Aint Got No Time For Corner Boys Down In The Streets Making All That Noise-With the 1983 Film “Diner” In Mind

By Lance Lawrence

Recently I was watching a DVD from 1982, Diner, a film about a bunch of guys in 1959 Baltimore who hung out at, well, a diner and hence the title of the film. The cast of the film was a veritable who’s who of male stars (and one female Ellen Barkin) who came of cinematic age in the 1980s, guys like Mickey Rourke and Kevin Bacon who are still putting their shoulders to the wheel in the film industry. What had attracted me about the film from the blurb you get on each film these days from Amazon, Netflix, hell, even blogs from citizen film reviewers strutting their stuff in a democratic age  was beside the diner motif which is always attractive to me and which I will discuss in more detail below was the idea that these guys were still hanging together in their early twenties when the old corner boy high school days when hanging for guy like them were well past (and a few years later for me and my guys). Well past compared to nine to five work ethos, marriage, marry young ethos, kids, not too many like their parents but also done at a young age and that ever present sickle hanging over your head-“how the fuck did I get into this action.”          

I had watched this film with a friend, Sam Lowell, whom I have known since our corner boy days in Riverdale about forty miles west of Boston back in the early 1960s. Sam Lowell is a fairly well-known, or used to be fairly well-known, free-lance music and film critic for lots of publications great and small, some lone gone and some still around like Rolling Stone before he consciously started slowing down as he has reached retirement age. In the interest of full disclosure he was the guy who said I would like the film and would I come over, watch with him, and compare notes with him after the film was over. He was writing what he called a “think” review for American Film Today about “buddy” films which had something like a heyday in the 1980s between the guys who starred collectively in this film, the Brat Pack and those who came of cinematic age through the various film adaptations of S.E. Hinton’s male-centered buddy” films, guys like Matt Dillon you know. So after the showing we compared notes the most important one which we both agreed and which he used in his review was how many of the actions of the corner boys were very much like ours although we were younger than them when we did them (in the film they weren’t called “corner boys” nor did they call themselves that but that my friends is what they were-no question as Sam likes to say)  

Here’s what Sam said about that key question:

“Hey, around my way, around my growing up working class neighborhood out in Riverdale about forty miles west of Boston in the early 1960s they called them, anybody who thought about the matter like some errant sociologists wondering about alienation among the lower classes or acted on the premise like the cops who kept a sharp eye on any possible criminal activity corner boys. We called ourselves corner boys with a certain amount of bravado and without guile since we hung, what the heck, we hung on the corners of our town. (Corner boys which would be immortalized in Bruce Springsteen’s song, Jersey Girl, with the line. “aint got no time for corner boys down in the street making all that noise” and that was the truth-the “making all that noise” part. Also the S.E. Hinton books which we did not know about, as least I did not know about and I was “the Bookworm” along with “the Scribe” so I knew about what was what with books. The other guys could have given a fuck about books except maybe porn stuff or comics).

A working Riverdale definition: corner boys: those without much dough, those without a weekend date and no money for a weekend date even if a guy got lucky enough to draw some female companionship, someone who didn’t care about a “boss” car, the ’57 two-toned preferable red and white Chevy the boss of “boss” to sit up front in and would accept the bus as a mode of transportation, thus seldom lucky since only nerdy girls or whatever we called girls with brains but no looks would descend to that level, hung around blessed Tonio’s Pizza Parlor “up the Down” (the corner of Adams and Jefferson Streets and don’t ask me why it was called that it just was as far back as anybody remembered including my maternal grandparents who were born there) and, well, hung out. Hung out trying to do the best we could which involved mostly the aforementioned girls and larcenies, or plans for larcenies. And if defeated in either endeavor any particular night then there was always a couple of slices of Tonio’s secret formula pizza sauce to die for delight and a small Coke. Just so you know really hung around in late high school planning larcenies great and small (great the theft of some young woman’s virtue, small the midnight creeps through back doors but maybe no more should be mentioned since perhaps the statute of limitations has not run out).      

So when I saw the film under review, Diner, with a cast of up and coming actors who all went on to other films and saw that they were five guys, count ‘em six, who in 1959 in the great city of Baltimore hung around a diner talking the talk in between bites of French fries and gravy (against our culinary choice of pizza slices) I knew that they were kindred spirits. Knew that despite the several years different in time since they were all twenty-something gathering together for a wedding of one of their members around Christmas time they were from the same species… “

That pretty much summed up the main point we discussed that night, and during subsequent nights as well, but there were others, other stories that were stirred up from that viewing. Some long forgotten, and maybe that was just as well but other which one or the both of us remembered out of some fog of war moment. Since Sam was writing a generic review a lot of what he and I talked was “left on the floor” as we used to call the bullshit stuff we would throw out without batting an eyelash on lonesome John weekend nights and in summer almost every night. Those stories, some of them anyway, the ones I was involved in I decided to write down in a journal, a diary if you like that word better, and present the next time the surviving members of our crowd got together to cut up old touches (an old-fashioned word we used all the time but when I used it once with the sister of corner boy the late Al Stein she claimed to have never heard the expression before). So here goes guys and although I was not like the Bookworm or the Scribe back in the day I later turned into a late-blooming voracious reading and I hope you picked up the habit too.               

Sam mentioned in passing in his review about how hanging around guys in Baltimore and Riverdale were totally committed to betting on almost anything. Part of that betting trait was the need to “make a score,” make some dough for immediate dates but a lot of it was a real idea that the roll of the dice was going to be the only way to get out from under. Sure a lot of it was betting on sports outcomes especially on the then lowly Red Sox and high-riding Celtics but nothing was off-limits from what, as happened in the film, you would or would not get from a girl in the way of sex (we had our fair share of “ice queens” and in high school I had more than my fair share unless the other guys, as usual, were lying like bastards about what they were “getting”) to the most famous, or infamous bet of all-the night Frankie bet Sam on how high Tonio could throw the pizza dough to soften it up before making the crust.

I should explain that while I would later be partial to diners in the days in the later part of the 1960s when I was a regular Jack Kerouac “on the road” hitch-hiker grab rides from lonely for company truck drivers and I learned almost every diner, good or bad, stop at or avoid, from Boston to Frisco town back then we hung around Tonio’s Pizza Parlor in high school. Located at the corner of Jefferson and Adams “up the Downs” which Sam mentioned in his review and I need not speculate here why that section of town was called that Tonio’s was where we spent our driftless after school hours. (The corner boy progression in town was Harry’s Variety Store across from Riverdale Elementary which I was not part of since my family did not move to the town Iwas in  junior high school then Doc’s Drugstore with his great jukebox in junior high and then onto Tonio’s. This progression was recognized by one and all as rights in the corner boy rites of passage.) So we knew lots about Tonio and his operation and while the cops and other merchants around didn’t care to see us coming Tonio, an immigrant from Italy and maybe something of a corner boy, or whatever they called them over there, was happy to see us. Said that we brought in business-the girls with plenty of dough to spent on food and the jukebox while “disdaining” the riffraff-us.

To make a long story short one Friday night our acknowledged leader, Frankie Riley, now a big-time lawyer in Boston was looking for dough and knew Sam had some from caddying at the Point Pond Golf Course the previous weekend. So he was in a betting mood. Here was his bet. High or low, and I forget, and Sam had too what the standard was, about where Tonio’s pizza dough would be flung when he was making his pizzas for the night. The thing was, and this was a hard and fast rule that I do not remember ever being broken, once a guy called a bet the other guy, or guys had to take the challenge. So the bet was on. Every time Sam called high Tonio would go low and visa versa. That night Sam lost five bucks and his chance to have a date that weekend. Frankie got to go on his first date with Johanna Murphy whom he would eventually marry (and divorce). The “hook’ that caught Sam that night-the “fix” was in. Frankie whom Tonio liked the best of all of us, treated almost like a son, had spoken to Tonio before Sam came in. You can figure out the rest. Corner boy, strictly corner boy stuff.                   

[A while back we, a bunch of us who knew Markin who wrote the sketch below back in sunnier days, in hang around corner boy high school days and afterward too when we young bravos imbibed in the West Coast dragon chase he led us on in the high hellish mid-1960s summers of love, got together and put out a little tribute compilation of his written sketches that we were able to cobble from whatever we collectively still had around. Those writings were from a time when Markin was gaining steam as a writer for many of the alternative magazines, journals and newspapers that were beginning to be the alternative network of media resources that we were reading once we knew the main media outlets were feeding us bullshit on a bun, were working hand in glove with big government, big corporations, big whatever that was putting their thumbs in our eyes.

On big series, a series that Markin was nominated for, or won, I don’t remember which an award for, which I will tell you about some other time was from a period toward the end of his life, a period when he was lucid enough to capture such stories. He had found himself out in Southern California with a bunch of homeless fellow Vietnam veterans, no homeless was not the right word, guys from ‘Nam, his, their word not mine since I did not serve in the military having been mercifully declared 4-F, unfit for military duty by our local draft board, who having come back to the “real” world just couldn’t, or wouldn’t adjust and started “creating” their own world, their own brethren circle, such as it was out along the railroad tracks, rivers and bridges. Bruce Springsteen would capture the pathos and pain of the situation in his classic tribute-Brothers Under The Bridge.  Markin’s series was called To The Jungle reflecting both the hard ass jungle of Vietnam from which they had come to the old-timey hobo railroad track jungle they found themselves in.     

Yeah, those were the great million word and ten thousand fact days, the mid to late 1960s, and after he had gotten back from Vietnam the early 1970s say up to 1974 or so when whatever Markin wrote seemed like pure gold, seemed like he had the pulse of what was disturbing our youth dreams, had been able to articulate in words we could understand the big jail-break out he was one of the first around our town to anticipate. Had gathered himself to cut the bullshit on a bun world out.

That was before Markin took the big fall down in Mexico, let his wanting habits, a term that our acknowledged high school corner boy leader Frankie Riley used incessantly to describe the poor boy hunger we had for dough, girls, stimulants, life, whatever, get the best of him. Of course Frankie had “cribbed” the term from some old blues song, maybe Bessie Smith who had her habits on for some no good man cheating on her and spending all her hard-earned dough, maybe Howlin’ Wolf wanting every gal he saw in sight, skinny or big-legged to “do the do” with that Markin also had turned us onto although I admit in my own case that it took me many years, many years after Markin was long gone before I appreciated the blues that he kept trying to cram down our throats as the black-etched version of what hellish times were going through in the backwaters of North Adamsville while the rest of the world was getting ahead. Heading to leafy suburban golden dreams while we could barely rub two dimes together and hence made up the different with severe wanting habits-even me.  

From what little we could gather about Markin’s fate from Josh Breslin, a guy from Maine, a corner boy himself, who I will talk about more in a minute and who saw Markin just before he hit the lower depths, before he let sweet girl cousin cocaine “run all around his brain, the say it is going to kill you but they won’t say when” let the stuff alter his judgment, he went off to Mexico to “cover” the beginnings of the cartel action there. Somewhere along the line the down there Markin decided that dealing high heaven dope was the way that he would gather in his pot of gold, would get the dough he never had as a kid, and get himself well. “Well” meaning nothing but his nose so full of “candy” all the time that the real world would no longer intrude on his life. Somehow in all that mixed up world he had tried his usual end-around, tried to do either an independent deal outside the cartel, a no-no, or stole some “product” to start his own operation, a very big no-no. Either scenario was possible when Markin got his wanting habits on and wound up dead, very mysteriously dead, in a dusty back street down Sonora way in 1975, 1976 we don’t even have the comfort of knowing that actual date of his passing.

Those were the bad end days, the days out in Oakland where they were both staying before Markin headed south when according to Josh he said “fuck you” to writing for squally newspapers and journals and headed for the sweet dream hills. But he left plenty of material behind that had been published or at the apartment that he shared with Josh in Oakland before the nose candy got in the way. That material wound up in several locations as Josh in his turn took up the pen, spent his career writing for lots of unread small journals and newspapers in search of high-impact stories and drifted around the country before he settled down in Cambridge working as an free-lance editor for several well-known if also small publishing houses around Boston. So when the idea was proposed by Jack Callahan to pay a final written tribute to our fallen comrade we went looking for whatever was left wherever it might be found. You know from cleaning out the attics, garages, cellars looking for boxes where an old newspaper article or journal piece might still be found after being forgotten for the past forty or so years.

The first piece we found, found by Jack Callahan, one of the guys who hung around with us corner boys although he had a larger circle since as a handsome guy he had all the social butterfly girls around him and as a star football player for North Adamsville High he had the girls and all the “jock” hangers-on bumming on his tail, was a story by Markin for the East Bay Other about the transformation of Phil Larkin from “foul-mouth” Phil to “far-out’ Phil as a result of the big top social turmoil events which grabbed many of us who came of political, social, and cultural age in the roaring 1960s. Markin like I said before had been the lead guy in sensing the changes coming, had us following in his wake not only in our heads but his gold rush run in the great western trek to California where a lot of the trends got their start.

That is where we met the subject of the second piece, or rather Phil did and we did subsequently too as we made our various ways west, Josh Breslin, Josh from up in Podunk Maine, actually Olde Saco fast by the sea, and he became in the end one of the corner boys, one of the North Adamsville corner boys. But before those subsequent meetings he had first become part of Phil’s “family,” and as that second story documented also in the East Bay Other described it how Josh, working his new life under the moniker Prince Love, “married” one of the Phil’s girlfriends, Butterfly Swirl. The third one in the series dealt with the reality of Phil’s giving up that girlfriend to Prince Love and the “marriage” and “honeymoon,” 1960s alternative-style that cemented that relationship.

Yeah, those were wild times and if a lot of the social conventions accepted today without too much rancor like people living together as a couple without the benefit of marriage, same-sex marriage, and maybe even friends with benefits let me clue in to where they all started, or if not started got a big time work-out to make things acceptable. But that was not all he wrote about, just the easy to figure a good story about 1960s. Markin also wrote about those wanting habits days, our growing up poor in the 1950s days which while we had no dough, not enough to be rich was rich in odd-ball stuff we seemingly were forced to do to keep ourselves just a little left of the law, very little sometimes. Naturally he wrote about the characters like the one here, Stew-ball Stu, whom I hope doesn’t read this sketch if he is still alive because he might still take umbrage and without Markin around he might come after me with a wrench or jackknife, who we young boys, maybe girls too but then it was boys’ world mostly looked up to. The actual Stew-ball Stu he sued here was from a story told to him by Josh Breslin long after he shed his 1960s moniker of Prince Love when Markin was looking for corner boy stories. But believe me while the names might have been different old North Adamsville had its own full complement of Stus.        

For those not in the know, for those who didn’t read the first Phil Larkin piece where I mentioned what corner boy society in old North Adamsville was all about Phil was one of a number of guys, some say wise guys but we will let that pass who hung around successively Harry’s Variety Store over on Sagamore Street in elementary school,  Doc’s Drugstore complete with soda fountain and more importantly his bad ass jukebox complete with all the latest rock and roll hits as they came off the turntable on Newport Avenue in junior high school and Salducci’s Pizza “up the Downs” in high school, don’t worry nobody in the town could figure that designation out either, as their respective corners as the older guys in the neighborhood in their turn moved up and eventually out of corner boy life.

More importantly Phil was one of the guys who latter followed in “pioneer” Markin’s wake when he, Markin, headed west in 1966 after he had finished up his sophomore year in college and made a fateful decision to drop out of school in Boston in order to “find himself.” Fateful in that without a student deferment that “find himself” would eventually lead him to induction into the U.S. Army at the height of the Vietnam War, an experience which he never really recovered from for a lot of reasons that had nothing to do directly with that war but which honed his “wanting habits” for a different life than he had projected when he naively dropped out of college to see “what was happening” out on the West Coast.

Phil had met, or I should say that Josh had met Phil, out on Russian Hill in San Francisco when Josh, after hitchhiking all the way from Maine in the early summer of 1967, had come up to the yellow brick road converted school bus (Markin’s term for the travelling caravan that he and Phil were then part of and which the rest of us, including even stay-at-home me for a few months ) he and a bunch of others were travelling up and down the West Coast on and had asked for some dope. Phil was the guy he had asked, and who had passed him a big old joint, and their eternal friendship formed from there. (Most of us would meet Josh later that summer as we in our turns headed out. Sam Lowell, Frankie Riley, Jack Callahan, Jimmy Jenkins and me all headed out after Markin who had “gone native” pleaded with us to not miss this big moment that he had been predicting was going to sea-change happens for a few years.) Although Markin met a tragic end murdered down in Mexico several years later over a still not well understood broken drug deal with some small cartel down there as a result of an ill-thought out pursuit of those wanting habits mentioned earlier he can take full credit for our lifetime friendship with Josh.-Bart Webber]