entertaining today as it was when he wrote it. O
Mick Whale
DASHIELL HAMMETT: HARD-BOILED WRITER, COMMUNIST FIGHTER-A Review Socialism Today No.151 September 2011
EARLIER THIS year it was announced that 15 previously unpublished short stories by the US writer Dashiell Hammett had been discovered in a university archive in Texas, provoking much excitement among fans of the hardboiled detective fiction genre.
Hammett is regarded by many literary critics as one of the most important writers of the 20th century. His most famous book, The Maltese Falcon, featuring the immortal detective, Sam Spade, was made into a film three times in the 1930s and 1940s. The best known version featured Humphrey Bogart, turning him into an international film star. His stories are still used by writers and film-makers today as a source and inspiration. The Coen brothers' film, Miller's Crossing, for example, lifts ideas from both The Glass Key and Red Harvest, books written by Hammett 80 years ago.
Hammett was also an antifascist activist and a member of the Communist Party of America. He went to jail rather than hand over evidence that could have been used against other activists during the anti-communist witch-hunt led by Senator Joseph McCarthy in the 1950s.
Hammett was born in 1894, growing up in a working-class area of Baltimore. He left school at 13 and had a variety of jobs, including a freight clerk, a newsboy and a messenger for the B&O railroad. It was on the Baltimore waterfront that Hammett first came across socialist ideas, though he did not become active at that time. Instead, he made a contradictory career move when, in 1915, he joined the Pinkerton Private Detective Agency.
The Pinkertons carried out 'traditional' detective work but they were more often used as a private strike-breaking force by bosses. From the 1870s to the 1930s, labour movement activists were beaten up and many killed fighting for their rights. For example, in the 'Homestead' strike in Pittsburgh in 1892 pitched battles were fought between steel strikers and the Pinkertons, leading to 16 deaths.
Hammett worked for the Pinkertons until 1922, interrupted by service in the first world war. In 1920, he was sent to the Anaconda copper strike in Butte, Montana, in which copper workers led by the Industrial Workers of the World were battling for increased wages and the eight-hour day. Hammett revealed much later that he had been offered $5,000 by the mine-owners to murder one of the workers' leaders. In another incident, a striking miner was shot in the back, probably by a Pinkerton agent. The experience at Anaconda, together with his poor health - in 1919 he was a victim of the influenza epidemic that swept the world and was later struck down with bronchial pneumonia -seems to have been decisive in leading Hammett to leave the Pinkertons.
While recovering from illness, Hammett began writing the detective stories that made
his name. In the early 1920s, a key starting point for an aspiring writer was the short
story magazines. Many of these magazines, aimed at a working-class readership, were
printed on cheap pulp-wood paper, hence they became known as 'pulps'. Typically, they cost ten cents and were made to be read and then thrown away. Pulp fiction writers were paid by the word. The more a writer wrote, the more he or she got paid. Not surprisingly, the quality of much of what was produced was questionable.
Hammett's decision to start story writing coincided more or less with the appointment of a new editor at what was to become the most important of the detective pulp magazines, The Black Mask. Joseph Shaw, or Cap Shaw as he became known, transformed The Black Mask magazine into a pulp that featured a new 'hard-boiled' style of writing. Hammett became the master of this style and type of story.
Hardboiled detective fiction differed from earlier 'cosy' detective stories in that they tended to feature a more violent career "criminal than the lords, ladies, retired colonels, vicars and rich aunts who cropped up in stories typified by those written by Agatha Christie. Hardboiled stories tended to be fast paced, often narrated through the first person private investigator.
It was not accidental that the hardboiled detective story developed in the USA in the 1920s. Prohibition (the alcohol ban) had created an opportunity for gangsters to add to the huge profits they were already making from prostitution, protection rackets and gambling. Organised crime would often control or at least have a significant influence over the police and city politics. This was the America of Al Capone and Bugsy Siegel. Violence and corruption were everywhere.
This violent backdrop provided the perfect canvas on which Hammett could write his stories. While the traditional detective fiction featured an eccentric 'thinking machine' like Hercule Poirot or Sherlock Holmes, the hard-boiled detective had to be good with his fists and a gun. Hammett's short stories mostly featured an anonymous private detective known as 'the Op'. He is certainly intelligent but not exceptionally so. The people he encountered were often ordinary and spoke with the language of the street. Hammett's brilliance was in capturing the language of ordinary Americans and putting it on the page. This, together with a crisp style of short staccato sentences, gave a pace and authenticity to his stories.
While not politically active during the bulk of his writing career, many of his stories brilliantly expose the link between crime and the nature „ of capitalist society. As Hemet has Sam Spade say in The Maltese Falcon, "most things in San Francisco can be bought, or taken".
In Red Harvest, Hammett's first novel, the Op is sent to Clean up a town called Person-ville. The opening paragraph typifies Hammett's genius: "I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte. He also called his shirt a shoit. I didn't think anything of what he'd done to the city's name.
Later I heard men who could manage their r's give it the same pronunciation. I still didn’t see anything in it but the meaningless sort of humor that used to make richard-snary the thieves' word for dictionary. A few years later I went to Personville and learned better".
Personville/Poisonville is loosely based on Anaconda but is a metaphor for America: "Don't kid yourselves that there's any law in Poisonville except what you make for yourself. For Hammett, it was not just a case of cleaning up a town or removing a few bad eggs. Corruption and violence are structural in capitalist society.
In the 1930s, Hammett gave up writing and became more politically active. He joined the Communist Party (CP) although his membership was kept secret because the party leadership thought that he would thereby be able to reach a wider audience. Instead, he was involved in a number of CP front organizations. Hammett wanted to play a more active role and volunteered to fight against the fascists in the Spanish civil war by joining the International Brigade. The CP stopped him, however, preferring to use him as a spokesperson in the USA.
Unfortunately Hammett, like many CP members, loyally followed the 'party line', dictated by the Stalinist bureaucracy that had removed all vestiges of workers' democracy in Russia. He publicly supported the Moscow purge trials that were used by the Stalinists to attack Leon Trotsky and other opponents of Stalinism. He followed the CP line in condemning the second world war up until the Nazi invasion of Russia. Once Russia had been invaded, Hammett was among the first to volunteer for army service.
Hammett was not a 'bohemian communist' who joined the CP because it was trendy. At the height of the cold war, when hundreds of ex-communists and former sympathisers were desperate to distance themselves, he loyally stood by the party and his comrades.
Hammett was a trustee of the New York branch of the Civil Rights Congress, a CP front set up to provide legal and financial assistance for activists. In 1951, the McCarthyite witch-hunt was at its height. Hemet was subpoenaed to appear in court. Asked to name any contributors to the civil rights fund he refused. He was then asked to hand over the records of the fund. This would have meant giving the names of thousands of activists to the state, potentially leaving them vulnerable to the witch-hunt. Again he refused.
The court sentenced him to six months in jail. Hammett offered no defence. After his release, he was blacklisted. His books that had sold in their hundreds of thousands were removed from public libraries. Screenings of film versions stopped. He became a non-person, dependent on the support of a few loyal friends for accommodation and food in his final years, finally dying from lung cancer in January 1961.
Dashiell Hammett was a principled though at times mistaken socialist who believed in a better life for all. We should remember him for his courage in standing up to the American state and going to prison rather than reveal the names of his comrades. However, most of all we should treasure the marvelous legacy of his writing, which is as entertaining today as it was when he wrote it. O
Mick Whale
Monday, November 14, 2011
Busted Visions Of Adamsville Beach- For Diana N., Class Of 1964
Click on the title to link to a Wikipedia entry for Wollaston Beach, called Adamsville Beach in the sketch, including a picture for those who have moved away from the area. Damn, thanks Internet technology on this one.
Peter Paul Markin, North Adamsville Class Of 1964, comment:
Okay, okay in an earlier sketch entitled "Daydream Visions Of Adamsville Beach," this writer got all misty-eyed, some may say even teary-eyed, about the old days at North Adamsville Beach. I went on and on about things like impatiently waiting to check out the various flavors of ice cream at the now long-departed HoJo's Ice Cream stand across the street from the beach; the vagaries of clam-digging in the jellyfish-infested and slimy oil-drenched mud flats, for young and old, down at the Merrymount end of the beach; and, about the smell of charcoal- broiled hot dogs and other delights at what we then called Treasure Island (and now Cady Park, I think) at that same end.
Furthermore, all be-bop blushing aside I, heroically, allowed us to suffer once against by describing the obligatory teenage longings for companionship and romantic adventure associated with the sea. With the sound of the high tide waves roaring against the sand splashed shore. That last bit, my friends, is shorthand for the "parking" ritual and "submarine races," a localism for activities, automobile activities, going on in the deep night, the deep teen hormonal night that we are sworn to secrecy about while the kids or grand kids are around.
But now I say enough of the "magical realism" that I invoked in that sketch. Today, as we are older and wiser, we will junk that "memory lane" business and take a look at old Adamsville Beach in the clear bright light of day, warts and all. We all must or should respect Mother Nature, or she will beat us, mercilessly beat us down, but let’s at least not mumble gibberish in old age like some star-struck teeny-boppers.
Last year , as part of the ill-advised trip down the memory lane trip that I have been endlessly writing about with these sketches I walked, hard sneaker-driven walked, intrepid observer that I am, the length of Adamsville Beach from the Squaw Rock Causeway (near the ubiquitous "Dunkin Donuts" for the modern reader, I don’t know what frame of reference site would do for the older reader, maybe the old Squaw Rock Elementary School or the long-abandoned Naval Air Base entrance) to the bridge at Adamsville Shore Drive (and the entrance to, the dividing line which should have been etched in high gloss granite stone native to the area stone that separated we pure at heart raider red diehards from the dreaded Adamsville High heathen warriors). At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, re-do the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.
Oh sure, most of the natural landmarks and outcroppings are still there, as well as some of the structural ones. Those poor, weather-beaten Squaw Rock and Adamsville Heights Yacht Clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered "Beachcomber" local beach gin mill drunken throw-up night horrors in much the same condition and with that same rutted unpaved parking lot is still there, just like when we first tried to get into at whatever non-legal age we tried, as are the inevitable non-descript clam shacks with their cholesterol-laden goods. That is not what I mean.
What I noticed were things like the odd sulfuric smell of low-tide when the sea is calm. The tepidness of the water as it splashed almost apologetically to the shore; when a man, no stranger to the sound of crashing waves in almost every conceivable locale on this continent, craved the roar of the ocean. And the annoying gear-grinding noise and fuming smoke caused by the constant vehicular traffic, especially those blasting-engine motorcycles, those Harley hog things and their mad men drivers. Things that, frankly, I was oblivious to back in the days.
There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville as describe in "Visions" and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were vistas to conquer, and at times we were in, as the poet Wordsworth wrote "very heaven" and now when those sights have been transformed by too many other pictures of a wild and wicked world. The lesson to be learned: beware the perils of "memory lane". But don't ever blame the sea for that, please.
.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album in 2001). That seems about right.
Peter Paul Markin, North Adamsville Class Of 1964, comment:
Okay, okay in an earlier sketch entitled "Daydream Visions Of Adamsville Beach," this writer got all misty-eyed, some may say even teary-eyed, about the old days at North Adamsville Beach. I went on and on about things like impatiently waiting to check out the various flavors of ice cream at the now long-departed HoJo's Ice Cream stand across the street from the beach; the vagaries of clam-digging in the jellyfish-infested and slimy oil-drenched mud flats, for young and old, down at the Merrymount end of the beach; and, about the smell of charcoal- broiled hot dogs and other delights at what we then called Treasure Island (and now Cady Park, I think) at that same end.
Furthermore, all be-bop blushing aside I, heroically, allowed us to suffer once against by describing the obligatory teenage longings for companionship and romantic adventure associated with the sea. With the sound of the high tide waves roaring against the sand splashed shore. That last bit, my friends, is shorthand for the "parking" ritual and "submarine races," a localism for activities, automobile activities, going on in the deep night, the deep teen hormonal night that we are sworn to secrecy about while the kids or grand kids are around.
But now I say enough of the "magical realism" that I invoked in that sketch. Today, as we are older and wiser, we will junk that "memory lane" business and take a look at old Adamsville Beach in the clear bright light of day, warts and all. We all must or should respect Mother Nature, or she will beat us, mercilessly beat us down, but let’s at least not mumble gibberish in old age like some star-struck teeny-boppers.
Last year , as part of the ill-advised trip down the memory lane trip that I have been endlessly writing about with these sketches I walked, hard sneaker-driven walked, intrepid observer that I am, the length of Adamsville Beach from the Squaw Rock Causeway (near the ubiquitous "Dunkin Donuts" for the modern reader, I don’t know what frame of reference site would do for the older reader, maybe the old Squaw Rock Elementary School or the long-abandoned Naval Air Base entrance) to the bridge at Adamsville Shore Drive (and the entrance to, the dividing line which should have been etched in high gloss granite stone native to the area stone that separated we pure at heart raider red diehards from the dreaded Adamsville High heathen warriors). At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, re-do the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.
Oh sure, most of the natural landmarks and outcroppings are still there, as well as some of the structural ones. Those poor, weather-beaten Squaw Rock and Adamsville Heights Yacht Clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered "Beachcomber" local beach gin mill drunken throw-up night horrors in much the same condition and with that same rutted unpaved parking lot is still there, just like when we first tried to get into at whatever non-legal age we tried, as are the inevitable non-descript clam shacks with their cholesterol-laden goods. That is not what I mean.
What I noticed were things like the odd sulfuric smell of low-tide when the sea is calm. The tepidness of the water as it splashed almost apologetically to the shore; when a man, no stranger to the sound of crashing waves in almost every conceivable locale on this continent, craved the roar of the ocean. And the annoying gear-grinding noise and fuming smoke caused by the constant vehicular traffic, especially those blasting-engine motorcycles, those Harley hog things and their mad men drivers. Things that, frankly, I was oblivious to back in the days.
There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville as describe in "Visions" and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were vistas to conquer, and at times we were in, as the poet Wordsworth wrote "very heaven" and now when those sights have been transformed by too many other pictures of a wild and wicked world. The lesson to be learned: beware the perils of "memory lane". But don't ever blame the sea for that, please.
.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album in 2001). That seems about right.
Sunday, November 13, 2011
Out Of The 1940s Crime Noir Night- Drifter’s Farewell- “Moontide”- A
Click on the headline to link to a Wikipedia entry for the film Moontide.
DVD Review
Moontide, starring Jean Gabon, Ida Lupino, Thomas Mitchell, Claude Rains, 20th Century-Fox, 1942
There are a million ways, a million ways cinematically and maybe in life too, that boy meets girl, crime noir or not. Even if that “boy” is a not so young drifter sailor, Bobo (played by Jean Gabin last seen by this reviewer in the incredible French film, Max Ophuls' Children of Paradise), whose been around, and thinks he wants to stay been around. Except fastened to the California waterfront like glue by his profession he is called upon to save a damsel in distress. A young woman, Anna, who serves them off the arm in some hash house (played here by Ida Lupino last seen by this reviewer in High Sierra with Humphrey Bogart and Pard) who was, at wits end for some unknown reason, sets out to drown herself. Naturally sea-worthy Gabin saves her, and the romance is on.
But wait a minute this is a crime noir as well as a boy meets girl story. And Bobo is set up to fit the frame while he was drunk by his friend Tiny, a serious ne’er do well and slightly psycho, after Tiny has killed a denizen of the waterfront over some trivial matter. So the boy meets girls setting up house (on a barge of course out on the breakwater) part keeps on getting set back by the Bobo frame-up part. All, by the way, done in high 1940s melodramatic style.
But there is more. This film’s script is filled with little philosophical reflections by one and all, Bobo most of all. For Bobo about leaving the high seas adventure life and its down time waterfront dive existence and settling down. By Anna about whether she is “worthy” to be Bobo bride and find happiness in their cozy little barge by the breakwater. And by other characters, as well, like Doc (a boat owner) and the night watchman, Nutsy (played by Claude Rains). Hell, even Tiny makes a pitch that he just needs a new life up north to break out of his psycho ways. Like I said very melodramatic but as always with Gabin you get some incredibly expressive acting and Ms. Lupino does her misspent working class unworthiness existence whine to a tee.
DVD Review
Moontide, starring Jean Gabon, Ida Lupino, Thomas Mitchell, Claude Rains, 20th Century-Fox, 1942
There are a million ways, a million ways cinematically and maybe in life too, that boy meets girl, crime noir or not. Even if that “boy” is a not so young drifter sailor, Bobo (played by Jean Gabin last seen by this reviewer in the incredible French film, Max Ophuls' Children of Paradise), whose been around, and thinks he wants to stay been around. Except fastened to the California waterfront like glue by his profession he is called upon to save a damsel in distress. A young woman, Anna, who serves them off the arm in some hash house (played here by Ida Lupino last seen by this reviewer in High Sierra with Humphrey Bogart and Pard) who was, at wits end for some unknown reason, sets out to drown herself. Naturally sea-worthy Gabin saves her, and the romance is on.
But wait a minute this is a crime noir as well as a boy meets girl story. And Bobo is set up to fit the frame while he was drunk by his friend Tiny, a serious ne’er do well and slightly psycho, after Tiny has killed a denizen of the waterfront over some trivial matter. So the boy meets girls setting up house (on a barge of course out on the breakwater) part keeps on getting set back by the Bobo frame-up part. All, by the way, done in high 1940s melodramatic style.
But there is more. This film’s script is filled with little philosophical reflections by one and all, Bobo most of all. For Bobo about leaving the high seas adventure life and its down time waterfront dive existence and settling down. By Anna about whether she is “worthy” to be Bobo bride and find happiness in their cozy little barge by the breakwater. And by other characters, as well, like Doc (a boat owner) and the night watchman, Nutsy (played by Claude Rains). Hell, even Tiny makes a pitch that he just needs a new life up north to break out of his psycho ways. Like I said very melodramatic but as always with Gabin you get some incredibly expressive acting and Ms. Lupino does her misspent working class unworthiness existence whine to a tee.
Saturday, November 12, 2011
Out In the 1950s Crime Noir Night- A Grifter’s Farewell- “Dark City- A Film Review
Click on the headline to link to a Wikipedia entry for the crime noir, Dark City.
DVD Review
Dark City, starring Charleston Heston, Lizabeth Scott, Dean Jagger, Jack Webb, Harry Morgan, Paramount Pictures, 1950
No question after running through a seemingly endless run of crime noir films that not all the films in the genre are equal. The classics like The Big Sleep, Maltese Falcon, Gilda, and Out Of The Past speak for themselves with fine plot lines and slightly awry femme fatales to brighten things up. The film under review, although not in that category, could have been better had it not gotten caught up in some melodramatic flim-flam and stayed the hard-boiled, gritty classic grifter story that it set out to be. The outlines of the plot surely gave more promise that was delivered.
Down in those post-World War II means streets out West a lot of war-weary, war-tousled, war-scarred guys tried to do, well, the best they could. And the best they could usually was some grifter scheme to make a score off some bozo mark and hit the road, hit the road fast, and leave no forwarding address. That is the substance of the plot here. Ex-soldier (World War II just in case you might have forgotten, or were not sure what war I was talking about since there are many to choose from these days) Dan Healy (played in an understated, post-war alienated, existential man kind of way by Charleston Heston before he became Moses or Ben Hur or whatever big screen techno-color champ he became later) make his downwardly mobile way to grifter-dom in some seedy skid row town.
Dan's thing is gambling and, of course, for such an endeavor you need suckers with dough, easily parted with dough. And, as well, some confederates in on the scam. That is the case here as Dan and two fellow grifters (one played by Jack Webb before he got “religion” and became Sergeant Friday on the 1950s television show, Dragnet) rope in the sucker, a guy holding a five thousand dollar check (serious money, serious money down on mean street then) although the money is not actually his. Needless to say a fool and his dough are soon parted.
And that is where things start to go wrong with this film (as well as in the lives of our three gamblers). Filled with remorse the mark (played by Don DeFore) can’t face the horror of going back and confessing to his employers that he blew the dough on gambling, and instead hanged himself in his lonely room. Not for him the easy road of blowing town and changing his name, toughing it out, or even filing a court claim against the miscreant gamblers. In short, nobody, nobody this side of Hollywood takes the rope on the facts presented here. And then it gets worst. See the mark has an older dominating brother who watches out for him. Now this suicide business once he finds out the cause gets him a little exercised. See the brother is a stone-cold psycho and he is out to even the score-three dead, very dead gamblers.
Well, if you have been paying attention you know that Charleston Heston, the star and therefore kill-proof, is one of those marked for extinction so the other two get their just desserts and old Heston squeaks by after some close moments. The problem is when we see finally see who the killer-brother is there is no way that anyone could believe, or at least I could believe, that this gorilla was anybody’s brother. Come on.
The other place where the film goes wrong is on the inevitable love interest angle. Now Danny boy, who spends a good part of the film moodily cutting up old torches from back in the day, has a sort of girlfriend. A very fetching smoky-voiced chanteuse, Fran, (played by Lizabeth Scott) girlfriend who wears her heart on her sleeve for him, although he is mostly indifferent to her. No femme fatale here-just a what you see is what you get gal who can sing the blues, while having them over her man who done her wrong. The problem is that the chemistry between Danny and Fran is all wrong, all wrong alls ways. Fran is the girl next door and Danny, is well Danny, a grifter and the two don’t mix. And the plot gets further muddied when Dan, trying to get a lead of where the mark’s brother is, starts to play footsie with the dead mark's non-grieving widow. So you see now what I mean when I say that not all crime noirs are created equal.
DVD Review
Dark City, starring Charleston Heston, Lizabeth Scott, Dean Jagger, Jack Webb, Harry Morgan, Paramount Pictures, 1950
No question after running through a seemingly endless run of crime noir films that not all the films in the genre are equal. The classics like The Big Sleep, Maltese Falcon, Gilda, and Out Of The Past speak for themselves with fine plot lines and slightly awry femme fatales to brighten things up. The film under review, although not in that category, could have been better had it not gotten caught up in some melodramatic flim-flam and stayed the hard-boiled, gritty classic grifter story that it set out to be. The outlines of the plot surely gave more promise that was delivered.
Down in those post-World War II means streets out West a lot of war-weary, war-tousled, war-scarred guys tried to do, well, the best they could. And the best they could usually was some grifter scheme to make a score off some bozo mark and hit the road, hit the road fast, and leave no forwarding address. That is the substance of the plot here. Ex-soldier (World War II just in case you might have forgotten, or were not sure what war I was talking about since there are many to choose from these days) Dan Healy (played in an understated, post-war alienated, existential man kind of way by Charleston Heston before he became Moses or Ben Hur or whatever big screen techno-color champ he became later) make his downwardly mobile way to grifter-dom in some seedy skid row town.
Dan's thing is gambling and, of course, for such an endeavor you need suckers with dough, easily parted with dough. And, as well, some confederates in on the scam. That is the case here as Dan and two fellow grifters (one played by Jack Webb before he got “religion” and became Sergeant Friday on the 1950s television show, Dragnet) rope in the sucker, a guy holding a five thousand dollar check (serious money, serious money down on mean street then) although the money is not actually his. Needless to say a fool and his dough are soon parted.
And that is where things start to go wrong with this film (as well as in the lives of our three gamblers). Filled with remorse the mark (played by Don DeFore) can’t face the horror of going back and confessing to his employers that he blew the dough on gambling, and instead hanged himself in his lonely room. Not for him the easy road of blowing town and changing his name, toughing it out, or even filing a court claim against the miscreant gamblers. In short, nobody, nobody this side of Hollywood takes the rope on the facts presented here. And then it gets worst. See the mark has an older dominating brother who watches out for him. Now this suicide business once he finds out the cause gets him a little exercised. See the brother is a stone-cold psycho and he is out to even the score-three dead, very dead gamblers.
Well, if you have been paying attention you know that Charleston Heston, the star and therefore kill-proof, is one of those marked for extinction so the other two get their just desserts and old Heston squeaks by after some close moments. The problem is when we see finally see who the killer-brother is there is no way that anyone could believe, or at least I could believe, that this gorilla was anybody’s brother. Come on.
The other place where the film goes wrong is on the inevitable love interest angle. Now Danny boy, who spends a good part of the film moodily cutting up old torches from back in the day, has a sort of girlfriend. A very fetching smoky-voiced chanteuse, Fran, (played by Lizabeth Scott) girlfriend who wears her heart on her sleeve for him, although he is mostly indifferent to her. No femme fatale here-just a what you see is what you get gal who can sing the blues, while having them over her man who done her wrong. The problem is that the chemistry between Danny and Fran is all wrong, all wrong alls ways. Fran is the girl next door and Danny, is well Danny, a grifter and the two don’t mix. And the plot gets further muddied when Dan, trying to get a lead of where the mark’s brother is, starts to play footsie with the dead mark's non-grieving widow. So you see now what I mean when I say that not all crime noirs are created equal.
Looking For A Few Good Men…And Women For Peace- A Stroll In The Boston Common On Veterans Day, Circa 2011- Immediate, Unconditional Withdrawal Of All U.S. Troops From Afghanistan! Hands Off Iran!-Hands Off The World!
Click on the headline to link to the Veterans For Peace website for the latest news.
Looking For A Few Good Men…And Women For Peace- A Stroll In The Boston Common On Veterans Day, Circa 2011- Immediate, Unconditional Withdrawal Of All U.S. Troops From Afghanistan! Hands Off Iran!-Hands Off The World!
Markin comment:
Last year when I wrote what amounted to a paean to the Veterans For Peace and their Boston Common anti-war activities on Veterans Day 2010 in the entry, A Stroll In The Park On Veterans Day, where I said the following:
“Listen, I have been to many marches and demonstrations for democratic, progressive, socialist and communist causes in my long political life. However, of all those events none, by far, has been more satisfying that to march alongside my fellow ex-soldiers who have “switched” over to the other side and are now part of the struggle against war, the hard, hard struggle against the permanent war machine that this imperial system has embarked upon. From as far back as in the Vietnam Veterans Against the War (VVAW) days I have always felt that ex-soldiers (hell, active soldiers too, if you can get them) have had just a little bit more “street cred” on the war issue than the professors, pacifists and little old ladies in tennis sneakers who have traditionally led the anti-war movements. Maybe those brothers (and in my generation it was mainly only brothers) and now sisters may not quite pose the questions of war and peace the way I do, or the way that I would like them to do, but they are kindred spirits.
Now normally in Boston, and in most places, a Veterans Day parade means a bunch of Veterans of Foreign Wars (VFW) or American Legion-types taking time off from drinking at their post bars (“the battle of the barstool”) and donning the old overstuffed uniform and heading out on to Main Street to be waved at, and cheered on, by like-minded, thankful citizens. And of course that happened this time as well. What also happened in Boston this year (and other years but I have not been involved in previous marches) was that the Veterans For Peace (VFP) organized an anti-war march as part of their “Veterans Day” program. Said march to be held at the same place and time as the official one.”
And this year I expected to say roughly the same thing, except now that I have worked with them in some actions here in Boston, down in Washington D.C. in front of the Winter Palace (oops, the White House) in some civil disobedience actions, and in front of the Quantico Marine Base in Virginia in defense of the heroic Army private, Bradley Manning, that copy-cat approach doesn’t seem adequate. And here is why.
For an anti-war war veteran there are two kinds of ways to call oneself a veteran. The obvious one is to have “gone into the service,” as my grandmother (and probably many, too many, other grandmothers as well) used to say. The other is to be a veteran of the kind of anti-war actions described above. And, in the old days (the VVAW days) we used to say that kind of veteran service with a certain knowing snicker. A snicker like it was good to know, know finally, that you were on the side of the angels. And so to put paid to this piece let me finish with a story, a story about how a few god men and women kept on the right side of those angels just recently here in Boston.
Everybody with a pulse knows that there is a populist movement that has swept part of America (and the world) this fall looking for a little social justice and an end to the 1% takes all system we have lived under all our lives, the Occupy movement. An attentive news reader also knows that part of the publicity generated around the movement centers on establishing encampments in cities, large and small, in order to dramatize the pressing needs of the great majority of people. Here in Boston that started on September 31, 2011 with successful occupation of a section of the Rose Kennedy Greenway at Dewey Square near South Station. On October 10th elements within the movement attempted to expand the encampment another block and pitched tents accordingly. This “affrontery” set Boston Mayor Thomas Menino into spasms and he ordered out his Cossacks (a. k. a. cops) to disband the rabble, forthwith. At a General Assembly (the decision-making body that drives the camp and the political perspectives) that evening the overwhelming majority of those present and voting voted to defend the second site. As result in the dead of night (about 2:00 AM) the Mayor’s horde descended on the campsite in full combat regalia to arrest the peaceful assembly waiting to defend the site. Some one hundred and forty people were arrested that early morning.
That is the back story, and is more or less widely known by now. What is less well known is that a contingent of veterans, almost all veterans of previous civil disobediences actions, had determined one more time to defend something. This time not the mythical home and country but “family,” a family of mainly younger people who were not as well- versed in cop madness, or the niceties of the nightstick as these veterans. And so as is called for when an encampment is set up in enemy territory that contingent set up a perimeter on the pathway in front of the camp in the direction from which the attack was expected. And it came. The veterans, some of who were arrested and others who were merely pushed aside, or to the ground, “defended” the camp, honorably . And you now know why anything I expected to say about this years Veterans Day anti-war gathering on November 11th pales in comparison. A few good women and men, indeed. And I say that without a snicker today.
Immediate, Unconditional Withdrawal Of All U.S. Troops From Afghanistan! Hands Off Iran!-Hands Off The World!
Looking For A Few Good Men…And Women For Peace- A Stroll In The Boston Common On Veterans Day, Circa 2011- Immediate, Unconditional Withdrawal Of All U.S. Troops From Afghanistan! Hands Off Iran!-Hands Off The World!
Markin comment:
Last year when I wrote what amounted to a paean to the Veterans For Peace and their Boston Common anti-war activities on Veterans Day 2010 in the entry, A Stroll In The Park On Veterans Day, where I said the following:
“Listen, I have been to many marches and demonstrations for democratic, progressive, socialist and communist causes in my long political life. However, of all those events none, by far, has been more satisfying that to march alongside my fellow ex-soldiers who have “switched” over to the other side and are now part of the struggle against war, the hard, hard struggle against the permanent war machine that this imperial system has embarked upon. From as far back as in the Vietnam Veterans Against the War (VVAW) days I have always felt that ex-soldiers (hell, active soldiers too, if you can get them) have had just a little bit more “street cred” on the war issue than the professors, pacifists and little old ladies in tennis sneakers who have traditionally led the anti-war movements. Maybe those brothers (and in my generation it was mainly only brothers) and now sisters may not quite pose the questions of war and peace the way I do, or the way that I would like them to do, but they are kindred spirits.
Now normally in Boston, and in most places, a Veterans Day parade means a bunch of Veterans of Foreign Wars (VFW) or American Legion-types taking time off from drinking at their post bars (“the battle of the barstool”) and donning the old overstuffed uniform and heading out on to Main Street to be waved at, and cheered on, by like-minded, thankful citizens. And of course that happened this time as well. What also happened in Boston this year (and other years but I have not been involved in previous marches) was that the Veterans For Peace (VFP) organized an anti-war march as part of their “Veterans Day” program. Said march to be held at the same place and time as the official one.”
And this year I expected to say roughly the same thing, except now that I have worked with them in some actions here in Boston, down in Washington D.C. in front of the Winter Palace (oops, the White House) in some civil disobedience actions, and in front of the Quantico Marine Base in Virginia in defense of the heroic Army private, Bradley Manning, that copy-cat approach doesn’t seem adequate. And here is why.
For an anti-war war veteran there are two kinds of ways to call oneself a veteran. The obvious one is to have “gone into the service,” as my grandmother (and probably many, too many, other grandmothers as well) used to say. The other is to be a veteran of the kind of anti-war actions described above. And, in the old days (the VVAW days) we used to say that kind of veteran service with a certain knowing snicker. A snicker like it was good to know, know finally, that you were on the side of the angels. And so to put paid to this piece let me finish with a story, a story about how a few god men and women kept on the right side of those angels just recently here in Boston.
Everybody with a pulse knows that there is a populist movement that has swept part of America (and the world) this fall looking for a little social justice and an end to the 1% takes all system we have lived under all our lives, the Occupy movement. An attentive news reader also knows that part of the publicity generated around the movement centers on establishing encampments in cities, large and small, in order to dramatize the pressing needs of the great majority of people. Here in Boston that started on September 31, 2011 with successful occupation of a section of the Rose Kennedy Greenway at Dewey Square near South Station. On October 10th elements within the movement attempted to expand the encampment another block and pitched tents accordingly. This “affrontery” set Boston Mayor Thomas Menino into spasms and he ordered out his Cossacks (a. k. a. cops) to disband the rabble, forthwith. At a General Assembly (the decision-making body that drives the camp and the political perspectives) that evening the overwhelming majority of those present and voting voted to defend the second site. As result in the dead of night (about 2:00 AM) the Mayor’s horde descended on the campsite in full combat regalia to arrest the peaceful assembly waiting to defend the site. Some one hundred and forty people were arrested that early morning.
That is the back story, and is more or less widely known by now. What is less well known is that a contingent of veterans, almost all veterans of previous civil disobediences actions, had determined one more time to defend something. This time not the mythical home and country but “family,” a family of mainly younger people who were not as well- versed in cop madness, or the niceties of the nightstick as these veterans. And so as is called for when an encampment is set up in enemy territory that contingent set up a perimeter on the pathway in front of the camp in the direction from which the attack was expected. And it came. The veterans, some of who were arrested and others who were merely pushed aside, or to the ground, “defended” the camp, honorably . And you now know why anything I expected to say about this years Veterans Day anti-war gathering on November 11th pales in comparison. A few good women and men, indeed. And I say that without a snicker today.
Immediate, Unconditional Withdrawal Of All U.S. Troops From Afghanistan! Hands Off Iran!-Hands Off The World!
Friday, November 11, 2011
Out In The 1950s Crime Night-The Rich Are Different From You And I-“Blackout”-A Film Review
Click on the headline to link to a Turner Classic Movies entry for the 1954 film, Blackout.
Blackout, starring Dane Clark, Belinda Lee, Hammer Film Productions, 1954
There is a fall guy born every minute, especially fall guys who will jump through hoops when they are down on their luck. Especially when said hoops are held by foxy-looking young blonde dames (although they do not have to be blonde, okay). That is the premise that drives much of the film under review, Blackout. That boy meets girl story and the hard fact of life that the just rich, very rich, and super-rich are different, and in this case, very different from you and I.
Now here is the “skinny.” Casey (played by Dane Clark) is a down and out American looking, well, looking for something in the post-World War II and he figures London is just as good a place as any to land. Naturally a down and out guy has to figure things out and what better place to do so than at a bar, a bar that just happens to have a fetching and rich blonde damsel in distress, Phyllis (played by Belinda Lee), looking to get married and willing to pay for that status for her own reasons. He accepts, although as fate would have it he winds up with a case of blackout (hence the title of the film) dumped in some doorway groggy for his efforts (and befriended by a very independent starving woman artist who lives on the other side of that door, who is only tangentially connected with the nefarious doings going on). And the chase is on. Why? Phyllis’ rich, very rich, father has been murdered that very marriage night and guess who the prime suspect, the numero uno fall guy, is?
Needless to say, patsy or not, this calls for drastic action to recoup his honor (and to stay out of the slammer) by our boy Casey. But, as usual, everybody and their brother (or sister) has a motive, and an ax to grind including that fetching blonde who lured him in. Who to trust (or not trust) while evading the coppers in the black and white dreary streets and cooped-up apartments of 1950s London drives the plot. And what drives the main villain, by the way not the blonde beauty no way although she makes Casey think twice about it a couple of times, is the need to have plenty of dough. That is where that point about the rich being different, very different, comes in and you can watch the film to figure the why of that out.
Blackout, starring Dane Clark, Belinda Lee, Hammer Film Productions, 1954
There is a fall guy born every minute, especially fall guys who will jump through hoops when they are down on their luck. Especially when said hoops are held by foxy-looking young blonde dames (although they do not have to be blonde, okay). That is the premise that drives much of the film under review, Blackout. That boy meets girl story and the hard fact of life that the just rich, very rich, and super-rich are different, and in this case, very different from you and I.
Now here is the “skinny.” Casey (played by Dane Clark) is a down and out American looking, well, looking for something in the post-World War II and he figures London is just as good a place as any to land. Naturally a down and out guy has to figure things out and what better place to do so than at a bar, a bar that just happens to have a fetching and rich blonde damsel in distress, Phyllis (played by Belinda Lee), looking to get married and willing to pay for that status for her own reasons. He accepts, although as fate would have it he winds up with a case of blackout (hence the title of the film) dumped in some doorway groggy for his efforts (and befriended by a very independent starving woman artist who lives on the other side of that door, who is only tangentially connected with the nefarious doings going on). And the chase is on. Why? Phyllis’ rich, very rich, father has been murdered that very marriage night and guess who the prime suspect, the numero uno fall guy, is?
Needless to say, patsy or not, this calls for drastic action to recoup his honor (and to stay out of the slammer) by our boy Casey. But, as usual, everybody and their brother (or sister) has a motive, and an ax to grind including that fetching blonde who lured him in. Who to trust (or not trust) while evading the coppers in the black and white dreary streets and cooped-up apartments of 1950s London drives the plot. And what drives the main villain, by the way not the blonde beauty no way although she makes Casey think twice about it a couple of times, is the need to have plenty of dough. That is where that point about the rich being different, very different, comes in and you can watch the film to figure the why of that out.
Thursday, November 10, 2011
From #Occupied Boston (#TomemonosBoston)-Day Forty-Two- An Injury To One Is An Injury To All!-Defend All The Occupation Sites And All The Occupiers!–No Mas- The Class-War Lines Are Being Drawn-There Is A Need To Unite And Fight-Random Sights From Life At Dewey Square
Click on the headline to link to updates from the Occupy Boston website.Occupy Boston started at 6:00 PM, September 30, 2011. I will post important updates as they appear on that site.
********
Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!
********
#TomemonosBoston
Somos la Sociedad conformando el 99% -Dewey Square, Cercerde South Station
#Tomemonos Boston se reuniarin en el Dewey Square en Downtown Boston a discutir cambios que la ciudadania puede hacer en el gobierno que afecte un cambio social positivo.
********
Markin comment November 9, 2011:
“Hey brother, can you help me put this tarp over my tent? It got cold as hell last night and the winds were blowing fierce,” yelled a youthfully-faced male, but now a few weeks-seasoned Occupy Boston grizzly veteran resident to a middle-aged man casually walking by. “Sure thing, let’s get to it” replied that passer-by.
“Can you bring this hot pot of soup to the kitchen? Some lady, a lady who would not give her name and would not acknowledge anything but thanks, drove up on the Atlantic Avenue side and asked me to unload some stuff for her,” said one young woman in shorts to another young woman dressed for colder climates.
“If you want a meal, a nice hot meal, could you wash some dishes to help us out,” barked, barked above the din in front of him, a man who had daily volunteered to help out in the makeshift kitchen. And a couple of older guys, older guys who knew the streets and the lore of the streets backward and forward, stepped behind the tent and got to work while another passed on the request.
“Man, play us a Hendrix tune on that thing, ‘cause you are smokin’, man” earnestly requested a young bearded man, obviously a student, an ardent musical student from the look of him. “Okay man, if you play a little drum behind me.” came the reply from the reincarnation of Jimi, complete with tie-dyed headband to hold his head together.
“Say, can I have cigarette, man, I’m out?” said another older man weary, street weary, getting ready to enter a tent to catch a few winks. “I’m rolling Bull, okay?,” answered a red-headed dread-locked young man.
Such were, are, the random sights and sounds of the Occupy Boston encampment on any given day, or any given minute if you can be in seven places at one time, as the camp continues to organize itself in the tradition of the old westward pioneers seeking that great American west night, and still are seeking it generations later.
“Hey man, don’t be cheap give me a fucking cigarette, I’m all shaky,” shouted out a razor- edged guy, obviously working off some hang-over, although not necessarily an alcoholic or drug one. “I’m down to my last one, what the fuck do you want from me,” came the surly reply. And the tension passed away in the midday air.
“This place is neat, three squares and a cot, and nobody hassles you and you don’t have to work for your grub, or nothing,” murmured a street veteran to no one in particular in a crowd of suburban tourists who have made the site at Dewey Square a place on their “must see” map.
“You had better stay the fuck away from my woman, and stay way away,” threatened a young guy, a young white guy, not a street guy, not a student but just the kind of guy who drifts in and out of things. “Fuck you and your woman,” came the reply from a young Spanish-looking dude who had daggers in his eyes as the two nearly came to blows. Just then someone yelled “rainbow” and several people appeared to calm the situation down.
This too is a part of the “new world a-borning” as not everybody is quite ready yet to shift gears, or just has too much, much too much, baggage from old bourgeois society to make the leap of faith just yet.
Five minutes ago the sidewalk along the Atlantic Avenue side of the encampment was deserted, a lonely yellow-jacketed cop shifting back and forth on his heels to make his duty time pass more quickly. Now the first sign of the day, “Tax The Rich,” along with it human holder, here a well-dressed, well-reserved older woman, a woman who looks like she has seen many battles for social justice in her time hits the sidewalk. And her action acts as a catalyst because now here come a couple of young students carrying a banner-“Banks got bailed out, we got sold out,” one of the anthems of the Occupy movement, to stand beside her. They smile, she smiles, nothing more is needed they understand each other completely.
Then a convoy of about twelve middle-aged and older Universalist-Unitarians from out in some suburban town, who have rented a bus for the occasion, begin filling in the sidewalk with their “peace, this,” “peace, that,” “good will toward all” signs. Upon investigation this group had made a solemn decision to come weekly to Boston to stand in solidarity with the efforts in Dewey Square.
A few minutes later, from out of nowhere, came a nomadic resident of the “village” with a plateful of cookies, chocolate chip perhaps, and offers them to those “working the line” on Atlantic Avenue.
An older model automobile, frankly a heap, driven by a menacing-looking man in lumberjack jacket with fierce eyes stopped just in front of the entrance to the encampment and yells out, “Hey, when do I put these sleeping bags, tarps, shovels, and pots? I can’t stay but I am with you, with you all the way.” Of such acts by such desperate looking men, revolutions are made, big-time revolutions.
Toward late afternoon the Atlantic Avenue traffic gets heavier, bumper to bumper, as people try to leave the city, and city cares behind. A guy in a big dump truck, a flat-top hair cut showing yells out, “Get a job” at a group of street people standing on the avenue. Later a pedestrian muttered to that cop on duty, who was still rocking his heel, about how he payed taxes and isn’t it a shame what these people are up to. The call of the day though goes to a guy, a light-skinned Cuban-looking guy in a late model sports car driving on the far right lane away from the encampment, who yells out, “Commies, go back to where you came from.” Ya, I know not everybody got the news, not everybody gets what is going on, and not everybody, despite the sleek street slogan of ninety-nine percent is with us. But just remember that guy, that lumberjack jacket guy who gave what he had, and gave all the way.
********
Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!
********
#TomemonosBoston
Somos la Sociedad conformando el 99% -Dewey Square, Cercerde South Station
#Tomemonos Boston se reuniarin en el Dewey Square en Downtown Boston a discutir cambios que la ciudadania puede hacer en el gobierno que afecte un cambio social positivo.
********
Markin comment November 9, 2011:
“Hey brother, can you help me put this tarp over my tent? It got cold as hell last night and the winds were blowing fierce,” yelled a youthfully-faced male, but now a few weeks-seasoned Occupy Boston grizzly veteran resident to a middle-aged man casually walking by. “Sure thing, let’s get to it” replied that passer-by.
“Can you bring this hot pot of soup to the kitchen? Some lady, a lady who would not give her name and would not acknowledge anything but thanks, drove up on the Atlantic Avenue side and asked me to unload some stuff for her,” said one young woman in shorts to another young woman dressed for colder climates.
“If you want a meal, a nice hot meal, could you wash some dishes to help us out,” barked, barked above the din in front of him, a man who had daily volunteered to help out in the makeshift kitchen. And a couple of older guys, older guys who knew the streets and the lore of the streets backward and forward, stepped behind the tent and got to work while another passed on the request.
“Man, play us a Hendrix tune on that thing, ‘cause you are smokin’, man” earnestly requested a young bearded man, obviously a student, an ardent musical student from the look of him. “Okay man, if you play a little drum behind me.” came the reply from the reincarnation of Jimi, complete with tie-dyed headband to hold his head together.
“Say, can I have cigarette, man, I’m out?” said another older man weary, street weary, getting ready to enter a tent to catch a few winks. “I’m rolling Bull, okay?,” answered a red-headed dread-locked young man.
Such were, are, the random sights and sounds of the Occupy Boston encampment on any given day, or any given minute if you can be in seven places at one time, as the camp continues to organize itself in the tradition of the old westward pioneers seeking that great American west night, and still are seeking it generations later.
“Hey man, don’t be cheap give me a fucking cigarette, I’m all shaky,” shouted out a razor- edged guy, obviously working off some hang-over, although not necessarily an alcoholic or drug one. “I’m down to my last one, what the fuck do you want from me,” came the surly reply. And the tension passed away in the midday air.
“This place is neat, three squares and a cot, and nobody hassles you and you don’t have to work for your grub, or nothing,” murmured a street veteran to no one in particular in a crowd of suburban tourists who have made the site at Dewey Square a place on their “must see” map.
“You had better stay the fuck away from my woman, and stay way away,” threatened a young guy, a young white guy, not a street guy, not a student but just the kind of guy who drifts in and out of things. “Fuck you and your woman,” came the reply from a young Spanish-looking dude who had daggers in his eyes as the two nearly came to blows. Just then someone yelled “rainbow” and several people appeared to calm the situation down.
This too is a part of the “new world a-borning” as not everybody is quite ready yet to shift gears, or just has too much, much too much, baggage from old bourgeois society to make the leap of faith just yet.
Five minutes ago the sidewalk along the Atlantic Avenue side of the encampment was deserted, a lonely yellow-jacketed cop shifting back and forth on his heels to make his duty time pass more quickly. Now the first sign of the day, “Tax The Rich,” along with it human holder, here a well-dressed, well-reserved older woman, a woman who looks like she has seen many battles for social justice in her time hits the sidewalk. And her action acts as a catalyst because now here come a couple of young students carrying a banner-“Banks got bailed out, we got sold out,” one of the anthems of the Occupy movement, to stand beside her. They smile, she smiles, nothing more is needed they understand each other completely.
Then a convoy of about twelve middle-aged and older Universalist-Unitarians from out in some suburban town, who have rented a bus for the occasion, begin filling in the sidewalk with their “peace, this,” “peace, that,” “good will toward all” signs. Upon investigation this group had made a solemn decision to come weekly to Boston to stand in solidarity with the efforts in Dewey Square.
A few minutes later, from out of nowhere, came a nomadic resident of the “village” with a plateful of cookies, chocolate chip perhaps, and offers them to those “working the line” on Atlantic Avenue.
An older model automobile, frankly a heap, driven by a menacing-looking man in lumberjack jacket with fierce eyes stopped just in front of the entrance to the encampment and yells out, “Hey, when do I put these sleeping bags, tarps, shovels, and pots? I can’t stay but I am with you, with you all the way.” Of such acts by such desperate looking men, revolutions are made, big-time revolutions.
Toward late afternoon the Atlantic Avenue traffic gets heavier, bumper to bumper, as people try to leave the city, and city cares behind. A guy in a big dump truck, a flat-top hair cut showing yells out, “Get a job” at a group of street people standing on the avenue. Later a pedestrian muttered to that cop on duty, who was still rocking his heel, about how he payed taxes and isn’t it a shame what these people are up to. The call of the day though goes to a guy, a light-skinned Cuban-looking guy in a late model sports car driving on the far right lane away from the encampment, who yells out, “Commies, go back to where you came from.” Ya, I know not everybody got the news, not everybody gets what is going on, and not everybody, despite the sleek street slogan of ninety-nine percent is with us. But just remember that guy, that lumberjack jacket guy who gave what he had, and gave all the way.
Out In The Be-Bop 1960s Night- When The Music’s Over-On The 41st Anniversary Of Janis Joplin’s Death
Click on the headline to link to a YouTube film clip of Janis Joplin and Big Brother and the Holding Company performing the bluesy classic, Piece Of My Heart.
Classic Rock : 1968: Shakin’ All Over, various artists, Time-Life Music, 1989
Scene: Brought to mind by a the cover art on this CD of a Janis Joplin-like female performer belting out some serious blues rock in the heat of the “Generation of ‘68” night.
Josh Breslin (a. k. a. the Prince of Love, although some yellow bus wit made a joke of that moniker calling him the Prince of Lvov, some Podunk town in Poland, or some place like that) was weary, weary as hell, road- weary, drug-weary, Captain Crunch’s now Big Sur–based magical mystery tour, merry prankster, yellow brick road bus-weary, even hanging around with his “papa,” “Far-Out” Phil Larkin who had gotten him through some pretty rough spots weary. Hell, he was girl-weary too, girl weary ever since his latest girlfriend, Gypsy Lady (nee Phyllis McBride), decided that she just had to go back to her junior year of college at Berkeley in order to finish some paper on the zodiac signs and their meaning for the new age rising. Ya, okay Gypsy, do what you have to do. Moreover this summer of 1968, June to be exact, after a year bouncing between summers of love, autumns of drugs, winters of discontent, and springs of political madness what with Johnson’s resignation, Robert Kennedy’s assassination piled on to that of King’s had taken a lot out of him, including his weight, weight loss that his already slim runner’s frame could not afford.
Moreover, now the chickens were coming home to roost. Before he had joined Captain Crunch’s merry prankster crew in San Francisco, got “on the bus,” in the youth nation tribal parlance, last summer he had assumed that he would enter State U in the fall (University of Maine, for those who did not know). After a summer of love with Butterfly Swirl though (his temperature rose every time he thought about her and her cute little tricks to get him going sexually even now) and then a keen interest in a couple of other young women before Gypsy Lady landed on him, some heavy drug experiences that he was still trying to figure out, his start–up friendship with Phil, and the hard fact that he just did not want to go home now that he had found “family” he decided that he needed to “see the world” for a while instead. And he had, at least enough to weary him.
What he did not figure on, or what got blasted into the deep recesses of his brain just a couple of days ago, was a letter from his parents with a draft notice from his local board enclosed. Hell’s bells he had better get back, weary or not, and get some school stuff going real fast, right now fast. There was one thing for sure, one nineteen-year old Joshua Peter Breslin, Olde Saco, Maine High School Class of 1967, was not going with some other class of young men to ‘Nam to be shot at, or to shoot.
Funny, Josh thought, as he mentally prepared himself for the road back to Olde Saco, how the past couple of months had just kind of drifted by and that he really was ready to get serious. The only thing that had kind of perked him up lately was Ruby Red Lips (nee Sandra Kelly), who had just got “on the bus” from someplace down South like Georgia, or Alabama and who had a great collection of blues records that he was seriously getting into (as well as seriously into Ruby although she seemed slow, very slow, to get his message). Josh, throughout high school and even on the bus, was driven by rock ‘n’ roll. Period. He got surprised one day when he heard Ruby playing Shake, Rattle, and Roll. He asked, “Is that Carl Perkins?” Ruby laughed, laughed a laugh that he found appealing and said, “No silly, that's the king of be-bop blues, Big Joe Turner. Want to hear more stuff?” And that was that. Names like Skip James, Howlin’ Wolf, Robert Johnson, Son House, Muddy Waters and Little Walter started to fill his musical universe.
What got him really going though were the women singers, Sippie Wallace, mad Bessie Smith, a whole bunch of other barrelhouse blues-singers named Smith, Memphis Minnie and the one that really, really got to him, “Big Mama” Thornton. The latter belting out a bluesy rendition of Hound Dog that made Elvis' seem kind of punk, and best of all Piece Of My Heart.
Then one night Ruby took him to club over in Monterrey, the Blue Note, a club for young blues talent, mainly, that was a stepping-stone to getting work at the Monterrey Pop Festival each year. There he heard, heard if you can believe this, some freckled, red-headed whiskey-drinking off the hip girl, ya just a wisp of a girl, from Podunk, Texas, or maybe Oklahoma who was singing Big Mama’s Piece of My Heart. And then Ball and Chain, Little School Girl, and Little Red Rooster. Hell, she had the joint jumping until the early hours for just as long as guys kept putting drinks in front of her. What a night, what a blues singer.
Just now though Ruby Red Lips came over to him, kind of perky and kind of with that look in her that he was getting to catch on to when a girl was interested in him and said, “Hey, Janis, that singer from the Blue Note, is going to be at Monterrey Pops next month with a band to back her up, want to go? And, do you want to go to the Blue Note with me tonight?” After answering, yes, yes, to both those questions the Prince of Love (and not some dinky Lvov either) figured he could go back to old life Olde Saco by late August and still be okay but he had better grab Ruby now while he could.
Classic Rock : 1968: Shakin’ All Over, various artists, Time-Life Music, 1989
Scene: Brought to mind by a the cover art on this CD of a Janis Joplin-like female performer belting out some serious blues rock in the heat of the “Generation of ‘68” night.
Josh Breslin (a. k. a. the Prince of Love, although some yellow bus wit made a joke of that moniker calling him the Prince of Lvov, some Podunk town in Poland, or some place like that) was weary, weary as hell, road- weary, drug-weary, Captain Crunch’s now Big Sur–based magical mystery tour, merry prankster, yellow brick road bus-weary, even hanging around with his “papa,” “Far-Out” Phil Larkin who had gotten him through some pretty rough spots weary. Hell, he was girl-weary too, girl weary ever since his latest girlfriend, Gypsy Lady (nee Phyllis McBride), decided that she just had to go back to her junior year of college at Berkeley in order to finish some paper on the zodiac signs and their meaning for the new age rising. Ya, okay Gypsy, do what you have to do. Moreover this summer of 1968, June to be exact, after a year bouncing between summers of love, autumns of drugs, winters of discontent, and springs of political madness what with Johnson’s resignation, Robert Kennedy’s assassination piled on to that of King’s had taken a lot out of him, including his weight, weight loss that his already slim runner’s frame could not afford.
Moreover, now the chickens were coming home to roost. Before he had joined Captain Crunch’s merry prankster crew in San Francisco, got “on the bus,” in the youth nation tribal parlance, last summer he had assumed that he would enter State U in the fall (University of Maine, for those who did not know). After a summer of love with Butterfly Swirl though (his temperature rose every time he thought about her and her cute little tricks to get him going sexually even now) and then a keen interest in a couple of other young women before Gypsy Lady landed on him, some heavy drug experiences that he was still trying to figure out, his start–up friendship with Phil, and the hard fact that he just did not want to go home now that he had found “family” he decided that he needed to “see the world” for a while instead. And he had, at least enough to weary him.
What he did not figure on, or what got blasted into the deep recesses of his brain just a couple of days ago, was a letter from his parents with a draft notice from his local board enclosed. Hell’s bells he had better get back, weary or not, and get some school stuff going real fast, right now fast. There was one thing for sure, one nineteen-year old Joshua Peter Breslin, Olde Saco, Maine High School Class of 1967, was not going with some other class of young men to ‘Nam to be shot at, or to shoot.
Funny, Josh thought, as he mentally prepared himself for the road back to Olde Saco, how the past couple of months had just kind of drifted by and that he really was ready to get serious. The only thing that had kind of perked him up lately was Ruby Red Lips (nee Sandra Kelly), who had just got “on the bus” from someplace down South like Georgia, or Alabama and who had a great collection of blues records that he was seriously getting into (as well as seriously into Ruby although she seemed slow, very slow, to get his message). Josh, throughout high school and even on the bus, was driven by rock ‘n’ roll. Period. He got surprised one day when he heard Ruby playing Shake, Rattle, and Roll. He asked, “Is that Carl Perkins?” Ruby laughed, laughed a laugh that he found appealing and said, “No silly, that's the king of be-bop blues, Big Joe Turner. Want to hear more stuff?” And that was that. Names like Skip James, Howlin’ Wolf, Robert Johnson, Son House, Muddy Waters and Little Walter started to fill his musical universe.
What got him really going though were the women singers, Sippie Wallace, mad Bessie Smith, a whole bunch of other barrelhouse blues-singers named Smith, Memphis Minnie and the one that really, really got to him, “Big Mama” Thornton. The latter belting out a bluesy rendition of Hound Dog that made Elvis' seem kind of punk, and best of all Piece Of My Heart.
Then one night Ruby took him to club over in Monterrey, the Blue Note, a club for young blues talent, mainly, that was a stepping-stone to getting work at the Monterrey Pop Festival each year. There he heard, heard if you can believe this, some freckled, red-headed whiskey-drinking off the hip girl, ya just a wisp of a girl, from Podunk, Texas, or maybe Oklahoma who was singing Big Mama’s Piece of My Heart. And then Ball and Chain, Little School Girl, and Little Red Rooster. Hell, she had the joint jumping until the early hours for just as long as guys kept putting drinks in front of her. What a night, what a blues singer.
Just now though Ruby Red Lips came over to him, kind of perky and kind of with that look in her that he was getting to catch on to when a girl was interested in him and said, “Hey, Janis, that singer from the Blue Note, is going to be at Monterrey Pops next month with a band to back her up, want to go? And, do you want to go to the Blue Note with me tonight?” After answering, yes, yes, to both those questions the Prince of Love (and not some dinky Lvov either) figured he could go back to old life Olde Saco by late August and still be okay but he had better grab Ruby now while he could.
Wednesday, November 9, 2011
On The 40th Anniversary Of The Death Of The Doors' Jim Morrsion- AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors
Click on the title to link to a YouTube film clip of Jim Morrison and The Doors performing Riders In The Storm.
From American Left History
Wednesday, December 23, 2009
*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors
CD Review
Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007
Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.
The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.
More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".
A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.
MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.
The Unknown Soldier Lyrics
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head
And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!
Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier
Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head
And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…
From American Left History
Wednesday, December 23, 2009
*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors
CD Review
Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007
Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.
The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.
More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".
A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.
MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.
The Unknown Soldier Lyrics
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head
And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!
Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier
Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head
And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…
On The 40th Anniversary Of The Death Of The Doors' Jim Morrsion- Greil Marcus' New Book -"The Doors: A Lifetime of Listening to Five Mean Years"
Click on the headline to link to an On Point (NPR) broadcast of Greil Marcus discussing ...The Doors: A Lifetime of Listening to Five Mean Years.
********
From American Left History
Wednesday, December 23, 2009
*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors
CD Review
Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007
Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.
The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.
More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".
A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.
MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.
The Unknown Soldier Lyrics
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head
And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!
Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier
Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head
And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…
********
From American Left History
Wednesday, December 23, 2009
*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors
CD Review
Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007
Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.
The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.
More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".
A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.
MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.
The Unknown Soldier Lyrics
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head
And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!
Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier
Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head
And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…
Tuesday, November 8, 2011
Out In The 1950s Crime Noir Night, Kind Of- Beauty Is Only Skin Deep, Right, “Stolen Face” –A Film Review
Click on the headline to link to a Wikipedia entry for the film Stolen Face.
DVD Review
Stolen Face, starring Paul Henreid, Lizabeth Scott, Hammer Film Productions, 1952
Love, as almost everybody knows from personal experience, will make you do crazy thing sometimes. It will drive a seemingly rational calm and thoughtful man or woman over edge every once in while. Make “evil” in the world without missing a beat. That, my friends, is the premise behind the film under review, Stolen Face, one of a long line of films that portray the bad results of fooling around with Mother Nature too much, and with getting fogged up in that love embrace.
A British doctor, a plastic surgeon, (played Paul Henreid last seen leading the anti-fascist resistance as Victor Lazlo in early World War II in the film Casablanca) in post-World War II London working apparently for the National Health Service, and working very hard and diligently, thank you, takes a little vacation to the wilds of coastal England. He winds up in an inn along the way, an inn which also is hosting a beautiful American pianist ready to go on a European tour (played by smoky-voiced Lizabeth Scott) with a cold. Well, naturally, Doc comes to the rescue, and as part of the "cure" they fall head over heels in love. However, Lizabeth is already “spoken for,” leaving Doc very unhappy. So back to work he goes with a vengeance.
And that vengeance, as previously, entailed working on the faces of criminal types to give them a chance to change their ways (okay, Doc, if you say so). As part of that work he runs up against a disfigured dregs of the working-class young woman (okay, lumpenproletarian), Lily, whom he thinks that he can help by use of the surgeon’s scalpel. After much ado he gives her a new beautiful face, a face that is strangely very, very, very similar to his lost love’s. On top of that he goes off and marries her. But here is where things get dicey and the scriptwriter proves to be no Marxist or other believer in the ever upward rise of human progress. Lily, skin beautiful or not, goes back to her old ways “proving” that you cannot teach an old dog new tricks. Worst Lizabeth comes back; ready to get back into Doc’s arms. Fortunately Lily, drunk as a skunk riding on the train with hubby Doc, falls out of the train door (or was she pushed) just as Lizabeth shows up. Very convenient, very convenient indeed although no one is looking to make a court case out of it. Yes I guess beauty is really only skin deep, but no question love can drive you screwy. No question.
DVD Review
Stolen Face, starring Paul Henreid, Lizabeth Scott, Hammer Film Productions, 1952
Love, as almost everybody knows from personal experience, will make you do crazy thing sometimes. It will drive a seemingly rational calm and thoughtful man or woman over edge every once in while. Make “evil” in the world without missing a beat. That, my friends, is the premise behind the film under review, Stolen Face, one of a long line of films that portray the bad results of fooling around with Mother Nature too much, and with getting fogged up in that love embrace.
A British doctor, a plastic surgeon, (played Paul Henreid last seen leading the anti-fascist resistance as Victor Lazlo in early World War II in the film Casablanca) in post-World War II London working apparently for the National Health Service, and working very hard and diligently, thank you, takes a little vacation to the wilds of coastal England. He winds up in an inn along the way, an inn which also is hosting a beautiful American pianist ready to go on a European tour (played by smoky-voiced Lizabeth Scott) with a cold. Well, naturally, Doc comes to the rescue, and as part of the "cure" they fall head over heels in love. However, Lizabeth is already “spoken for,” leaving Doc very unhappy. So back to work he goes with a vengeance.
And that vengeance, as previously, entailed working on the faces of criminal types to give them a chance to change their ways (okay, Doc, if you say so). As part of that work he runs up against a disfigured dregs of the working-class young woman (okay, lumpenproletarian), Lily, whom he thinks that he can help by use of the surgeon’s scalpel. After much ado he gives her a new beautiful face, a face that is strangely very, very, very similar to his lost love’s. On top of that he goes off and marries her. But here is where things get dicey and the scriptwriter proves to be no Marxist or other believer in the ever upward rise of human progress. Lily, skin beautiful or not, goes back to her old ways “proving” that you cannot teach an old dog new tricks. Worst Lizabeth comes back; ready to get back into Doc’s arms. Fortunately Lily, drunk as a skunk riding on the train with hubby Doc, falls out of the train door (or was she pushed) just as Lizabeth shows up. Very convenient, very convenient indeed although no one is looking to make a court case out of it. Yes I guess beauty is really only skin deep, but no question love can drive you screwy. No question.
Sunday, November 6, 2011
Daydream Visions Of Adamsville Beach, Circa 1964-In Honor Of Elsa Alva (nee Daley), Class Of 1964
Click on the headline to link to a Wikipedia entry for Howard Johnson's Ice Cream Shop, a fixture on old-time Adamsville Beach for many years, to set the mood for this commentary.
Peter Paul Markin, North Adamsville Class Of 1964, comment:
I have been dedicating some of my sketches to various people. When I first wrote this one in 2008 I had not one in particular in mind but when I recently rewrote it I did have Elsa in mind. I did not know her well at North Adamsville, and do not know her now much better now, but I felt her presence very strongly when I was rewriting this thing. So here it is.>
********
Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, and the Adamsville Old Sailor’s Home (and cemetery about a quarter of a mile away, closed now but the final resting place for many a sea-faring man, known and unknown). Yes, those names and places from the old housing project down in South Adamsville where I came of age surely evoke imagines of the sea, of long ago sailing ships, and of desperate, high stakes battles fought off shrouded, mist-covered coasts by those hearty enough to seek fame and fortune. And agile enough to keep it. Almost from my first wobbly, halting first baby steps down at “the projects” I have been physically drawn to the sea, a seductive, foam-flecked siren call that has never left me. Moreover, ever since this writer was a toddler his imagination has been driven by the sea as well. Not so much of pirates and prizes but of the power of nature, for good or evil.
Of course, anyone with even a passing attachment to Adamsville has to have an almost instinctual love of the sea; and a fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But enough of those imaginings. If being determines consciousness, and if you love the ocean, then it does not hurt to have been brought up in Adamsville with its ready access to the bay and water on three sides. That said, the focal point for any experience with the ocean in Adamsville centers, naturally, around its longest stretch of beach, aptly, if not ingeniously, named Adamsville Beach.
For those of us of a certain age, including this writer, one cannot discuss Adamsville Beach properly without reference to such spots such as Howard Johnson's famous landmark ice cream stand (now a woe-begotten clam shack of no repute). For those who are clueless as to what I speak of, or have only heard about it in mythological terms from older relatives, or worst, have written it off as just another ice cream joint I have provided a link to a Wikipedia entry for the establishment. That should impress you of the younger set, I am sure. Know this: many a hot, muggy, sultry, sweaty summer evening was spent in line impatiently, and perhaps, on occasion, beyond impatience, waiting for one of those 27 (or was it 28?) flavors to cool off with. In those days the prize went to cherry vanilla in a sugar cone (backup: frozen pudding). I will not bore the reader with superlative terms and the “they don’t make them like they use to” riff, especially for those who only know “HoJo’s” from the later, pale imitation franchise days out on some forsaken great American West-searching highway, but at that moment I was in very heaven.
Nor can one forget those stumbling, fumbling, fierce childish efforts, bare-footed against all motherly caution about the dreaded jellyfish, pail and shovel in hand, to dig for seemingly non-existent clams down toward the Merrymount end of the beach at the, in those days, just slightly oil-slicked, sulfuric low tide. Or the smell of charcoal-flavored hot dogs on those occasional family barbecues (when one in a series of old jalopies that my father drove worked well enough to get us there) at the then just recently constructed old barren old Treasure Island (now named after some fallen Marine, and fully-forested, such is time) that were some of the too few times when my family acted as a family. Or the memory of roasted, really burnt, sticky marshmallows sticking to the roof of my mouth. Ouch!
But those thoughts and smells are not the only ones that interest me today. No trip down memory lane would be complete without at least a passing reference to high school Adamsville Beach. The sea brings out many emotions: humankind's struggle against nature, some Zen notions of oneness with the universe, the calming effect of the thundering waves, thoughts of immortality, and so on. But it also brings out the primordial longings for companionship. And no one longs for companionship more than teenagers. So the draw of the ocean is not just in its cosmic appeal but hormonal, as well. Mind you, however, we are not discussing here the nighttime Adamsville Beach, the time of "parking" and the "submarine races." [For the heathens, or those from Kansas or some such place, going to watch the submarine races was a localism meaning going, via car, down to the beach at night, hopefully on a very dark night, with a, for a guy, girl and, well, start groping each other, and usually more, a lot more, if you were lucky and the girl was hot, while occasionally coming up for air and looking for that mythical submarine race. Many guys (and gals) had there first encounter with oral sex that way, if the Monday morning before school boys’ lav talk, and maybe girls’ lav talk too, was anything but hot air.] Our thoughts are now pure as the driven snow. We will save that discussion for another time when kids and grand-kids are not around. Here we will confine ourselves to the day-time beach.
Virtually from the day school we got out of school for summer vacation I headed for the beach. And not just any section of that beach but the section directly between the Squaw Rock and Adamsville Heights Yacht Clubs. Now was situating myself in that spot done so that I could watch all the fine boats at anchor? Or was this the best swimming location on the beach? Hell no, this is where we heard (and here I include my old running pal and classmate, Bill Bailey) all the "babes" were. We were, apparently, under the influence of Beach Blanket Bingo or some such early 1960s Frankie Avalon-Annette Funicillo (sic) teenage beach film. (For those who are again clueless this was a “boy meets girl” saga like Avatar, except on the beach...and on Earth.)
Well, for those who expected a movie-like happy ending to this piece, you know, where I meet a youthful "Ms. Right" to the strains of Sea of Love, forget it. (That is the original Sea of Love, by the way, not the one used in the movie of the same name sung by Tom Waits at the end, and an incredible cover that you should listen to on YouTube.) I will keep the gory details short, though. As fate would have it there may have been "babes" aplenty down there but not for this lad. I don't know about you but I was just too socially awkward (read: tongue-tied) to get up the nerve to talk to girls (female readers substitute boys here). And on reflection, if the truth were to be known, I would not have known what to do about it in any case. No job, no money and, most importantly, no car for a date to watch one of those legendary "submarine races" that we have all agreed that we will not discuss here. But we can hardly fault the sea for that, right?
*****
The above piece came about as a result of a response to some correspondence, via, a manically hard-working and determined North Adamsville High School class reunion committee member who shall remain nameless (except for gender, she) concerning old-time memories of Adamsville Beach which formed one of the backdrops to our high school experiences. In the wake of my commentary everybody and their brother (or sister) who ever came within fifty miles of smelling the sulfuric-flecked sea air at that beach has felt some kind of ‘civic duty’ to bring out his or her own salt-encrusted memories of the place. Below, mainly unedited (who could edit someone’s civic duty), is the traffic in response to the above piece. No one is required to wade through all the blather but to make a New York Times-like offical record seems appropriate under the circumstances.
**********
Betty Gilroy 1985 (view profile)
Posted: Jul 22 2008 11:00pm PST
In reply to Peter Paul Markin 1964
I grew up close to Adamsville Beach...I used to ride my bike there, runaway there... was a great bike path, I loved it as a kid. I used to hang out with friends from school, had some great jelly fish fights there. Ahhh, my friend and her boy fell asleep on the beach divider {Markin: sea-wall]with his hand on her stomach. How was she going to explain that one to mom and dad? (And, no, you dirty old man, they were not having oral sex or anything like that, although I learned later from my own experience that this was a “hot” spot for such things being so secluded and all. She, maybe they, didn’t know anything about sex then according to her, although later she told me about a couple of things, nasty-sounding things then but nice now, to do with guys. I am blushing now, and getting a little funny-feeling too, when I think about it now but the sound of the ocean in the background was a great place to do those things, those so-called nasty things. I know it got me going.)
I lived in Adamsville Central in the ‘70s to the early 80s and then moved to North Adamsville. I love the views, and the clam shack, the ice cream, all the clam diggers... the pond on the way from Marlboro Street, jumping the fence trying to catch the bull frogs going to the swamp cemetery swinging from the willow tree I think... I live in California and have a son that’s 7 (I hope he doesn't read what I wrote above, about that sex stuff I mean, but the ocean did turn me on, a lot) around the age that I would ride my bike the freedom, the safeness I had skate boarding around losing track of time, I haven't been back since my 10 year reunion I miss it, my friends, but then again I'm older with responsibilities maybe some day again I will take my son and show him Adamsville Beach and throw a few jelly fish his way??
Betty
North Adamsville High 85
***********
Memories Of Adamsville Beach
Peter Paul Markin, 1964
Posted: Jul 26 2008 05:31am PST
In reply to Betty Gilroy, 1985
Betty- Thanks for the reply. The glint of silver off the Treasure Island Bridge when the sun hit it at a certain time. The early morning winter sun coming up over the horizon on the bay. The Boston skyline at dusk (pre-Marina Bay times when there was an unimpeded view). Well, we could go on and on with our memories but the one thing that caught my eye in your reply was the word “escape.” In one sense I was using Adamsville Beach as a metaphor for that idea in my story. I do not know about you and your family but, to be kind, I had a very rocky time growing up and certainly by the time I got to high school I was in desperate need of a sanctuary. It is no accident that I (and my old running mate, Bill Bailey) spent a fair amount of time there.
I went back to Adamsville last year (2007) while they were doing some reconstruction and cleaning the place up. I wrote about that in a sketch entitled Do You Know Adamsville Beach? that I posted here but then deleted. My original idea was to draw a comparison between the old hazy, happy memories of Adamsville in our youth and looking at it with today's older eyes. Somehow it just didn't fit right as a discussion item with the things I was trying to write then. If you would kindly reply to this message I will place it as a reply to some of what you have mentioned in your message about 'coming home.' By the way the jellyfish are still there in all their glory and please, take mother's advice, do not step on them, they might be poisonous.
Finally, I will not let you off the hook. I won’t comment on the "dirty old man" remark as I will take it as just a cute “fresh,” maybe flirty remark on your part. Yes, and I know as well as you that this is a family-friendly site but how did your friend explain away her 'sleeping' on the old wall to mom and dad? That bit about how she (they) didn’t know anything about sex, oral or otherwise, just doesn’t wash. Everybody “knew,” including parents who probably invented the spot, you only went to that particular spot with one thing in mind. You can send me a private e-mail with the real details if you like and then you can see if I am really a dirty old man or not. Regards, Peter Paul Markin
[Markin: Betty, by the way did send me an e-mail, several in fact, and I am still blushing, blushing profusely over some of her information old and ‘mature’ as I am. Let's put it this way my temperature was rising not a little. Frankly, some of the stuff (various sexual positions) she spoke of have to defy the laws of nature, but so be it. We were young and flexible (in more that one way) then. Forward.]
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Craig Wallace, North Adamsville High,1957 (view profile)
Posted: Jul 23 2008 10:34am PST
In reply to Peter Paul Markin,1964
Peter Paul: I heard from a younger friend, a woman friend (of my ex-wife’s actually) who knew you back in the day Professor Joan Murphy from over at MIT, who used to call you P.P., and that you liked it. [Markin: Tolerated it from her only because she was Frankie Riley’s ever-loving girlfriend. You remember the Riley family, the one with all the great North Adamsville raider red football players, Frankie was my corner boy chieftain up in front of Salducci’s Pizza Parlor. And she was, well, let's leave it as Frankie's ever-loving girlfriend.]
I don't have an awful lot to say about the beach, since I lived in a few other places while growing up. I do remember walking along the old sea wall and jumping across the openings trying to grab the rail to avoid falling. I once caught the rail, but hit the edge of the concrete wall with my shin. It hurt, but I didn't think it was broken.
Once a friend ran into a guy at the beach, and for some reason began to "exchange words." They were about to go at each other, but the lifeguard told them to take their dispute elsewhere. They went across the street to the grass in front of a stand where clams and other goodies were sold. The friend proceeded to tear the other guy apart. It didn't last that long. The friend was 5'-7" tall and the other guy 6'-3". I heard that some years later they ran into each other again and had a big laugh about the whole thing. Kids do grow up.
When I visited Massachusetts with my wife and two kids in 1983, my brother took us through some of the "old haunts," and we roamed the beach a bit. They got a kick out of a pair of horseshoe crabs skittering along the edge of the low tide line. I also went back there in 2007 and took a few walks along the beach. I did miss the old candle pin bowling alley, which appears to have been replaced by condos as was the old Adamsville Grammar School where I went through 1st grade (Miss Gray) and most of 2nd grade (Miss Lindberg).
Oh, yeah. I believe the Adamsville East Elementary School on Huckins Avenue is still in operation. I read that there's a boundary somewhere in North Adamsville and that kids who live east of the line go to Adamsville East School and those west of that line go to Parker Elementary on Billings Road. What is now North Adamsville High School included grades 7 through 12 till 1958 or 1959. So, even though I lived in 3 or 4 places, I was able to attend all 6 years at the same school.
Overall, most memories of Adamsville Beach are pretty good.
Craig S. Warren, 1957
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Peter Paul Markin reply:
Craig
Nobody has to stay on the subject at hand, all information about the old times in North Adamsville is welcome, but did you ever go to the beach? From the way you described it I thought maybe you knew about it from some picture postcard, of any beach, anywhere. Were you one of those, and there were not a few if I recall, who "rode," hot-rod rode the Adamsville Shore Boulevard and never touched down on the sand, or caught a fresh sea breeze on a hot summer day. Just kept cruising, eyes forward or left honed in on the ice cream, bowling alley, clam shack side, looking for the be-bop night, girls, or something. Like old Adamsville was Kansas or some sod town.
Peter Paul Markin,1964
Posted: Jul 23 2008 12:51pm PST
In reply to Craig Wallace, 1957
This entry started as a short sketch in this space but I deleted it because it did not fit in with what I was trying to evoke in these pages then. Now the sketch does serve as a decent reply though for Betty Gilroy's,(1985) and Craig Wallace's (1957) comments above. I, moreover, actually am writing about the old-time beach here and not everything else under the sun like hot sex spots and Adamsville school locations. Christ. Peter Paul Markin
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Okay, in the sketch above(Daydream Visions Of Adamsville Beach, Circa 1964) this writer got all misty-eyed about the old days at Adamsville Beach. I went on and on about things like the various flavors of ice cream at HoJo's, the local king-of-the-hill ice cream stand, the vagaries of clam-digging in the oil-soaked flats and about the smell of charcoal- broiled hot dogs at Treasure Island. And I did not fail to mention the obligatory teenage longings for companionship and romantic adventure associated with the sea. But enough of magical realism. Today, as we are older and wiser, we will junk that memory lane business and take a look at old Adamsville in the clear bright light of day.
Last year, as part of the trip down the memory lane that I have been endlessly writing about in this space, I walked the length of Adamsville Beach from the Squaw Rock Causeway to the bridge at Adamsville Shore. At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, redo the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.
Oh sure, most of the natural landmarks are still there, as well as some of the structural ones. Those poor, weather-beaten yacht clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered Beachcomber gin mill in much the same condition is still there as are the inevitable clam shacks with their cholesterol-laden goods. That is not what I mean-what I noticed were things like the odd smell of low-tide when the sea is calm, the tepidness of the water as it splashed, barely, to the shore-when a man craved the roar of the ocean-and the annoying gear-grinding noise caused by the constant vehicular traffic on the near-by boulevard. Things that I was, frankly, oblivious to back in the days.
There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville Beach and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were things to conquer and now. The lesson to be learned- beware the perils of memory lane. But don't blame the sea for that, please.
.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album). That seems about right.
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On Our 'Code Of Honor'
Peter Paul Markin, 1964
Posted: Jul 26 2008 05:42am PST
In reply to Craig Wallace, 1957
Craig- I am very interested in having you fill out this story about the fight between your friend and the other guy down at Adamsville Beach that you mentioned before (see above). I do not need to know the gory details nor what happened years later. What I am looking for is your take on what the whole incident meant at the time. This was hardly an unusual event at then(or now for that matter), right?
I am trying to put together an entry based on our working class “code of honor”- male version- at the time before women's liberation and other social phenomena helped us to expand our sense of the world and how we should act in it. Even “loner” types like me would not back down on certain 'turf' issues (girls, giving way while walking on the street, who you "hung" with, where your locker was, which “lav” you used, etc.) and took a beating rather than concede the point. Enough for now but give this some thought.
Regards, Peter Paul
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Fight . . . ?
Craig Wallace,1957 (view profile)
Posted: Jul 28 2008 09:09am PST
In reply to Peter Paul Markin,1964
Peter Paul (I won’t call you P.P., okay). [Markin: Watch it old man. The days of the bogus 'code of honor' may be long gone but every working-class corner boy still has a slight edge on, even fifty years later, okay.]
The scuffle between a friend of mine and a much bigger guy at Adamsville Beach was not really "earth shaking." It started a couple days before when the friend and I were walking along one of the streets leading to the beach, Bayfield Road, perhaps. The "other guy" passed by in a car with some of his friends, including a couple girls. That guy yelled some insult at my friend in reference to his "eye-wear." He probably was trying to impress the girls by showing them he could insult anyone and all could get a good laugh out of it. Of course, my friend yelled something equally offensive at those in the passing car, which kept going. The "incident" appeared to have terminated.
A few days later the friend and I crossed the road to the beach near one of the yacht clubs and there was the guy who had yelled the insulting remarks. Apparently, he thought he could continue the verbal abuse without suffering the consequences, because he yelled something similar again. My friend went after the kid, but was informed by the lifeguard that they better take their "dispute" elsewhere. They went across the road to a grassy area and, encouraged by a small crowd that was gathering around them, proceeded to "get it on." My friend was usually a fairly pacific person, but when "pushed," he was like a cornered wolverine that would take on anybody or anything. The scuffle didn't last long, and the bigger kid got the worst of it. That time was the end of the dispute. Apparently nobody was seriously hurt, but maybe some had a bit more respect for the smaller kids after that. Some years later the two met, and remembering the incident, shared a good laugh over the whole thing.
Then, as now, I saw no esoteric meaning to the "battle." It didn't seem like the medieval days when one would "defend his honor" or that of a "damsel in distress." It was just an exchange of words that developed into a short round of what may be referred to these days as "ultimate fighting" where no rules are observed. I had a couple scuffles in elementary school and my son did in middle school, but we more-or-less outgrew such things. Sadly, nowadays those "scuffles" can become more deadly and end with somebody paying the "ultimate price." Are we reverting to the "Dark Ages." I hope not.
Anyway, enough said of a "juvenile incident."
Craig, 1957
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The "Code of Honor"
Peter Paul Markin, 1964
Posted: Aug 03 2008 11:31am PST
In reply to Craig Wallace, 1957
Craig, thanks for story. It gives me an angle for a story that I will write about on our youthful sense of “honor.” This story that you related, especially the part about impressing the girls, etc. really says something about that code.
Regards, Peter Paul
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Day and Night At Adamsville Beach
Peter Paul Markin, 1964
Posted: Aug 02 2008 06:21am PST
In reply to Betty Gilroy, 1985
I mentioned in my original story that all of us would talk about daytime Adamsville Beach (although once the kids are out of sight-the nighttime is the right time- can come into play). I hope that at some point Betty Gilroy will expand on her comment about her girlfriend down at the day time beach and the incident alluded in her comment about her falling asleep. Ms. Gilroy is more than capable of telling her own version of the story. [Markin: She did via e-mail, private e-mail, and it would take a civil war to get the information out of me, or a few bucks. Let me put it this way. I was blushing for days, maybe now even, as I mentioned above]. The only point I want to make here is that some of these day time remembrances are as funny as what might have happened at night. Funny now, that is.
Regards, Peter Paul
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Anyone Remember Adamsville Beach?
Robina Moore, 1978 (view profile)
Posted: Aug 15 2008 04:35pm PST
In reply to Peter Paul Markin, 1964
Totally agree that growing up on Adamsville Beach was an experience. So natural at the time, but looking back I now see how fortunate I was. I don’t remember the HoJo’s but I do remember the 19 cent hotdogs sold on the beach that was a few blocks from my house. What a treat for the neighborhood kids to get together and go get a dog.
As far the beach was concerned as kids, we followed the tides. Some parent would parade a group us kids and watch over us. Generally for two hours before high tide, and two hours after, and they always had snacks and drinks in tow…just gotta love the moms for that! Swim, dig in the sand, play catch in the water and when finally tired, lay on a towel and listen to WRKO or WMEX on the transistor radio.
Once I hit teenage years, I choose not to venture near the beach. I think my parents knew about the cosmic and hormonal appeal as well as primordial longings going on there. I was taught at a young age, the beach is not a good place at night. I totally thank them for instilling this and letting Adamsville Beach be filled with wonderful childhood memories. With that said, I am thrilled at the revitalization, and hope this generation of children will have a chance to create memories that they can cherished forever.
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Back In The Days
Peter Paul Markin, 1964
Posted: Aug 18 2008 02:49pm PST
In reply to Robina Moore, 1978
Robina-Very nicely told memories. That is the thing that I was trying to evoke in writing this particular commentary. A few points.
*The reason for the boxes in your entry [Markin:since deleted] is that when you transfer from a word processor to the message space here the apostrophes and quotation marks turn into some Serbo-Croatian dialect in the process. It happens to me all the time. You have to change them in this space to avoid that.
* Do you, or anyone else, know when HoJo's left the Adamsville Beach site?
* Did you mean 19 dollars for a hot dog? You put 19 cents but that can't be right. Nothing ever cost 19 cents.
• You realize, of course, that this is a generic North Adamsville site and therefore members of generations X, Y or Z may not be familiar with the term “transistor radio.” For their benefit, that was a little battery-powered gizmo that allowed you to listen to music, the 'devil's music,' rock 'n' roll, without your parents going nuts. And no, sorry, you could not download whatever you wanted. Yes, I know, the Stone Age.
Regards, Peter Paul Markin
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The Nighttime Is The Right Time....
Peter Paul Markin, 1964
Posted: Aug 21 2008 08:08am PST
In reply to Robina Moore, 1978
...to be with the one you love. Yes, that classic Ray Charles tune (covered by many, including a steamy tribute version by The Rolling Stones in their 2005 Fenway Park concert) is a good lead in to what I want to mention here. Most of the comments on this entry have concerned day time Adamsville Beach but I have been thinking that it is time to open up to the night time episodes. Here are my reasons:
• Hey, it is entirely possible that some of our fellow alumni never went to Adamsville Beach during the day. They might have a legitimate grip against us for that. Remember we are using this cyberspace so that everyone has their "15 minutes of fame."
• The heck with protecting the kids and grandkids. They know this stuff already. Let's face it, as well, no self-respecting member of the hip-hop/iPod/Sidekick/texting generations (or younger) would dream of reading this far down into the entry. Ugh!
• Frankly, there is only so far we can go with the day-time Adamsville Beach. While there have been some nice comments there is only so far you can go with jellyfish, 19 cent hot dogs, teenage romantic longings and getting sand kicked in your face. We need to spice this up. In short, sex, or the hint of it, sells.
These are all good and sufficient reasons but, as usual, my real reason for arguing inclusion here is personal curiosity. I have been waiting some forty-four years to ask this simple question. Why, while we were driving down Adamsville Shore Boulevard on those cold October nights, let's say, were most of the cars all fogged up? What, were their se, tell me.
Peter Paul Markin, North Adamsville Class Of 1964, comment:
I have been dedicating some of my sketches to various people. When I first wrote this one in 2008 I had not one in particular in mind but when I recently rewrote it I did have Elsa in mind. I did not know her well at North Adamsville, and do not know her now much better now, but I felt her presence very strongly when I was rewriting this thing. So here it is.>
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Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, and the Adamsville Old Sailor’s Home (and cemetery about a quarter of a mile away, closed now but the final resting place for many a sea-faring man, known and unknown). Yes, those names and places from the old housing project down in South Adamsville where I came of age surely evoke imagines of the sea, of long ago sailing ships, and of desperate, high stakes battles fought off shrouded, mist-covered coasts by those hearty enough to seek fame and fortune. And agile enough to keep it. Almost from my first wobbly, halting first baby steps down at “the projects” I have been physically drawn to the sea, a seductive, foam-flecked siren call that has never left me. Moreover, ever since this writer was a toddler his imagination has been driven by the sea as well. Not so much of pirates and prizes but of the power of nature, for good or evil.
Of course, anyone with even a passing attachment to Adamsville has to have an almost instinctual love of the sea; and a fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But enough of those imaginings. If being determines consciousness, and if you love the ocean, then it does not hurt to have been brought up in Adamsville with its ready access to the bay and water on three sides. That said, the focal point for any experience with the ocean in Adamsville centers, naturally, around its longest stretch of beach, aptly, if not ingeniously, named Adamsville Beach.
For those of us of a certain age, including this writer, one cannot discuss Adamsville Beach properly without reference to such spots such as Howard Johnson's famous landmark ice cream stand (now a woe-begotten clam shack of no repute). For those who are clueless as to what I speak of, or have only heard about it in mythological terms from older relatives, or worst, have written it off as just another ice cream joint I have provided a link to a Wikipedia entry for the establishment. That should impress you of the younger set, I am sure. Know this: many a hot, muggy, sultry, sweaty summer evening was spent in line impatiently, and perhaps, on occasion, beyond impatience, waiting for one of those 27 (or was it 28?) flavors to cool off with. In those days the prize went to cherry vanilla in a sugar cone (backup: frozen pudding). I will not bore the reader with superlative terms and the “they don’t make them like they use to” riff, especially for those who only know “HoJo’s” from the later, pale imitation franchise days out on some forsaken great American West-searching highway, but at that moment I was in very heaven.
Nor can one forget those stumbling, fumbling, fierce childish efforts, bare-footed against all motherly caution about the dreaded jellyfish, pail and shovel in hand, to dig for seemingly non-existent clams down toward the Merrymount end of the beach at the, in those days, just slightly oil-slicked, sulfuric low tide. Or the smell of charcoal-flavored hot dogs on those occasional family barbecues (when one in a series of old jalopies that my father drove worked well enough to get us there) at the then just recently constructed old barren old Treasure Island (now named after some fallen Marine, and fully-forested, such is time) that were some of the too few times when my family acted as a family. Or the memory of roasted, really burnt, sticky marshmallows sticking to the roof of my mouth. Ouch!
But those thoughts and smells are not the only ones that interest me today. No trip down memory lane would be complete without at least a passing reference to high school Adamsville Beach. The sea brings out many emotions: humankind's struggle against nature, some Zen notions of oneness with the universe, the calming effect of the thundering waves, thoughts of immortality, and so on. But it also brings out the primordial longings for companionship. And no one longs for companionship more than teenagers. So the draw of the ocean is not just in its cosmic appeal but hormonal, as well. Mind you, however, we are not discussing here the nighttime Adamsville Beach, the time of "parking" and the "submarine races." [For the heathens, or those from Kansas or some such place, going to watch the submarine races was a localism meaning going, via car, down to the beach at night, hopefully on a very dark night, with a, for a guy, girl and, well, start groping each other, and usually more, a lot more, if you were lucky and the girl was hot, while occasionally coming up for air and looking for that mythical submarine race. Many guys (and gals) had there first encounter with oral sex that way, if the Monday morning before school boys’ lav talk, and maybe girls’ lav talk too, was anything but hot air.] Our thoughts are now pure as the driven snow. We will save that discussion for another time when kids and grand-kids are not around. Here we will confine ourselves to the day-time beach.
Virtually from the day school we got out of school for summer vacation I headed for the beach. And not just any section of that beach but the section directly between the Squaw Rock and Adamsville Heights Yacht Clubs. Now was situating myself in that spot done so that I could watch all the fine boats at anchor? Or was this the best swimming location on the beach? Hell no, this is where we heard (and here I include my old running pal and classmate, Bill Bailey) all the "babes" were. We were, apparently, under the influence of Beach Blanket Bingo or some such early 1960s Frankie Avalon-Annette Funicillo (sic) teenage beach film. (For those who are again clueless this was a “boy meets girl” saga like Avatar, except on the beach...and on Earth.)
Well, for those who expected a movie-like happy ending to this piece, you know, where I meet a youthful "Ms. Right" to the strains of Sea of Love, forget it. (That is the original Sea of Love, by the way, not the one used in the movie of the same name sung by Tom Waits at the end, and an incredible cover that you should listen to on YouTube.) I will keep the gory details short, though. As fate would have it there may have been "babes" aplenty down there but not for this lad. I don't know about you but I was just too socially awkward (read: tongue-tied) to get up the nerve to talk to girls (female readers substitute boys here). And on reflection, if the truth were to be known, I would not have known what to do about it in any case. No job, no money and, most importantly, no car for a date to watch one of those legendary "submarine races" that we have all agreed that we will not discuss here. But we can hardly fault the sea for that, right?
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The above piece came about as a result of a response to some correspondence, via, a manically hard-working and determined North Adamsville High School class reunion committee member who shall remain nameless (except for gender, she) concerning old-time memories of Adamsville Beach which formed one of the backdrops to our high school experiences. In the wake of my commentary everybody and their brother (or sister) who ever came within fifty miles of smelling the sulfuric-flecked sea air at that beach has felt some kind of ‘civic duty’ to bring out his or her own salt-encrusted memories of the place. Below, mainly unedited (who could edit someone’s civic duty), is the traffic in response to the above piece. No one is required to wade through all the blather but to make a New York Times-like offical record seems appropriate under the circumstances.
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Betty Gilroy 1985 (view profile)
Posted: Jul 22 2008 11:00pm PST
In reply to Peter Paul Markin 1964
I grew up close to Adamsville Beach...I used to ride my bike there, runaway there... was a great bike path, I loved it as a kid. I used to hang out with friends from school, had some great jelly fish fights there. Ahhh, my friend and her boy fell asleep on the beach divider {Markin: sea-wall]with his hand on her stomach. How was she going to explain that one to mom and dad? (And, no, you dirty old man, they were not having oral sex or anything like that, although I learned later from my own experience that this was a “hot” spot for such things being so secluded and all. She, maybe they, didn’t know anything about sex then according to her, although later she told me about a couple of things, nasty-sounding things then but nice now, to do with guys. I am blushing now, and getting a little funny-feeling too, when I think about it now but the sound of the ocean in the background was a great place to do those things, those so-called nasty things. I know it got me going.)
I lived in Adamsville Central in the ‘70s to the early 80s and then moved to North Adamsville. I love the views, and the clam shack, the ice cream, all the clam diggers... the pond on the way from Marlboro Street, jumping the fence trying to catch the bull frogs going to the swamp cemetery swinging from the willow tree I think... I live in California and have a son that’s 7 (I hope he doesn't read what I wrote above, about that sex stuff I mean, but the ocean did turn me on, a lot) around the age that I would ride my bike the freedom, the safeness I had skate boarding around losing track of time, I haven't been back since my 10 year reunion I miss it, my friends, but then again I'm older with responsibilities maybe some day again I will take my son and show him Adamsville Beach and throw a few jelly fish his way??
Betty
North Adamsville High 85
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Memories Of Adamsville Beach
Peter Paul Markin, 1964
Posted: Jul 26 2008 05:31am PST
In reply to Betty Gilroy, 1985
Betty- Thanks for the reply. The glint of silver off the Treasure Island Bridge when the sun hit it at a certain time. The early morning winter sun coming up over the horizon on the bay. The Boston skyline at dusk (pre-Marina Bay times when there was an unimpeded view). Well, we could go on and on with our memories but the one thing that caught my eye in your reply was the word “escape.” In one sense I was using Adamsville Beach as a metaphor for that idea in my story. I do not know about you and your family but, to be kind, I had a very rocky time growing up and certainly by the time I got to high school I was in desperate need of a sanctuary. It is no accident that I (and my old running mate, Bill Bailey) spent a fair amount of time there.
I went back to Adamsville last year (2007) while they were doing some reconstruction and cleaning the place up. I wrote about that in a sketch entitled Do You Know Adamsville Beach? that I posted here but then deleted. My original idea was to draw a comparison between the old hazy, happy memories of Adamsville in our youth and looking at it with today's older eyes. Somehow it just didn't fit right as a discussion item with the things I was trying to write then. If you would kindly reply to this message I will place it as a reply to some of what you have mentioned in your message about 'coming home.' By the way the jellyfish are still there in all their glory and please, take mother's advice, do not step on them, they might be poisonous.
Finally, I will not let you off the hook. I won’t comment on the "dirty old man" remark as I will take it as just a cute “fresh,” maybe flirty remark on your part. Yes, and I know as well as you that this is a family-friendly site but how did your friend explain away her 'sleeping' on the old wall to mom and dad? That bit about how she (they) didn’t know anything about sex, oral or otherwise, just doesn’t wash. Everybody “knew,” including parents who probably invented the spot, you only went to that particular spot with one thing in mind. You can send me a private e-mail with the real details if you like and then you can see if I am really a dirty old man or not. Regards, Peter Paul Markin
[Markin: Betty, by the way did send me an e-mail, several in fact, and I am still blushing, blushing profusely over some of her information old and ‘mature’ as I am. Let's put it this way my temperature was rising not a little. Frankly, some of the stuff (various sexual positions) she spoke of have to defy the laws of nature, but so be it. We were young and flexible (in more that one way) then. Forward.]
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Craig Wallace, North Adamsville High,1957 (view profile)
Posted: Jul 23 2008 10:34am PST
In reply to Peter Paul Markin,1964
Peter Paul: I heard from a younger friend, a woman friend (of my ex-wife’s actually) who knew you back in the day Professor Joan Murphy from over at MIT, who used to call you P.P., and that you liked it. [Markin: Tolerated it from her only because she was Frankie Riley’s ever-loving girlfriend. You remember the Riley family, the one with all the great North Adamsville raider red football players, Frankie was my corner boy chieftain up in front of Salducci’s Pizza Parlor. And she was, well, let's leave it as Frankie's ever-loving girlfriend.]
I don't have an awful lot to say about the beach, since I lived in a few other places while growing up. I do remember walking along the old sea wall and jumping across the openings trying to grab the rail to avoid falling. I once caught the rail, but hit the edge of the concrete wall with my shin. It hurt, but I didn't think it was broken.
Once a friend ran into a guy at the beach, and for some reason began to "exchange words." They were about to go at each other, but the lifeguard told them to take their dispute elsewhere. They went across the street to the grass in front of a stand where clams and other goodies were sold. The friend proceeded to tear the other guy apart. It didn't last that long. The friend was 5'-7" tall and the other guy 6'-3". I heard that some years later they ran into each other again and had a big laugh about the whole thing. Kids do grow up.
When I visited Massachusetts with my wife and two kids in 1983, my brother took us through some of the "old haunts," and we roamed the beach a bit. They got a kick out of a pair of horseshoe crabs skittering along the edge of the low tide line. I also went back there in 2007 and took a few walks along the beach. I did miss the old candle pin bowling alley, which appears to have been replaced by condos as was the old Adamsville Grammar School where I went through 1st grade (Miss Gray) and most of 2nd grade (Miss Lindberg).
Oh, yeah. I believe the Adamsville East Elementary School on Huckins Avenue is still in operation. I read that there's a boundary somewhere in North Adamsville and that kids who live east of the line go to Adamsville East School and those west of that line go to Parker Elementary on Billings Road. What is now North Adamsville High School included grades 7 through 12 till 1958 or 1959. So, even though I lived in 3 or 4 places, I was able to attend all 6 years at the same school.
Overall, most memories of Adamsville Beach are pretty good.
Craig S. Warren, 1957
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Peter Paul Markin reply:
Craig
Nobody has to stay on the subject at hand, all information about the old times in North Adamsville is welcome, but did you ever go to the beach? From the way you described it I thought maybe you knew about it from some picture postcard, of any beach, anywhere. Were you one of those, and there were not a few if I recall, who "rode," hot-rod rode the Adamsville Shore Boulevard and never touched down on the sand, or caught a fresh sea breeze on a hot summer day. Just kept cruising, eyes forward or left honed in on the ice cream, bowling alley, clam shack side, looking for the be-bop night, girls, or something. Like old Adamsville was Kansas or some sod town.
Peter Paul Markin,1964
Posted: Jul 23 2008 12:51pm PST
In reply to Craig Wallace, 1957
This entry started as a short sketch in this space but I deleted it because it did not fit in with what I was trying to evoke in these pages then. Now the sketch does serve as a decent reply though for Betty Gilroy's,(1985) and Craig Wallace's (1957) comments above. I, moreover, actually am writing about the old-time beach here and not everything else under the sun like hot sex spots and Adamsville school locations. Christ. Peter Paul Markin
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Okay, in the sketch above(Daydream Visions Of Adamsville Beach, Circa 1964) this writer got all misty-eyed about the old days at Adamsville Beach. I went on and on about things like the various flavors of ice cream at HoJo's, the local king-of-the-hill ice cream stand, the vagaries of clam-digging in the oil-soaked flats and about the smell of charcoal- broiled hot dogs at Treasure Island. And I did not fail to mention the obligatory teenage longings for companionship and romantic adventure associated with the sea. But enough of magical realism. Today, as we are older and wiser, we will junk that memory lane business and take a look at old Adamsville in the clear bright light of day.
Last year, as part of the trip down the memory lane that I have been endlessly writing about in this space, I walked the length of Adamsville Beach from the Squaw Rock Causeway to the bridge at Adamsville Shore. At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, redo the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.
Oh sure, most of the natural landmarks are still there, as well as some of the structural ones. Those poor, weather-beaten yacht clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered Beachcomber gin mill in much the same condition is still there as are the inevitable clam shacks with their cholesterol-laden goods. That is not what I mean-what I noticed were things like the odd smell of low-tide when the sea is calm, the tepidness of the water as it splashed, barely, to the shore-when a man craved the roar of the ocean-and the annoying gear-grinding noise caused by the constant vehicular traffic on the near-by boulevard. Things that I was, frankly, oblivious to back in the days.
There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville Beach and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were things to conquer and now. The lesson to be learned- beware the perils of memory lane. But don't blame the sea for that, please.
.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album). That seems about right.
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On Our 'Code Of Honor'
Peter Paul Markin, 1964
Posted: Jul 26 2008 05:42am PST
In reply to Craig Wallace, 1957
Craig- I am very interested in having you fill out this story about the fight between your friend and the other guy down at Adamsville Beach that you mentioned before (see above). I do not need to know the gory details nor what happened years later. What I am looking for is your take on what the whole incident meant at the time. This was hardly an unusual event at then(or now for that matter), right?
I am trying to put together an entry based on our working class “code of honor”- male version- at the time before women's liberation and other social phenomena helped us to expand our sense of the world and how we should act in it. Even “loner” types like me would not back down on certain 'turf' issues (girls, giving way while walking on the street, who you "hung" with, where your locker was, which “lav” you used, etc.) and took a beating rather than concede the point. Enough for now but give this some thought.
Regards, Peter Paul
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Fight . . . ?
Craig Wallace,1957 (view profile)
Posted: Jul 28 2008 09:09am PST
In reply to Peter Paul Markin,1964
Peter Paul (I won’t call you P.P., okay). [Markin: Watch it old man. The days of the bogus 'code of honor' may be long gone but every working-class corner boy still has a slight edge on, even fifty years later, okay.]
The scuffle between a friend of mine and a much bigger guy at Adamsville Beach was not really "earth shaking." It started a couple days before when the friend and I were walking along one of the streets leading to the beach, Bayfield Road, perhaps. The "other guy" passed by in a car with some of his friends, including a couple girls. That guy yelled some insult at my friend in reference to his "eye-wear." He probably was trying to impress the girls by showing them he could insult anyone and all could get a good laugh out of it. Of course, my friend yelled something equally offensive at those in the passing car, which kept going. The "incident" appeared to have terminated.
A few days later the friend and I crossed the road to the beach near one of the yacht clubs and there was the guy who had yelled the insulting remarks. Apparently, he thought he could continue the verbal abuse without suffering the consequences, because he yelled something similar again. My friend went after the kid, but was informed by the lifeguard that they better take their "dispute" elsewhere. They went across the road to a grassy area and, encouraged by a small crowd that was gathering around them, proceeded to "get it on." My friend was usually a fairly pacific person, but when "pushed," he was like a cornered wolverine that would take on anybody or anything. The scuffle didn't last long, and the bigger kid got the worst of it. That time was the end of the dispute. Apparently nobody was seriously hurt, but maybe some had a bit more respect for the smaller kids after that. Some years later the two met, and remembering the incident, shared a good laugh over the whole thing.
Then, as now, I saw no esoteric meaning to the "battle." It didn't seem like the medieval days when one would "defend his honor" or that of a "damsel in distress." It was just an exchange of words that developed into a short round of what may be referred to these days as "ultimate fighting" where no rules are observed. I had a couple scuffles in elementary school and my son did in middle school, but we more-or-less outgrew such things. Sadly, nowadays those "scuffles" can become more deadly and end with somebody paying the "ultimate price." Are we reverting to the "Dark Ages." I hope not.
Anyway, enough said of a "juvenile incident."
Craig, 1957
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The "Code of Honor"
Peter Paul Markin, 1964
Posted: Aug 03 2008 11:31am PST
In reply to Craig Wallace, 1957
Craig, thanks for story. It gives me an angle for a story that I will write about on our youthful sense of “honor.” This story that you related, especially the part about impressing the girls, etc. really says something about that code.
Regards, Peter Paul
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Day and Night At Adamsville Beach
Peter Paul Markin, 1964
Posted: Aug 02 2008 06:21am PST
In reply to Betty Gilroy, 1985
I mentioned in my original story that all of us would talk about daytime Adamsville Beach (although once the kids are out of sight-the nighttime is the right time- can come into play). I hope that at some point Betty Gilroy will expand on her comment about her girlfriend down at the day time beach and the incident alluded in her comment about her falling asleep. Ms. Gilroy is more than capable of telling her own version of the story. [Markin: She did via e-mail, private e-mail, and it would take a civil war to get the information out of me, or a few bucks. Let me put it this way. I was blushing for days, maybe now even, as I mentioned above]. The only point I want to make here is that some of these day time remembrances are as funny as what might have happened at night. Funny now, that is.
Regards, Peter Paul
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Anyone Remember Adamsville Beach?
Robina Moore, 1978 (view profile)
Posted: Aug 15 2008 04:35pm PST
In reply to Peter Paul Markin, 1964
Totally agree that growing up on Adamsville Beach was an experience. So natural at the time, but looking back I now see how fortunate I was. I don’t remember the HoJo’s but I do remember the 19 cent hotdogs sold on the beach that was a few blocks from my house. What a treat for the neighborhood kids to get together and go get a dog.
As far the beach was concerned as kids, we followed the tides. Some parent would parade a group us kids and watch over us. Generally for two hours before high tide, and two hours after, and they always had snacks and drinks in tow…just gotta love the moms for that! Swim, dig in the sand, play catch in the water and when finally tired, lay on a towel and listen to WRKO or WMEX on the transistor radio.
Once I hit teenage years, I choose not to venture near the beach. I think my parents knew about the cosmic and hormonal appeal as well as primordial longings going on there. I was taught at a young age, the beach is not a good place at night. I totally thank them for instilling this and letting Adamsville Beach be filled with wonderful childhood memories. With that said, I am thrilled at the revitalization, and hope this generation of children will have a chance to create memories that they can cherished forever.
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Back In The Days
Peter Paul Markin, 1964
Posted: Aug 18 2008 02:49pm PST
In reply to Robina Moore, 1978
Robina-Very nicely told memories. That is the thing that I was trying to evoke in writing this particular commentary. A few points.
*The reason for the boxes in your entry [Markin:since deleted] is that when you transfer from a word processor to the message space here the apostrophes and quotation marks turn into some Serbo-Croatian dialect in the process. It happens to me all the time. You have to change them in this space to avoid that.
* Do you, or anyone else, know when HoJo's left the Adamsville Beach site?
* Did you mean 19 dollars for a hot dog? You put 19 cents but that can't be right. Nothing ever cost 19 cents.
• You realize, of course, that this is a generic North Adamsville site and therefore members of generations X, Y or Z may not be familiar with the term “transistor radio.” For their benefit, that was a little battery-powered gizmo that allowed you to listen to music, the 'devil's music,' rock 'n' roll, without your parents going nuts. And no, sorry, you could not download whatever you wanted. Yes, I know, the Stone Age.
Regards, Peter Paul Markin
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The Nighttime Is The Right Time....
Peter Paul Markin, 1964
Posted: Aug 21 2008 08:08am PST
In reply to Robina Moore, 1978
...to be with the one you love. Yes, that classic Ray Charles tune (covered by many, including a steamy tribute version by The Rolling Stones in their 2005 Fenway Park concert) is a good lead in to what I want to mention here. Most of the comments on this entry have concerned day time Adamsville Beach but I have been thinking that it is time to open up to the night time episodes. Here are my reasons:
• Hey, it is entirely possible that some of our fellow alumni never went to Adamsville Beach during the day. They might have a legitimate grip against us for that. Remember we are using this cyberspace so that everyone has their "15 minutes of fame."
• The heck with protecting the kids and grandkids. They know this stuff already. Let's face it, as well, no self-respecting member of the hip-hop/iPod/Sidekick/texting generations (or younger) would dream of reading this far down into the entry. Ugh!
• Frankly, there is only so far we can go with the day-time Adamsville Beach. While there have been some nice comments there is only so far you can go with jellyfish, 19 cent hot dogs, teenage romantic longings and getting sand kicked in your face. We need to spice this up. In short, sex, or the hint of it, sells.
These are all good and sufficient reasons but, as usual, my real reason for arguing inclusion here is personal curiosity. I have been waiting some forty-four years to ask this simple question. Why, while we were driving down Adamsville Shore Boulevard on those cold October nights, let's say, were most of the cars all fogged up? What, were their se, tell me.
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