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Showing posts with label irishness. Show all posts
Showing posts with label irishness. Show all posts

Tuesday, October 18, 2011

The Children of Easter 1916- A Moment In History… For M.M, Class of 1964

Click on the headline to link to a YouTube film clip of William Butler Yeats' ,Easter, 1916.

Peter Paul Markin, North Adamsville Class Of 1964, comment:

“A Terrible Beauty Is Born”, a recurring line from the great Anglo-Irish poet William Butler Yeats, Easter, 1916.

At the corner of Hancock Street and East Main Street, forming a wedge in front of our old beige-bricked high school, ancient North Adamsville High School now of blessed memory although that hard fact was not always the case after passing through its portals but that for another day, stands against all weathers a poled plaque, sometimes, perhaps, garlanded with a flower of flag. From that vantage point, upon a recent walk-by, I have noticed that it gives the old school building a majestic “mighty fortress is our home” look. The plaque atop the pole, as you have probably already figured since such plaques are not uncommon in our casualty-filled, war-weary world, commemorates a fallen soldier, here of World War I, and is officially known as the Frank O’Brien Square. The corners and squares of most cities and towns in most countries of the world have such memorials to their war dead, needless to say far too many.

That plaque furthermore now, as it did not back in the 1960s, competes, unsuccessfully, with a huge Raider red billboard telling one and all of the latest doings; a football game here, a soccer game there, or upcoming events; a Ms. Something pageant, a cheer-leading contest, a locally produced play; or honoring somebody who gathered some grand academic achievement, won some accolade for a well-performed act and so forth. In due course that billboard too will be relegated to the “vaults" of the history of our town as well. This entry, however, is not about that possible scenario or about the follies of war, or even about why it is that young men (and now women) wind up doing the dangerous work of war that is decided by old men (and now old women), although that would be a worthy subject. No, the focus here is the name of the soldier, or rather the last name, O’Brien, and the Irish-ness of it.

A quick run through of the names of the students listed in, our yearbook, the Magnet for the Class of 1964, will illustrate my point. If Irish surnames are not in the majority, then they are predominant, and that does not even take into consideration the half or quarter Irish heritage that is hidden behind other names. My own family history is representative of that social mixing with a set of Irish and English-derived grandparents. And that is exactly the point.

If North Adamsville in the old days was not exactly “Little Dublin”, the heritage of the Irish diaspora certainly was nevertheless apparent for all to see, and to hear. More than one brogue-dripped man or woman, reflecting newness to the country and to the town, could be heard by an attentive listener at Harry’s Variety Store on Sagamore Street seeking that vagrant bottle of milk (or making that bet with Harry’s book on the sure-fire winner in the sixth at Aqueduct but we will keep that hush since, who knows, the statute of limitations may still not have run out yet on that “crime,” although the horse certainly did, run out that is). Or at Doc Andrews’ Drugstore, ya, good old Doc over on the corner of Young Street and Newberry seeking, holy grail-seeking that vagrant bottle of whiskey, strictly for medicinal purposes of course. And one did not have to be the slightest bit attentive but only within a couple of blocks of the locally famous, or infamous as the case may be, Dublin Grille to know through the mixes of brogue and rough-hewn strange language English that the newcomers had “assimilated.” And, to be fair, those same mixes could be heard coming piously out of Sunday morning Mass at Sacred Heart or at any hour on those gas-guzzling, smoked-fumed Eastern Mass buses that got one hither and fro in the old town. That North Quincy was merely a way-station away from the self-contained Irish ghettos of Dorchester and South Boston to the Irish Rivieras, like Marshfield and heathen Cohasset and Duxbury, of the area was, or rather is, also apparent as anyone who has been in the old town of late will note.

And that too is the point. Today Asian-Americans, particularly the Chinese and Vietnamese, and other minorities have followed that well-trodden path to North Adamsville from way-station Boston. And they have made, and will make, their mark on the ethos of this hard-working working-class part of town. So while the faint aroma of corn beef and cabbage (and colorful, red-drenched pasta dishes, from the other main ethnic group of old North Adamsville, the Italians) has been replaced by the pungent smells of moo shi and poi and the bucolic brogue by some sweet sing-song Mandarin dialect the life of the town moves on.

Yet, I can still feel, when I haphazardly walk certain streets, the Irish-ness of the diaspora “old sod” deep in my bones. To be sure, as a broken amber liquor bottle spotted on the ground reminded me, there were many, too many, father whiskey-sodden nights (complete with the obligatory beer chaser) that many a man spent his pay on to keep his “demons” from the door. And to be sure, as well, the grandmother passed-down ubiquitous, much dented, one-size-fits all pot on the old iron stove for the potato-ladened boiled dinner (that’s the corn beef and cabbage mentioned above for the unknowing heathens) that stretched an already tight food budget just a little longer when the ever present hard times cast their shadow at that same door.

And, of course, there was the great secret cultural relic; the relentless, never-ending struggle to keep the family “dirty linen” from the public eye, from those “shawlie” eyes ready to pounce at the mere hint of some secret scandal. But also this: the passed down heroic tales of our forbears, the sons and daughters of Roisin, in their heart-rending eight hundred year struggle against the crushing of the “harp beneath the crown” (and even heathens know whose crown that was); of the whispered homages to the ghosts of our Fenian dead; of great General Post Office uprisings, large and small; and, of the continuing struggle in the North. Yes, as that soldier’s plaque symbolizes, an Irish presence will never completely leave the old town, nor will the willingness to sacrifice.

Oh, by the way, that Frank O'Brien for whom the square in front of the old school was named, would have been my grand uncle, the brother of my Grandmother Markin (nee O'Brien) from over on Young Street across from the Welcome Young Field.

Easter, 1916-William Butler Yeats

I HAVE met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman's days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road.
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone's in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse -
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

Friday, April 22, 2011

Easter 1916- A Novelistic Treatment- William Martin’s “The Rising Of The Moon”

Click on the headline to link to a Wikipedia entry for novelist William Martin, author of The Rising of The Moon.

Book Review

The Rising Of The Moon, William Martin, Crown Publishers, New York, 1987


The last time that the work of novelist William Martin appeared in this space was when I reviewed his novel, Harvard Yard several months ago. The idea behind reviewing that novel was simply to use Martin’s novelistic treatment of the history of Harvard University (his alma mater)that was, moreover, filled with interesting and informative historical facts about that august bourgeois training ground and use it to make some political points about the nature of American society, American class society mainly. I should also note that I came to like the novel as its plot unfolded so that was a bonus. Here, in reviewing The Rising Of The Moon, I have a slightly different reason tied in with my Irish heritage on the anniversary of the Easter uprising of 1916.

Here Mr. Martin roped me in by presenting another Boston local novel (he has also written other Boston-centered novels, Back Bay and Cape Cod as well). More importantly he has tied in the familiar Boston scene with a topic very close to my roots, my family roots, the struggle for Irish freedom from English tyranny. And has used the events of the national liberation struggle named forever and framed forever by William Butler Yeats’ poem, Easter 1916.

Of course a primary consideration of any national liberation struggle, old style or new, is weapons-guns, ammo, etc. in order to fight the oppressor. And that thread, that desperate need for weapons against a heavily armed opponent, the British Occupation Army, is what drives the plot. But let's face it a simple exposition of the military needs of insurgents, Irish or otherwise, would make for an interesting history book but would no find favor in modern novelistic conventions.

However, what if you linked the Irish struggle in 1916 with the Irish diaspora in Boston. And what if you linked up Irish freedom fighters in Ireland with co-opted Irish freedom fighters in Southie (oops, South Boston) then the homeland to a great portion of the American Irish diaspora. And what if you surrounded the problems associated with getting weapons with kinship questions, some unfinished family business between Irish cousins, and, and, a little off-hand sex and romance in the person of a fetching Jewish girl (who also happens to be interested in national liberation struggles elsewhere- in Palestine). Well then you have William Martin’s interesting little novel that helps fill in the gaps, painlessly, about the Irish struggles and about what Boston, Irish Boston, looked like about one hundred years ago. As I said about Harvard Yard I liked the novel better as its plot unfolded so that was a bonus here as well. Kudos.

Easter, 1916 -William Butler Yeats
I
I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.



II

That woman's days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terribly beauty is born.



III

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road,
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashed within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone's in the midst of all.



IV

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse -
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

Monday, April 11, 2011

***March 17th or Easter 1916?-For Jimmy J., Class of 1966

Click on the headline to link to a "YouTube" film clip of William Butler Yeats', "Easter, 1916".

Al Johnson, Class Of 1964, comment:

Originally posted in April 2008 on Classmates

What part, if any, did your ethnic heritage play in your growing up?

"A Terrible Beauty Was Born" the last line from William Butler Yeats- Easter, 1916


In our last posting I mentioned that I would give my answer to the question of whether I skipped school to celebrate Saint Patrick's Day in the next posting. Part of my reasoning for not answering the question fully then was to answer the more general question above using my own background as a foil. By a natural coincidence this year Saint Patrick's Day and Easter, two 'high holy days' on the Irish cultural calendar, fall on successive weeks and therefore permit a comparative analysis. Here goes.

In the interest of full disclosure I confess here (and will provide the requisite transcripts) that I never skipped school on March 17th to go to the Saint Patrick's Day parade in Boston. I do not, moreover, recall then ever really wanting to go to the event, although plenty of people in my old neighborhood did so. That is the rub. I, along with many of you, have some degree of Irish in us (just look at the names of the members of our class on the class list). Quincy was a first steppingstone in the second Diaspora (out of Ireland, out of South Boston/Dorchester) on the way to 'lace curtain' respectability, although my own family never made it pass 'shanty'. Just as today Asian Americans, particularly the Chinese and Vietnamese, have followed that well-trodden path to Quincy. In the case of my family, however, those roots were submerged in an American vanilla assimilationism. We never got past the desperate fight against being dirt poor to think of such high subjects as ethnic identity.

I have been a partisan of a just solution to the national question in Ireland and justice for the Catholic minority (and any Protestant worker who would listen to reason) in the North almost my whole adult life. For this class member, then, today the more important question is not one of ridding Ireland of snakes but ridding it of the bloody English Army. Thus, the above-cited line commemorating Easter, 1916 is what I would skip school for, gladly. I now take a certain pride in the accomplishments of our common Irish cultural heritage. However, it has been only very recently that I found out that my long-departed maternal grandfather was an ardent, if quiet, Irish nationalist. It is in the blood, apparently. However, this new knowledge kind of puts one of the sources of my youthful indifference into perspective, doesn't it? Chocky Ar La (Our Day Will Come).


Easter, 1916-William Butler Yeats

I HAVE met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman's days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road.
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone's in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse -
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

Thursday, March 17, 2011

Out In The Be-Bop Late 1950s Night- Boy Meets "Our Lady Of The Saint Patrick’s Day Night" Girl- For Joanne-Class of 1964

Click on the headline to link to a Wikipedia entry for Saint Patrick's Day for those three people in the North Adamsville universe who may not know what it is all about.

Markin comment:

I am fuming but I will get to that part in a minute. First, let me just point out the trouble I had figuring out what I should use as a headline for this entry. See, this is a Frankie story, a Francis Xavier Riley story, maybe you already know the name, Frankie, king of the old North Adamsville working class neighborhood schoolboy night in the early 1960s. That part, the boy part is simple, the other part is less so because this is a story, or is going to be a story, once again straight from the horse’s mouth, the Frankie mouth.

I have been letting Frankie spew forth in this space whenever a subject comes up that is from “pre-markinian” times, the time before we became fast friends in the seventh grade North Adamsville Middle School (then junior high) days. And the subject here is how Frankie “courted” his ever lovin’ sweetie, Joanne, a sweetie whom he “went steady with” from middle school all the way though to the end of high school. And that courtship, its twists and turns, is linked to the observance, the non-heathen observance of Saint Patrick’s Day, March 17th (although any real Irish partisan, heathen or non-heathen knows, or should know, that the observance of Easter 1916 is the real Irish deal). So once again because he did okay, or at least good enough, on his previous two endeavors (the weirdly interesting king of the skees carnival story from his innocent dream pre-teen days and his saga, christ that is the only word to describe it, of his “conversion” from no name football wannabe to midnight sunglassed king hell king of the late 1950s, early 1960s be-bop North Adamsville schoolboy night) he gets to speak his piece here.

Now for the fuming part. In that just mentioned football conversion saga Frankie said, although it was not strictly part of the story (or part of the deal in my letting him use this space for his spewing), that he wanted one and all to have an example of how his be-bop “beat” style worked magic on the, frankly, bewildered North Adamsville Middle School girls (and whatever other stray frails he could corner with his pitch). And the story he wanted to tell, the primo, numero uno, ace example one story was how he captured (and kept) the elusive, ever lovin’ Joanne. So rather than just coming out in manly fashion, manly working class fashion, and asking for space he tried an "end around." Just to goad me into another story he mentioned that somehow in that desperate late 1950s night I was smitten with Joanne, and that she was smitten with me, before he honed in on her and worked his magic. Needless to say once said Frankie magic was applied that previous configuration was ancient history.

So just to set the record straight before Frankie, Francis Xavier Riley, spins his misbegotten yarn let me say my piece:

In order to set the background to this dispute up for those who don’t know I had arrived from the Adamsville Middle School just at the beginning of 1959, about half way through seventh grade. As a twelve year old boy, almost thirteen, after some delay I had developed a very healthy interest in girls. In their girlish charms, if not their giggles. Of course, as anybody who went through the experience knows, which means just about everybody, the social pecking order in middle school (and high school too, but maybe a little less so) is etched in stone for the duration about the second or third week of school.

So I was nothing but an "outsider," an outsider waiting to be an insider if I could hitch onto somebody else’s star. That star, no question, was Frankie. But Frankie’s “style” was different, not a football or sports thing, or an intellectual thing (although that is what it was, it just didn’t look like it at the time), or a best looking thing (wiry Frankie did have pretty decent Steve McQueen-type looks though). What he had, and what made him a magnet for me (and, strangely, those girls with their girlish charms not giggles that I was attracted to) was this be-bop, “faux” beat thing. He will describe it better in his story but it certainly caused a stir, especially the eternal midnight sunglasses that he wore part.

Now what does all that have to do with Joanne, my attraction to her (or her to me)? Well, everything. See Joanne was the smartest person in the seventh grade class. Book smart for sure. Answering teachers’ questions smart, definitely. She also was pretty, but no more so, and maybe a little less so, than some of the other less bright girls. And she had, had when she wanted to have it, a very winning smile. Moreover, and here is when Frankie seems to have gotten his signals crossed for once, she was friendly toward me, me, an outsider, friendly in a universal kindly way, even before I started running around with Frankie (or she did either).

So as any observant person could see there was nothing to the whole thing but kid’s stuff and, as I thought about it later (and just now as I am re-thinking about it) Joanne had a huge dose of Roman Catholic fellowship and rectitude, meaning doing the right social thing. Frankie is right about the part that we, Joanne and I, were civil to each other in his presence later but that is after a whole bunch of other things happened to sour our relationship. But enough of this because this is stuff that Frankie will, I am sure, tell you about. Let me just finish with something I wrote in another Frankie story, one that I told so I know it’s true. I will swear on a book with seven seals the following- when it came to Joanne, and this was true even before Frankie whiz kid moved in, she was okay, but not someone that I would jump off a bridge over. There were girls, some of those other less bright girls, whom I would have jumped off that bridge for, and gladly. But not her. That should put paid to this subject.

Francis Xavier Riley comment:

See, I told you I still had the kingly touch. I knew, and know now, just how to get to Markin, Peter Paul Markin, get him where he has to defer, humbly defer, to my "goading" as he called it. Of course, and here is the beauty of the king’s touch, I knew, and I damn well should know even fifty years later, that old Markin never carried the torch for Joanne. But see I just threw that little doubt in his direction and he jumped at it. And then that “social” thing, that Peter Paul Markin sense of fair play, that overweening sense of his about giving the other side a chance to speak their minds (if only, as he used to say, to hang themselves) came into play. A piece of cake. And for those who don’t know, or don’t understand, how old Markin could have got bested for the kingship of the old neighborhood in the old schoolboy nights this is a prime example. His failed attempt was so utterly a failure that we all, everybody except Markin that is, spent more than a few off moments, a few nothing dull moments, giving it a big laugh every now and again when we needed a laugh. But enough of that I have a story to tell, and by hook or by crook, I ‘m going to tell it.

See, as anyone can see from the last paragraph, it is about knowing human psychology. No, not some book, Sigmund or Anna Freud, Ernest Jones, Melanie Klein, Carl Jung, christ, even R.D. Laing goof thing. Hell no, it is about observing people and what they like and don’t like, what makes them pay attention to your patter and what doesn’t. Now the big thing about this is, let’s face it, for a red-blooded boy like me, not just to inspect people in general but girls, girls with girlish charms, all the way back to middle school girlish charms. I already told you before about my short-lived football scrawny kid career and how through perseverance, perversity, and perdition I figured out my place in the sun by my wits(a thing Markin was always yakking about, but you've probably figured that out by now)and by knowing what Markin insists was "arcane" knowledge. But see it was just that arcane knowledge part, weak as it was, and it really was looking back on it, and the way the knowledge was presented both by style and by fit that made the difference. On behalf of the interest of that honey you were aiming your stuff at.

See, Markin never really got it, got how the knowledge and presentation worked together, and probably still doesn’t from what I can see. Let me give you the wrong example before I tell how this thing worked to bring me and my ever lovin’ Joanne together back in the day. Markin, after he started hanging around with me for a while, decided that he would try my method out after he saw that the foxiest girls, the cutest girls, and well, as always in a pinch, those just girls with their girlish charms (giggles and all, see, that is where Markin and I had big differences always-the giggles go with the charms-get it Peter Paul) who were hanging around me before school, during passing time, lunch time and, a little, at least in middle school, after school.

So, and so help me this is true, even he won’t forget this one, Markin decides that he will go up to this cute girl with a French name, Barbette or something like that, and start in on every known fact about the French revolution, the French revolution of the 18th century, you know the Jacobins, Girondins, Marat, Robespierre and those guys- the "liberty, equality, fraternity" guys. See, this is something he is interested in, interested in like crazy if I remember. Ya, I know you know, no dice. But here is the thing-a couple of weeks later as Barbette starts to hang around the outer edges of our circle she confides in me (no secret here as I told Markin at the time to try to straighten him out) that she thought Markin was okay but that she was afraid, get this, afraid of him because of his flipping out (my term) over something she knew nothing about. I admit that I never got too far with old Barbette myself, but at least I didn’t scare her half to death.

Hey, I actually have a better example now that I think about it. A lot of this arcane knowledge thing was, as you can figure, playing the percentages. Probably Barbette was a “no sale” anyway. But Evelyn, Evelyn Smythe, was a different matter. Ya, now that I think about it forget Barbette as an example and pay attention to this one. Okay, Evelyn through my intelligence network of sources (that’s part of the secret to success too) was seriously into church, her church, her Episcopalian church and its history. I found out, and its shows you an example of good intelligence work, through my sources that she had given a class report on said subject. Bingo. Now Evelyn is nice, Evelyn is cute, Evelyn is smart (although not as smart as Joanne), and Evelyn has that winning smile we were always on the lookout for in those days. But see, Evelyn was a, a, how should I say it, Protestant so she was a “no go, no way” for one Francis Xavier Riley, one Francis Xavier Riley to the cold-water tenements, the Irish Catholic, more Roman than the Romans Catholic, tenements born. No way that, outside of the gates of hell, that Patrick “Boyo” Riley, and on this issue one Maude Grace Riley, nee O’Brian, were going to let their blessed son within twenty non-school paces of said Evelyn Smythe. Not seventh grade Frankie anyway (later I had more Protestant girl friends that I care to remember, if for no other reason than they weren’t so religion crazy, Roman Catholic religion crazy, mainly)

But see ecumenical Markin, Peter Paul Markin, Irish Catholic brought up, and church mouse poor, but with a heathen Protestant father (except for that he was a good man whom everybody liked, even Boyo) decides he will take a shot at sweet Evelyn. Now his approach, since he knows from my intelligence report that she’s also some kind of history nut, is to start talking about the word "anti-disestablishmentarianism," then the longest word in the English dictionary, and for all I know still is, and related somehow, although don’t press me on this to Puritan stuff or English stuff, because, again, he’s crazy, crazy as a loon for Puritan heritage English colonial stuff. I mean really crazy. I think that he was born on Plymouth Rock in another life, maybe. Now sweet Evelyn was, if nothing else, polite and she hears him out. And since I was near the scene of this encounter I heard him say as she drifted off, “and my father’s a protestant too.” Like the co-religionist link is going to clinch the thing. Christ.

No sale, amigo. But here is the kicker, a couple of years later, when Joanne and I had, uh, uh, one of our “misunderstandings” I ran into Evelyn one night down at the seashore. Now by this time she had blossomed into a certified twist, although I also knew that she was still into religion because she belonged to some Protestant girls' club, some religiously-oriented girls' club. But see she had that winning smile still, that winning smile that we were on the lookout for in those days, and by then after another earlier Joanne “misunderstanding” I had already sold my soul to the devil and taken a Protestant girl out, and liked it. So, because in the meantime I had started to get a little Puritan nutty like Markin I started on my patter and mentioned that word anti-disestablishmentarian and what it was all about. We must have talked for about two hours about this and that on the subject; two hours can you believe it.

But see here is where the lesson is. Peter Paul got the context all balled up so bad he was arguing about the beauties of Oliver Cromwell, or the Quakers or something. Those were not Evelyn’s forebears. He had the wrong side, although, as usual, he had it right for the side he liked. Evelyn couldn’t figure it out. What she could figure out, and figure out fast, if not necessarily accurately in Markin’s case, was that she was a minority in a heavily Irish Catholic working class neighborhood and so Markin was probably putting her down for being a Protestant. Christ, again. As a postscript I will mention that sweet, smiling Evelyn and I had a couple of nice weeks together before "ball and chain" Joanne and I stopped our "misunderstandings." I won’t give the details of Evelyn's and my tryst because, see, and especially Markin see, she is now an Episcopal priest, or something like that and does not need that kind of publicity.

So you can see that the be-bop pitter-patter was (or is) not for amateurs, or the faint-hearted, and requires some skill. Especially for hormonally-charged twelve and thirteen year old boys who are only vaguely, at best, aware that this thing requires skills, finely-honed skills. All of this is to say that whatever skills I had in, let’s say October and November of 1958, needed to be used in the hard nut to crack case of one Joanne Marion Murphy, one lace curtain Irish Catholic, more Roman than the Romans Catholic, Joanne Marion Murphy, to the lace curtain single house working class family born.

Markin mentioned in his “introduction” that Joanne was smart, check, pretty, check, had a winning smile, check, and was, as he put it and rightly so I think, universally kind out her religiously-derived social sense, check. What she was not, at least for a long time, was very interested in one Francis Xavier Riley and his cohorts, amigos, and “faux” beat aficionados. She had moved into the neighborhood, neighborhood in the widest sense because no way did she live near my cold-water flats district or Markin’s cottage-like (to be kind) dwelling on the wrong side of the tracks, in sixth grade but went to Adamsville Central Elementary School and so I did not pick up her scent until middle school, the first day of middle school, no, the first hour of middle school, jesus, no, the first minute. Sure she had all the checked things above but she also carried herself, her twelve year old self, in a very intriguing way and so I took a note, literally, took a note on her. But for a while nada, nothing, nowhere and partly because that intriguing carriage included what to me, shanty boy me, was that lace curtain Catholic by the rules thing despite smarts, pretties, winsome smile, and kindliness I thought no way. No way one Francis Xavier Riley was going to get involved with that scene, not with that frail, no way I said, did you hear me?

Truth. Once I started to have a first little success with my girl-directed be-bop pitter-patter Joanne kind of went off the radar even though I saw her every day in class, every day. Truth again. I had no angle on this girl, no angle at all. See the other less bright girls kind of got caught up in the sunglasses, be-bop words, long-gone daddy, rock ‘n’ roll, heartthrob thing. And I loved that, loved the idea that I could be the max daddy king of that scene with a few breaks. So it was not until a couple of real frailly frails came round my table, good-looking girls, maybe not beautiful, not twelve year old beautiful anyway, but smart enough, whimsical enough, and daredevil enough that I noticed Joanne starting to pay attention in my direction. You know that look, that look a guy twelve or twelve hundred is ready to leap off bridges for, and as Markin mentioned before, gladly. Well, if someone is giving old Francis Xavier Riley the look well what is he going to do but look back, right?

This went on for a while, as such things do. But you can't depend on the after-effects of "the look" to determine your whole twelve year old life so what you need, and need badly is intelligence. Any king of the hill, any poor boy, boondocks, third-rate king, hell, any king of the pizza parlor night (in-waiting at that point) needs all kinds of intelligence from whatever source. In this case it was like manna from heaven as my younger sister, Catherine Anne (not Kathy Anne, not Kate, straight Catherine Anne with no bluster nicknames like with my older brothers Tommy and Timmy), was friendly with Joanne's younger sister, Mary Margaret (there are more Marys with various middle names, more Elizabeths, ditto with middle names, and more Catherines, with or without Annes, in this early 1960s Irish working class neighborhood than you can shake a stick at but that is another story, a Markin sociology of the neighborhood story for another time, I am sure) over at North Adamsville Elementary School. This intelligence was gold because it seems that beyond that "look," that jump off the bridge look that I just mentioned, Joanne liked me. But wait a minute no teen saga can just end like that, a story goes with it. See, Joanne was put off by my devil-make-care-attitude which seemed to her, pious girl that she was, kind of sacrilegious, but on the other hand she liked the cool midnight blessed sunglasses. Ya, women.

Let me get back to that pious part for a minute because it will explain lots of things, lots of things that even Markin didn't get. Like when Joanne and I would later have our "misunderstandings" and break-ups which is usually when I looked around for another girl. Not the slanderous way Markin made it seem like I was 24/7 on the hunt even when Joanne and I were in our glory days. See, and here is where the intelligence from Mary Margaret (hereafter, Moe, which is a reasonable nickname and she liked it as well) was invaluable, although if I thought about it I should have after hearing the gist of it ran, ran like hell to Africa or some place like that. See, even worst that in mother Maude's household the religion, the hard core Roman Catholic religion, the more Roman than the Romans religion, its superstitions, its dogmas, and its graces were pervasive via Joanne's mother (Doris). And while mother Maude, and to a lesser extent mother Arlene (Markin's mother), bore down, and bore down hard, with their religious tyrannies toward us boys the girls took the serious brunt of the damage to their fragile psyches. No question.

See here is the set-up. Pious mother (learning from pious mothers back to Stone Age Ireland, and elsewhere I suppose) had a funny standard. They, with the boys, would give kind of a sacramental dispensation for wayward behavior up to, and including, the occasional armed robbery (I am not kidding that happened with one of Markin’s brothers, and others, too many others in the old neighborhood) except, of course, holy of holies, taking the lord’s name in vain and stuff like that. With the girls though, and maybe with some malice, I don’t know, but at least in the family of Doris Anna Murphy, nee Mulvey, it seemed so. They, the girls that is, were held to a higher standard of behavior and were suppose to act as such, at least for public consumption. (I found out later that the public consumption part was all that really mattered for some later flames who, as Markin very succinctly pointed out, had twelve novena books in their hands and lust in their hearts, great lust, praise be). This is the backdrop to my struggle to win Joanne’s affections.

But see that was only part of it, the religious part, the Roman Catholic religious part (I won’t say again the more Roman than the… , ah, forget it) part of it. Let me show you how I got it wrong at first though to show you how tough it was to get my signals straight. Based on my intelligence service (My Catherine Anne-Moe intelligence) I took my best shot at Joanne by going on and on about the Church (you know now what church), about ritual, about various disputes, theological disputes, City of God, Thomist, Counter-Reformation, Virgin Mary disputes, about the meaning of the religious experience in one’s life, etc. Basically blarney, okay (I am also being polite here as I, like Markin, prefer to be so in the public prints).

I swear I thought I was making some headway when all of a sudden I started balling things up, balling them up like I just learned them rather than had them down pat like I should. Now remember this is before Pope John XXIII’s Vatican Council II thing and we were all confronted with the mysteries of the Latin mass, a weird language that confronted us kids like the bloody English language did when those heathens stepped into (and over) the old sod Ireland, plebeian anti-Semitic hatred of the Jews (hell, they killed our savior, didn’t they), and other doctrinal stuff that didn’t mean much. I tried to be cute, meaning I tried to bail out as best I could, by reciting what I knew (and knew haphazardly) about Christian doctrine. Without boring everybody with how I held forth on such esoteric things like how many angels can fit on the head of a needle and other Thomisms the long and short of it is I busted flat, busted flat hard. No sale, no wannabe sale, nada, nothing. Joanne stiffly proud, stiffly piously proud, just kind of dismissed me out of hand, with the flip of a wrist. Vanquished. Gone. In short, she just walked away. (Later, she told me she actually liked my pitter-patter but that on Church matters, you know what church matters, I should leave it to the priests, and guys like that. Fine.)

But that little setback was obviously not the end of my hopes, not even close, because, as I gathered from my Catherine Anne-Moe CIA connections my approach was all wrong. How? Well, Joanne, as it turned out, was pious, no question, pious for public consumption anyway, but that her Catholicism was very much colored by the Irish aspect of it. An Irish expression drilled into her by her grandmother, Anna, who apparently was next to, or close by, when old Saint Patrick did his demon-devouring tricks in the old country. Okay, no problem I will just be-bop on John Bull’s tyranny, eight hundred years of oppression, the bastard Oliver Cromwell (sorry Markin), and the heathen English at Wexford and Drogheda (and in the North).

See here is where it gets tricky again though, actually weird is a better word, because as Irish as the shamrock as I am, I didn’t know a lot about the history of the old Catholic, blighted (like the potatoes too often), priest-ridden (oops) Irish. And I didn’t want to get all balled up like I did with Christian doctrine (or like Markin with Evelyn and her Protestant ways). But I got well fast as I studied up on my own, and again giving the devil his due, Markin filled me in on some stuff. (Wouldn’t you know it took a half–arsed Irishman with a bloody protestant father, although everybody liked old father Prescott, would be giving me, a full-blooded son of the old sod Irishman chapter and verse, christ). In any case one day after school I was walking up Atlantic Street (or was it Appleton) and I noticed Joanne coming out of the old Thomas Crane Public Library branch, the one that was nothing but an old unused storefront that they used until they built a larger one up in Norfolk Downs (by the way although the Irish and Italians build modern Adamsville, or modern in those days, way back when back in Plymouth Rock times every name was bloody English so all the streets names and section names reflect either that or the Indian (oops), Native-American, influence). When Joanne sees me walking her way she gives me the cursory, kindly (really kiss-off okay, twelve year old kiss-off) nod to acknowledge my existence but no little “the look” (discussed previously and the reader is presumed both to remember such details and to “know” the look from his or her own life experiences). Nevertheless this is my golden opportunity-out in the street-no crazy classmates around, no Markin fouling the waters around, and no distractions. Yes, just the right time to do my sing-song, pitter-patter be-bop night paean to the plight of bloody, but not bowed, Ireland and its churchly concerns.

I will say I “stepped up to the plate” on this one. I even brought in the Book of Kell, for christ’s sake, and how the Irish Church, the blessed Irish church and the monasteries were fountains of knowledge , wisdom, …faith (she said later she loved that one) when the dirty-handed, unwashed English were eating their meals off the hip in their dingy little hovels. Suddenly she said “Stop.” My heart fell, oh my god, I’ve blown it. No, not this “scholarly” twelve year old. Well maybe. Joanne said she knew I was up to something (she had intelligence, exclusive intelligence, from, ah, Catherine Anne and Moe) and although I had actually had a fair number of facts balled up (about bloody Oliver Cromwell and Wexford and Drogheda for one, that damn Markin put his secular spin on the thing and made the hated Cromwell the hero, although from this reference you can see what kind of ammunition I was throwing out like this was a meeting of the Central Committee of the Irish Republican Army, (IRA), or something). She was “impressed”, impressed as hell (my term, okay) that I thought enough of her to go to the bother. And then she gave me a winsome smile. (Hey, Markin is not the only one susceptible to that smile.) Home run.

On the basis of that smile I “asked her out.” Now twelve year old “asking out,” then anyway, and probably now too, was usually something like going to a dance after school, or maybe getting a bite to eat at the soda fountain (including listening to the jukebox, coins in hand), bowling, ya, bowling, or a matinee movie thing. But see here is where old Frankie knew how to segue into this proposition based on his recent pitter-patter. I asked Joanne to go the upcoming March 17th Saint Patrick’s Day Parade over in South Boston with me. Nice touch, right.

Now in those days, and you can ask your parents and grandparents about it if you are too young to remember the be-bop 1950s night, the parade was actually held on March 17th, whatever day of the week it fell on so that meant “skipping” school that year. See in Adamsville March 17th, unlike in Boston, was not a day off-a holiday and even in Boston, officially, it was not a day off for blessed Saint Patrick. It was to celebrate the bloody British defeat in Boston- Evacuation Day- a worthy reason in its own right. Joanne “freaked” out at this idea at first. But then I worked on her, and worked on her, with the notion that it was her patriotic duty, her grandmother Anna memory honor duty, to go and pretend we were in the old sod for the day. Ya, I know bringing in grandma was off base but, well, but… As an added kicker, and to show my honorable intentions, I told her that Markin was also going although I had not asked him at the time (and didn’t want him around anyway). That day she said no, but over the next several days she started to weaken.

In the meantime (although I guess my intelligence network was on “vacation” or, like the current day CIA, “out of the loop” because I didn’t know this) Joanne was working on her mother by putting up an argument that it was her religious duty to stand up for the Irish Church on that day (christ, she sounded like me after a while). Finally mother Doris said yes and Joanne said yes. Of course, as this was going on, old Peter Paul, old true-blooded, down with John Bull’s tyranny, Markin wimped out, yes, wimped out, saying he did not want to miss school. As it turned out (and was Joanne’s expression after she heard that Markin had wimped out) three was one too many (and both Joanne and I agreed on this one, with a little snicker, many times later). And the reason that Joanne said that, to make a long story short because you really don’t need me to go into the details of the parade-marching bands, drill teams, bagpipes, twirlers, drunken green-faced rowdies and all that- or the results of my efforts, was that she figured (as she told me later) we would probably get around to kissing (be still my heart on hearing this even now) and she didn’t want Markin to blab it all over school. And guess what? We did kiss, kissed in honor of Saint Patrick, the Irish Church, the Book of Kell, and I don’t know how many other things, Irish things, naturally-hey, maybe even the blarney stone.

Now Markin in one of his foolish, damn foolish, commentaries once asked a question to his fellow North Adamsville high school classmates about whether, in the old days, anybody “skipped” school to go over to Southie and see the Saint Patrick’s Day Parade. We know he wimped out, always. But note this, Frankie, Francis Xavier Riley, has a very big A (for absent) next to his name for March 17, 1959. And he is proud of it. I’ll even get a notarized copy of the damn North Adamsville Middle School transcript to prove it. So there.