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Friday, December 14, 2018

The 37th Or Something Like That Reincarnation Of Woody Allen’s Epic Los Angeles-New York City Battle-And A Little Romance Thrown In-Woody’s “Café Society” (2016)-A Short Film Review



DVD Review

By Ronan Saint James

Café Society, starring Jesse Eisenberg, Kristin Stewart, written and directed by Woody Allen, 2016

[In a recent introduction to this new series, a series based on short film reviews for films that deserve short reviews if not just a thumb’s up or down I noted that Allan Jackson, the deposed previous site manager, required his film reviewers to write endlessly about the film giving the material an almost cinema studies academic journal take on it. That caused a serious decline in the number of reviews over the years which I hope to make up with a flurry of snap reviews for busy people. To see in full why check the archives for November 28, 2018- Not Ready For Prime Time But Ready For Some Freaking Kind Of Review Film Reviews To Keep The Writers Busy And Not Plotting Cabals Against The Site Manager-Introduction To The New Series- Greg Green]

I will say this about Woody Allan, a guy can’t be too bad, can’t be too repetitious if he indulges his passions for old time bluesy, jazzy torch singers who are also into jazzing, 1920s and 1930s time frames, and be-bop Benny Goodman as an example big-time swing bands. Even if the story line of this latest production Café Society is a 37th reincarnation of stories he did much better when he was young and hungry when he wanted to make definite statements that New York City not La-La Land was the epicenter of American cultural expression in whatever condition it found itself. That said this retread still had its points. 

Naturally poor Woody, oops, Bobby, was tired of New York for a minute decided to see the world and headed to Hollywood where a successful talent agent uncle might help him get a leg up in the movie business-maybe follow in “Unk’s” footsteps. Before he could get that leg up though he found his soulmate or who he thought would play that role-as naturally some gentile woman from the Midwest, here Nebraska but you name the vanilla state and can plug it in. So Woody certainly could never have been accused of not rushing headlong into the eternal film saver-boy meets girl trope that has kept many a film from the delete button of late.

That said here is the play once Bobby gets out from under the New York scene (I would not be telling any tales out of school to note that he would scurry back before too long with his tail between his legs-okay) and into the wilds of Hollywood he finds that true love, his uncle’s assistant, receptionist I don’t know what he put down on his tax returns but something to cover the fact that Von, dear Von, is his uncle’s mistress if anybody can use that term anymore with a strange glance. Uncle is ready to ditch wife and all except for a time he dithers and that will give our Bobby his opening. Except (always the Woody “excepts”) when push came to shove and it was mano a mano on who Von was going to marry she went with the uncle. Fast forward: a bunch of years later both Bobby and Von met at some social event in New York and while they did not get it on or anything like that they were both very wistful after departing. Like what might have been. After three divorces and a bunch of affairs that sentiment hit me square in the eye. Again. We are doing short film reviews these days under strict orders from the “boss,” his designation of himself so that is it.

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