Click on the headline to link to a Wikipedia entry for the Fritz Lang-directed film, Human Desire.
DVD Review
Human Desire, starring Gloria Grahame, Broderick Crawford, based on a novel by Emil Zola, directed by Fritz Lang, Columbia Pictures, 1954
No question I am a film noir, especially a crime film noir, aficionado. Recently I have been on a tear reviewing various crime noir efforts and drawing comparisons between the ones that “speak” to me and those that, perhaps, should have been better left on the cutting room floor. The classics are easy and need no additional comment from me as their plot lines stand on their own merits. Others, because they have a fetching, or wicked, for that matter, as here femme fatale to muddy the waters also get a pass. Some, such as the film under review from 1954, Human Desire, offer both those and, additionally, the pedigree of a story-line based closely on the work of 19th century French writer, Emil Zola (he of Dreyfus case fame), and directed by German expressionist film director, Fritz Lang, with his flare for great and dramatic use of black and white cinematography. This film while not right up there with the top of the line Out Of The Past, Gilda and The Big Sleep, partially for chemistry factors between the lead characters and heaviness of plot line in places, is just a notch below. In other words you had better take an hour and a half and watch this thing.
A little summary of the plot line is in order to set the stage. Obviously Zola’s work was set in 19th century emerging bourgeois society France rather than 1950s post- World War II red scare America. But the tale he had to tell of thwarted love. love gone wrong, love never on the right track, and in the end, a cautionary tale of how far certain people will go, dare I say even to murder, sums up the range of human conditions, when the human body heat is up. And the body heat rising here is nothing less than sexual desire. Of course. Simply said a certain femme fatale, a certain speedy femme fatale as it turns out, played by 1950s B-movie fixture, Gloria Grahame, tired of trying to make do behind a cigarette counter does what any girl would do in the situation, marries a "big lug," a railroad middle-level management big lug guy who loves his booze, played by Broderick Crawford (he of All The King’s Men fame), in order to get out from under. But speedy femme fatales are not built for the slow, big lug life, especially when they have a little past, a little past as they always do, here as a former, maybe former, mistress of a Mayfair swell. Needless to say he, as the plot unrolls and big lug Crawford proves to be less a catch than anticipated, gets jealous when he finds out that said wifey has two-timed him. And big lugs know only one way, or seem to know only one way too deal with their two-timing wives, kill the lover, naturally, kill him here right in front of wifey and make her complicit in the murder, holding a certain piece of evidence to put the frame on her, put the frame on her big time, if she crosses him.
All of that is so much lead-up to the real story though. Two-timing femme fatales, whether they got their start behind a candy counter, a hat-check counter or cigarette counter, do not survive in this wicked old world without being primo man-traps. Man-traps that can wrap a guy, wrap a guy tight, very tight, and get him to do anything, anything at all, including, dare I say it, murder. Enter one returning Korean War GI, played by Glenn Ford, who on returning home to small-town Anytown, U.S.A. just wants to wash the grit of that experience off and continue his prior work as a railroad engineer moving goods and passengers along the quickly declining rails of 1950s America. And dream the dream of finding a good woman and grabbing a slice of the little white house with a picket fence, 2.2 kids and a dog, named Rover, probably. And, of course, she is there in the background.
But enter one two-timing femme fatale trying to get out from under a possible murder rap, out from under a loser husband, and who, well, looks like she might be a very nice little adventure, a very nice little adventure, indeed, especially once Glenn gets a whiff of that perfume, lights that cigarette, and takes dead aim at those ruby red lips (I assume they are ruby red, this is after all a black and white noir). Ya, she has him hook, line and sinker. Has him that is until “crunch time.” Then we shall see.
Naturally, in these crime noir melodramatic plots the need to put a big gap between good and evil is usually served up by there being a “good girl” counterposed to the femme fatale. That is the case here and is, in the end what stops old Glenn from going over the edge. But still I blame Glenn for most of the problems here. Yes, sure I wouldn’t have minded taking dead aim at those Grahame lips, who could blame a guy, a small town America guy, especially once she put on the full-court press with that cooing voice. Whee! But see Glenn has already been down this road before. He played Johnny to Rita Hayworth’s Gilda in the 1946 movie of the same name so he knows, or should be presumed to know, what happens when you take dead aim at those femme fatale lips. Here’s the “skinny” though- average joes, very average train engineer joes included, should keep fifty yards, no fifty miles, away from blonde (although they are not always blondes) femme fatales when they get that “come hither” look in their eyes. You have been warned.
Sunday, August 7, 2011
Saturday, August 6, 2011
***He’s Got You- With Kudos to Miss (Ms.)Patsy Cline
Click on the headline to link to a YouTube film clip of Patsy Cline performing her very appropriate (for this entry, just reverse it) She's Got You.
CD Review
Patsy Cline: The Definitive Collection, Patsy Cline, MCA, 1991
Rick Roberts wanted to cry, wanted to just go into a corner and cry. Of course, as a man of the 1950s, of the hard-hearted Cold War shoulder-to-the-wheel, no prisoners taken love wars of the 1950s that was impossible. Impossible as well because although he felt himself a man in many ways, large, strong, virile and smart enough to make it to sixteen without too many mishaps he was still a boy, a Clintondale High junior boy. And that was the crux of the matter. No self-respecting boy (and, maybe, no self-not respecting boy if it came to it) would dream of going to a corner, or anywhere else, and cry, or let it be known that he was about to cry, or that he had cried at all past the age of six, maybe earlier . But Rick still wanted to cry. And it took no deep thought, no deep insight, no nothing to know the reason- a woman, well really a girl. June Davis, his "June Bug" (his pet name for her, although he would be the first to tell you do not, under any circumstances, call her that, or else-the “or else” part related to his being large, strong, virile and sixteen).
And, of course, if it’s a woman driving you to tears then it is almost a certainty that there is some guy behind the scenes stealing your time. And the name of the thief in this case is one Freddie Jackson, June’s elementary school flame, or something like that, but back a while ago. For christ sakes. And the way that Freddie did it was not so sneaky, well not sneaky, backdoor sneaky, but right in front of Rick at the last school dance. Freddie, for old time’s sake he said, asked Rick if it was okay for him to dance with June Bug when they played Patsy Cline’s I Fall To Pieces. Rick didn’t think anything of it, he wasn’t much of a slow dancer and June liked the song and wanted dance.
What Rick didn’t know was the song was something like “their” song, their song for christ sake, along with Patsy’s Always and So Wrong. Rick thought Patsy was okay but not enough to make her songs “their” songs. Jerry Lee’s Breathless, for very private reasons, don’t ask or else, was their song (and for fun, as joke between them, since they met at the Wash-All Laundromat, Leader of the Laundromat). And now he is poring though every Patsy record he can find like Crazy, She’s Got You, Why Can’t He Be You, Back In Baby’s Arms, and Sweet Dreams Of You to figure out where he went wrong, and how to get his June Bug back. Back from that Freddie Jackson, for christ sakes.
CD Review
Patsy Cline: The Definitive Collection, Patsy Cline, MCA, 1991
Rick Roberts wanted to cry, wanted to just go into a corner and cry. Of course, as a man of the 1950s, of the hard-hearted Cold War shoulder-to-the-wheel, no prisoners taken love wars of the 1950s that was impossible. Impossible as well because although he felt himself a man in many ways, large, strong, virile and smart enough to make it to sixteen without too many mishaps he was still a boy, a Clintondale High junior boy. And that was the crux of the matter. No self-respecting boy (and, maybe, no self-not respecting boy if it came to it) would dream of going to a corner, or anywhere else, and cry, or let it be known that he was about to cry, or that he had cried at all past the age of six, maybe earlier . But Rick still wanted to cry. And it took no deep thought, no deep insight, no nothing to know the reason- a woman, well really a girl. June Davis, his "June Bug" (his pet name for her, although he would be the first to tell you do not, under any circumstances, call her that, or else-the “or else” part related to his being large, strong, virile and sixteen).
And, of course, if it’s a woman driving you to tears then it is almost a certainty that there is some guy behind the scenes stealing your time. And the name of the thief in this case is one Freddie Jackson, June’s elementary school flame, or something like that, but back a while ago. For christ sakes. And the way that Freddie did it was not so sneaky, well not sneaky, backdoor sneaky, but right in front of Rick at the last school dance. Freddie, for old time’s sake he said, asked Rick if it was okay for him to dance with June Bug when they played Patsy Cline’s I Fall To Pieces. Rick didn’t think anything of it, he wasn’t much of a slow dancer and June liked the song and wanted dance.
What Rick didn’t know was the song was something like “their” song, their song for christ sake, along with Patsy’s Always and So Wrong. Rick thought Patsy was okay but not enough to make her songs “their” songs. Jerry Lee’s Breathless, for very private reasons, don’t ask or else, was their song (and for fun, as joke between them, since they met at the Wash-All Laundromat, Leader of the Laundromat). And now he is poring though every Patsy record he can find like Crazy, She’s Got You, Why Can’t He Be You, Back In Baby’s Arms, and Sweet Dreams Of You to figure out where he went wrong, and how to get his June Bug back. Back from that Freddie Jackson, for christ sakes.
Friday, August 5, 2011
***For Margaret Gilbert-In Lieu Of A Letter-The Adamsville South Elementary Class of 1958
Click on the headline to link to The Literature Networks online copy of Edgar Allen Poe's, Ullalume. Sorry, the Mayakovsky poem that I followed in writing the post below is not available in English on the Internet. Poe's poem gives the dreamy mood I [Markin] was trying to evoke, though.
Ulalume (1847)
by Edgar Allan Poe
The skies they were ashen and sober;
The leaves they were crisped and sere—
The leaves they were withering and sere;
It was night in the lonesome October
Of my most immemorial year:
It was hard by the dim lake of Auber,
In the misty mid region of Weir—
It was down by the dank tarn of Auber,
In the ghoul-haunted woodland of Weir.
Here once, through an alley Titanic,
Of cypress, I roamed with my Soul—
Of cypress, with Psyche, my Soul.
These were days when my heart was volcanic
As the scoriac rivers that roll—
As the lavas that restlessly roll
Their sulphurous currents down Yaanek
In the ultimate climes of the pole—
That groan as they roll down Mount Yaanek
In the realms of the boreal pole.
Our talk had been serious and sober,
But our thoughts they were palsied and sere—
Our memories were treacherous and sere,—
For we knew not the month was October,
And we marked not the night of the year
(Ah, night of all nights in the year!)—
We noted not the dim lake of Auber
(Though once we had journeyed down here)—
Remembered not the dank tarn of Auber,
Nor the ghoul-haunted woodland of Weir.
And now, as the night was senescent
And star-dials pointed to morn—
As the star-dials hinted of morn—
At the end of our path a liquescent
And nebulous lustre was born,
Out of which a miraculous crescent
Arose with a duplicate horn—
Astarte's bediamonded crescent
Distinct with its duplicate horn.
And I said: "She is warmer than Dian;
She rolls through an ether of sighs—
She revels in a region of sighs:
She has seen that the tears are not dry on
These cheeks, where the worm never dies,
And has come past the stars of the Lion
To point us the path to the skies—
To the Lethean peace of the skies—
Come up, in despite of the Lion,
To shine on us with her bright eyes—
Come up through the lair of the Lion,
With love in her luminous eyes."
But Psyche, uplifting her finger,
Said: "Sadly this star I mistrust—
Her pallor I strangely mistrust:
Ah, hasten! -ah, let us not linger!
Ah, fly! -let us fly! -for we must."
In terror she spoke, letting sink her
Wings until they trailed in the dust—
In agony sobbed, letting sink her
Plumes till they trailed in the dust—
Till they sorrowfully trailed in the dust.
I replied: "This is nothing but dreaming:
Let us on by this tremulous light!
Let us bathe in this crystalline light!
Its Sybilic splendour is beaming
With Hope and in Beauty tonight!—
See! -it flickers up the sky through the night!
Ah, we safely may trust to its gleaming,
And be sure it will lead us aright—
We safely may trust to a gleaming,
That cannot but guide us aright,
Since it flickers up to Heaven through the night."
Thus I pacified Psyche and kissed her,
And tempted her out of her gloom—
And conquered her scruples and gloom;
And we passed to the end of the vista,
But were stopped by the door of a tomb—
By the door of a legended tomb;
And I said: "What is written, sweet sister,
On the door of this legended tomb?"
She replied: "Ulalume -Ulalume—
'Tis the vault of thy lost Ulalume!"
Then my heart it grew ashen and sober
As the leaves that were crisped and sere—
As the leaves that were withering and sere;
And I cried: "It was surely October
On this very night of last year
That I journeyed -I journeyed down here!—
That I brought a dread burden down here—
On this night of all nights in the year,
Ah, what demon hath tempted me here?
Well I know, now, this dim lake of Auber—
This misty mid region of Weir—
Well I know, now, this dank tarn of Auber,
This ghoul-haunted woodland of Weir."
{Said we, then — the two, then —" Ah, can it
Have been that the woodlandish ghouls —
The pitiful, the merciful ghouls —
To bar up our way and to ban it
From the secret that lies in these wolds —
From the thing that lies hidden in these wolds —
Had drawn up the spectre of a planet
From the limbo of lunary souls —
This sinfully scintillant planet
From the Hell of the planetary souls ?")
********
Johnny Silver comment:
My old pal from North Adamsville high school days and before that down in the old- time Adamsville housing project (the infamous “projects”) where we went to elementary school together, Peter Paul Markin, recently asked me to write about my take on his “love affair,” his first time puppy-love affair (from afar to boot) with Margaret Gilbert in fourth grade down at Adamsville South Elementary School. I accepted with the proviso that whatever I wrote was not to be “edited” by him. See, I know he is a fast man with the delete button when things don’t come out just right in his rose-colored glasses world. So I am “trusting” him, as a man of honor, some old-time corner boy man of honor anyway, or rather I am holding certain information that he would no like to see in the public eye to make sure I get my say.
Why he is suddenly inflamed by the desire to stir the ashes of the past is beyond me. What he asked me is anybody’s guess. We hadn’t seen each for years until several years ago and I had, almost, well kind of almost, forgotten her name when he mentioned it. I guess he figured that since I went through the experience with him that I would tell the truth. Well, the truth of the matter was that while he was doing his mooning act, getting all misty-eyed every time she came within fifty yards of us, and endlessly “crying” on my shoulder about whether he should approach her, you know boy meets girl stuff that has been going on since Adam tried to date up Eve, I was holding the “torch” for her myself.
As was true of every non- juvenile delinquent guy in the school with enough sense to come in out of the rain on Tuesdays (jesus, I haven’t said that old-time schoolboy expression in ages, well since elementary school). Ya, she was like that, ten-years old like that, with that what was it, damn, gardenia scent or some exotic soap thing that drove me crazy any time she came within fifty yards of me. Had me mumbling to myself, mumbling distractedly. But see Markin, sweet old goof Peter Paul, couldn’t see I was hurting, hurting bad myself. Now some fifty years later turnabout is far play so I am just going to turn his little “in lieu of” around as my own valentine to Margaret Gilbert. Margaret, did you later drive half the men who came within fifty yards of you to distraction without even meaning too. The worst part not even aware of it. Lordy, lordy.
The best way to read, really read Peter Paul’s screed is wherever the idea seems to suggest some action (or inaction) by him just think old Johnny Silver. You too, Margaret Gilbert if you every see this. The asides “speak" for themselves:
“I make no claim to any literary originality [christ, the guy use to carry around index cards all through school with ideas on them, all unattributed, although none of us knew that at the time we just though they were all his ideas. It was not until later when I started to get serious about reading and would run across certain Markinisms I got hip to what he had done.] I will shamelessly ‘steal’ any idea, or half-idea that catches my fancy in order to make my point. [See aside above.] That is the case today, as I go back in time to my elementary school days down at the old Adamsville South Elementary School in the Adamsville projects. Part of the title for today’s entry and the central idea that I want to express is taken from a poem by the great Russian poet, Vladimir Mayakovsky. [Everybody and his brother knew Markin was crazy for Russian writers like Dostoevsky and poets like Pushkin in high school. We just thought he was a “red,” some kind of bolshevik creep who would get caught by the FBI soon enough. They never got him, I guess, and I ain’t a squealer, no way. Old Coach Duffy had his number in high school though. He called him a Bolshevik with a capital B right in front of the whole history class one day.]
So what do a poet who died in 1930 and a moonstruck kid from the Adamsville projects, growing up haphazardly in 1950s have in common? We have both been thrown back, unexpectedly, to childhood romantic fantasies of the “girl who got away.” [I already mentioned that I was clueless about why he is in a craze mode now about it so that covers me on this.] In my case, Margaret G. [nee Gilbert], as the title to this entry indicates. [See, that is where Markin’s weird sense of honor, romance, or just plain fear of girls got him nowhere. Fifty years later he is playing the gallant by not divulging her name like it was some state secret or like she hadn’t gotten married (if some guy was brave enough to get within fifty yards of her and survived the enveloping fragrances, lucky guy) or something.] I do not remember what triggered Mayakovsky’s memories but mine have been produced via an indirect North Adamsville Internet connection seeing her last name mentioned on a profile page. In this instance, damn the Internet. I do not know the fate of Margaret G., [Gilbert, okay for the slow-witted] although I fervently hope that life has worked out well for her. This I do know. For the time that it will take to write this entry I return to being a smitten, unhappy boy. [Ya, sometimes, every once in a blue moon, Markin catches a hold on the truth, the bone-dry truth. Margaret G., ah, nee Gilbert, Johnny Silver wishes you well too. Ya, he is a little unhappy too]
Mayakovsky would, of course, now dazzle us with his intoxicating use of language, stirring deep thoughts in us about his unhappy fate. I will plod along prosaically, as is my fate. Through the dust of time, sparked by that Internet prod, I have hazy, dreamy memories of the demure Margaret G., mainly as seemed from afar through furtive glances in the old schoolyard at Adamsville South (which is today in very much the same condition as back then) . This is a very appealing memory, to be sure, of a fresh, young girl full of hopes and dreams, and who knows what else. [Ya, Markin is on fire here, go brother speak some truth, speak some Margaret Gilbert truth.]
But a more physical description is in order that befits the “real time” of my young ‘romance’ fantasies. Margaret G. strongly evoked in me a feeling of softness, soft as the cashmere sweaters that she wore and that reflected the schoolgirl fashion of those seemingly sunnier days. And she almost always wore a slight suggestion of a smile, working its way through a full-lipped mouth. And had a voice, just turning away from girlishness to womanhood, which spoke of future conquests. I should also say that her hair… But enough of this. [Thanks, for stopping, stopping right there Brother Markin] This is now getting all mixed up with adult dreams of childhood. Let the fact of fifty plus years remembrances speak to her charms.
Did I ‘love’ Margaret G.? [Did you love her more than me, Peter Paul?]That is a silly thought for a bashful, ill-at-ease, ragamuffin of a project boy and a ‘princess’ who never uttered two words, if that, to each other, ever. Did I ‘want’ Margaret G.? Come on now, that is the stuff of adult dreams. Did Margaret G. disturb my sleep? Well, yes, she was undoubtedly the subject of more than one chaste dream, although perhaps not so innocent at that. But know this. Time may bury many childhood wounds but there are not enough medicines, not enough bandages on this good, green earth to stanch some of them. So let’s just leave it at that. Or rather, as this. For the moment it takes to finish this note I am an unhappy man and… maybe, for longer. [Ditto, Brother].”
I guess I didn’t turn the tables on Markin after all. Sweet dreams, Margaret Gilbert wherever you landed. Johnny Silver blows you a kiss.
Ulalume (1847)
by Edgar Allan Poe
The skies they were ashen and sober;
The leaves they were crisped and sere—
The leaves they were withering and sere;
It was night in the lonesome October
Of my most immemorial year:
It was hard by the dim lake of Auber,
In the misty mid region of Weir—
It was down by the dank tarn of Auber,
In the ghoul-haunted woodland of Weir.
Here once, through an alley Titanic,
Of cypress, I roamed with my Soul—
Of cypress, with Psyche, my Soul.
These were days when my heart was volcanic
As the scoriac rivers that roll—
As the lavas that restlessly roll
Their sulphurous currents down Yaanek
In the ultimate climes of the pole—
That groan as they roll down Mount Yaanek
In the realms of the boreal pole.
Our talk had been serious and sober,
But our thoughts they were palsied and sere—
Our memories were treacherous and sere,—
For we knew not the month was October,
And we marked not the night of the year
(Ah, night of all nights in the year!)—
We noted not the dim lake of Auber
(Though once we had journeyed down here)—
Remembered not the dank tarn of Auber,
Nor the ghoul-haunted woodland of Weir.
And now, as the night was senescent
And star-dials pointed to morn—
As the star-dials hinted of morn—
At the end of our path a liquescent
And nebulous lustre was born,
Out of which a miraculous crescent
Arose with a duplicate horn—
Astarte's bediamonded crescent
Distinct with its duplicate horn.
And I said: "She is warmer than Dian;
She rolls through an ether of sighs—
She revels in a region of sighs:
She has seen that the tears are not dry on
These cheeks, where the worm never dies,
And has come past the stars of the Lion
To point us the path to the skies—
To the Lethean peace of the skies—
Come up, in despite of the Lion,
To shine on us with her bright eyes—
Come up through the lair of the Lion,
With love in her luminous eyes."
But Psyche, uplifting her finger,
Said: "Sadly this star I mistrust—
Her pallor I strangely mistrust:
Ah, hasten! -ah, let us not linger!
Ah, fly! -let us fly! -for we must."
In terror she spoke, letting sink her
Wings until they trailed in the dust—
In agony sobbed, letting sink her
Plumes till they trailed in the dust—
Till they sorrowfully trailed in the dust.
I replied: "This is nothing but dreaming:
Let us on by this tremulous light!
Let us bathe in this crystalline light!
Its Sybilic splendour is beaming
With Hope and in Beauty tonight!—
See! -it flickers up the sky through the night!
Ah, we safely may trust to its gleaming,
And be sure it will lead us aright—
We safely may trust to a gleaming,
That cannot but guide us aright,
Since it flickers up to Heaven through the night."
Thus I pacified Psyche and kissed her,
And tempted her out of her gloom—
And conquered her scruples and gloom;
And we passed to the end of the vista,
But were stopped by the door of a tomb—
By the door of a legended tomb;
And I said: "What is written, sweet sister,
On the door of this legended tomb?"
She replied: "Ulalume -Ulalume—
'Tis the vault of thy lost Ulalume!"
Then my heart it grew ashen and sober
As the leaves that were crisped and sere—
As the leaves that were withering and sere;
And I cried: "It was surely October
On this very night of last year
That I journeyed -I journeyed down here!—
That I brought a dread burden down here—
On this night of all nights in the year,
Ah, what demon hath tempted me here?
Well I know, now, this dim lake of Auber—
This misty mid region of Weir—
Well I know, now, this dank tarn of Auber,
This ghoul-haunted woodland of Weir."
{Said we, then — the two, then —" Ah, can it
Have been that the woodlandish ghouls —
The pitiful, the merciful ghouls —
To bar up our way and to ban it
From the secret that lies in these wolds —
From the thing that lies hidden in these wolds —
Had drawn up the spectre of a planet
From the limbo of lunary souls —
This sinfully scintillant planet
From the Hell of the planetary souls ?")
********
Johnny Silver comment:
My old pal from North Adamsville high school days and before that down in the old- time Adamsville housing project (the infamous “projects”) where we went to elementary school together, Peter Paul Markin, recently asked me to write about my take on his “love affair,” his first time puppy-love affair (from afar to boot) with Margaret Gilbert in fourth grade down at Adamsville South Elementary School. I accepted with the proviso that whatever I wrote was not to be “edited” by him. See, I know he is a fast man with the delete button when things don’t come out just right in his rose-colored glasses world. So I am “trusting” him, as a man of honor, some old-time corner boy man of honor anyway, or rather I am holding certain information that he would no like to see in the public eye to make sure I get my say.
Why he is suddenly inflamed by the desire to stir the ashes of the past is beyond me. What he asked me is anybody’s guess. We hadn’t seen each for years until several years ago and I had, almost, well kind of almost, forgotten her name when he mentioned it. I guess he figured that since I went through the experience with him that I would tell the truth. Well, the truth of the matter was that while he was doing his mooning act, getting all misty-eyed every time she came within fifty yards of us, and endlessly “crying” on my shoulder about whether he should approach her, you know boy meets girl stuff that has been going on since Adam tried to date up Eve, I was holding the “torch” for her myself.
As was true of every non- juvenile delinquent guy in the school with enough sense to come in out of the rain on Tuesdays (jesus, I haven’t said that old-time schoolboy expression in ages, well since elementary school). Ya, she was like that, ten-years old like that, with that what was it, damn, gardenia scent or some exotic soap thing that drove me crazy any time she came within fifty yards of me. Had me mumbling to myself, mumbling distractedly. But see Markin, sweet old goof Peter Paul, couldn’t see I was hurting, hurting bad myself. Now some fifty years later turnabout is far play so I am just going to turn his little “in lieu of” around as my own valentine to Margaret Gilbert. Margaret, did you later drive half the men who came within fifty yards of you to distraction without even meaning too. The worst part not even aware of it. Lordy, lordy.
The best way to read, really read Peter Paul’s screed is wherever the idea seems to suggest some action (or inaction) by him just think old Johnny Silver. You too, Margaret Gilbert if you every see this. The asides “speak" for themselves:
“I make no claim to any literary originality [christ, the guy use to carry around index cards all through school with ideas on them, all unattributed, although none of us knew that at the time we just though they were all his ideas. It was not until later when I started to get serious about reading and would run across certain Markinisms I got hip to what he had done.] I will shamelessly ‘steal’ any idea, or half-idea that catches my fancy in order to make my point. [See aside above.] That is the case today, as I go back in time to my elementary school days down at the old Adamsville South Elementary School in the Adamsville projects. Part of the title for today’s entry and the central idea that I want to express is taken from a poem by the great Russian poet, Vladimir Mayakovsky. [Everybody and his brother knew Markin was crazy for Russian writers like Dostoevsky and poets like Pushkin in high school. We just thought he was a “red,” some kind of bolshevik creep who would get caught by the FBI soon enough. They never got him, I guess, and I ain’t a squealer, no way. Old Coach Duffy had his number in high school though. He called him a Bolshevik with a capital B right in front of the whole history class one day.]
So what do a poet who died in 1930 and a moonstruck kid from the Adamsville projects, growing up haphazardly in 1950s have in common? We have both been thrown back, unexpectedly, to childhood romantic fantasies of the “girl who got away.” [I already mentioned that I was clueless about why he is in a craze mode now about it so that covers me on this.] In my case, Margaret G. [nee Gilbert], as the title to this entry indicates. [See, that is where Markin’s weird sense of honor, romance, or just plain fear of girls got him nowhere. Fifty years later he is playing the gallant by not divulging her name like it was some state secret or like she hadn’t gotten married (if some guy was brave enough to get within fifty yards of her and survived the enveloping fragrances, lucky guy) or something.] I do not remember what triggered Mayakovsky’s memories but mine have been produced via an indirect North Adamsville Internet connection seeing her last name mentioned on a profile page. In this instance, damn the Internet. I do not know the fate of Margaret G., [Gilbert, okay for the slow-witted] although I fervently hope that life has worked out well for her. This I do know. For the time that it will take to write this entry I return to being a smitten, unhappy boy. [Ya, sometimes, every once in a blue moon, Markin catches a hold on the truth, the bone-dry truth. Margaret G., ah, nee Gilbert, Johnny Silver wishes you well too. Ya, he is a little unhappy too]
Mayakovsky would, of course, now dazzle us with his intoxicating use of language, stirring deep thoughts in us about his unhappy fate. I will plod along prosaically, as is my fate. Through the dust of time, sparked by that Internet prod, I have hazy, dreamy memories of the demure Margaret G., mainly as seemed from afar through furtive glances in the old schoolyard at Adamsville South (which is today in very much the same condition as back then) . This is a very appealing memory, to be sure, of a fresh, young girl full of hopes and dreams, and who knows what else. [Ya, Markin is on fire here, go brother speak some truth, speak some Margaret Gilbert truth.]
But a more physical description is in order that befits the “real time” of my young ‘romance’ fantasies. Margaret G. strongly evoked in me a feeling of softness, soft as the cashmere sweaters that she wore and that reflected the schoolgirl fashion of those seemingly sunnier days. And she almost always wore a slight suggestion of a smile, working its way through a full-lipped mouth. And had a voice, just turning away from girlishness to womanhood, which spoke of future conquests. I should also say that her hair… But enough of this. [Thanks, for stopping, stopping right there Brother Markin] This is now getting all mixed up with adult dreams of childhood. Let the fact of fifty plus years remembrances speak to her charms.
Did I ‘love’ Margaret G.? [Did you love her more than me, Peter Paul?]That is a silly thought for a bashful, ill-at-ease, ragamuffin of a project boy and a ‘princess’ who never uttered two words, if that, to each other, ever. Did I ‘want’ Margaret G.? Come on now, that is the stuff of adult dreams. Did Margaret G. disturb my sleep? Well, yes, she was undoubtedly the subject of more than one chaste dream, although perhaps not so innocent at that. But know this. Time may bury many childhood wounds but there are not enough medicines, not enough bandages on this good, green earth to stanch some of them. So let’s just leave it at that. Or rather, as this. For the moment it takes to finish this note I am an unhappy man and… maybe, for longer. [Ditto, Brother].”
I guess I didn’t turn the tables on Markin after all. Sweet dreams, Margaret Gilbert wherever you landed. Johnny Silver blows you a kiss.
Thursday, August 4, 2011
***The Times Are Out Of Joint- The Heart Of Rock ‘n’ Roll: 1965-1966
Click on the headline to link to a YouTube film clip of Percy Sledge performing his classic When A Man Loves A Woman.
CD Review
The Heart Of Rock ‘n’ Roll: 1965-1966, various artist, Time-Life Music, 1997
Susie Roberts, Rick’s youngest sister was stuck. No, not stuck in some car stuck place on some desolate road looking for sir galahad to show up and rescue the fair damsel, pulling might and main to win her favors. And, decidedly, not stuck on some Clintondale High Math class Pythagorean Theorem math problem looking for the square root of some distance from point A to point B. She had Lenny Linsky for that, and for any other mathsciencehistoryenglish problem that she needed resolved. Yes, Lenny was that way about her. As were a few others, a few hopeless others, not willing however to join Lenny in the slave quarters. Everyone, hopeless or hopeful agreed, that while Susie was not up to speed in the mechanical or smarts departments she was cute (not knock-down drag-out beautiful but pretty enough, pretty enough not to have to worry about mechanics or math now, and probably ever), tall, blonde, real blonde if you can believe that in this day, this 1966 day in age, pert, and miss personality. And in the final analysis isn’t that what you want in a high school honey?
That though is exactly where Susie’s stuck problem comes in. See she is stuck on a soda jerk over at Doc’s Drugstore in North Adamsville. And not just any of Doc’s five jerks (yes, I know soda jerks, but let’s just shorthand this thing as jerks, no slander intended, okay) but Jeff Brigham. Yes, Jeff Brigham the big time politico, student body version, who had his picture taken with Robert Kennedy at some Northeast anti-war student conference where they were mapping out ways to end the war in Vietnam. And that is really where the problem comes in. Jeff, bright, agile, good-looking Jeff, these days has no time for Susie, well, Susie no brains, although not really no brains but more no political brains. And why should a sophomore, a good-looking sophomore girl in the year of our lord, 1966, have to care about war, about black civil rights, about whether Red China should be in the United Nations or not, or about which way America should be going just to keep up to speed with a jerk.
Something is out of whack and Susie can’t figure an angle to get to Jeff. Hey, any other time Jeff would be so much putty. Jerk proud, like the others at Doc’s, just to have Susie come in and talk to them. But, damn, Susie muttered under her breath they aren’t Jeff. And as many signals as she has given Jeff when she plays Doc’s juke box, plays it to perdition, and tries to interest him in talking about songs like The Temptations’ crooning My Girl; Otis Redding’s be-bopping I’ve Been Loving You Too Long; Barbara Lewis practically begging her man to get what he wants on Baby, I’m Yours; and when she turns the volume up for Percy Sledge’s When A Man Loves A Woman he just smiles his non-committal smile and starts talking about whether Robert Kennedy should, or should not, run for President in 1968, or some such thing. And then Susie fumes under her breath, the times are damn well out of joint.
CD Review
The Heart Of Rock ‘n’ Roll: 1965-1966, various artist, Time-Life Music, 1997
Susie Roberts, Rick’s youngest sister was stuck. No, not stuck in some car stuck place on some desolate road looking for sir galahad to show up and rescue the fair damsel, pulling might and main to win her favors. And, decidedly, not stuck on some Clintondale High Math class Pythagorean Theorem math problem looking for the square root of some distance from point A to point B. She had Lenny Linsky for that, and for any other mathsciencehistoryenglish problem that she needed resolved. Yes, Lenny was that way about her. As were a few others, a few hopeless others, not willing however to join Lenny in the slave quarters. Everyone, hopeless or hopeful agreed, that while Susie was not up to speed in the mechanical or smarts departments she was cute (not knock-down drag-out beautiful but pretty enough, pretty enough not to have to worry about mechanics or math now, and probably ever), tall, blonde, real blonde if you can believe that in this day, this 1966 day in age, pert, and miss personality. And in the final analysis isn’t that what you want in a high school honey?
That though is exactly where Susie’s stuck problem comes in. See she is stuck on a soda jerk over at Doc’s Drugstore in North Adamsville. And not just any of Doc’s five jerks (yes, I know soda jerks, but let’s just shorthand this thing as jerks, no slander intended, okay) but Jeff Brigham. Yes, Jeff Brigham the big time politico, student body version, who had his picture taken with Robert Kennedy at some Northeast anti-war student conference where they were mapping out ways to end the war in Vietnam. And that is really where the problem comes in. Jeff, bright, agile, good-looking Jeff, these days has no time for Susie, well, Susie no brains, although not really no brains but more no political brains. And why should a sophomore, a good-looking sophomore girl in the year of our lord, 1966, have to care about war, about black civil rights, about whether Red China should be in the United Nations or not, or about which way America should be going just to keep up to speed with a jerk.
Something is out of whack and Susie can’t figure an angle to get to Jeff. Hey, any other time Jeff would be so much putty. Jerk proud, like the others at Doc’s, just to have Susie come in and talk to them. But, damn, Susie muttered under her breath they aren’t Jeff. And as many signals as she has given Jeff when she plays Doc’s juke box, plays it to perdition, and tries to interest him in talking about songs like The Temptations’ crooning My Girl; Otis Redding’s be-bopping I’ve Been Loving You Too Long; Barbara Lewis practically begging her man to get what he wants on Baby, I’m Yours; and when she turns the volume up for Percy Sledge’s When A Man Loves A Woman he just smiles his non-committal smile and starts talking about whether Robert Kennedy should, or should not, run for President in 1968, or some such thing. And then Susie fumes under her breath, the times are damn well out of joint.
Wednesday, August 3, 2011
Out In The 1950s Crime Noir Night-"Come On Now, Get With The Program- Crime, I Repeat, Crime Does Not Pay"- Richard Basehart’s “Tension"-A Film Review
Click on the headline to link to a site that reviews and details the plot lines of crime noir films
DVD Review
Tension, starring Richard Basehart, Audrey Totter, Barry Sullivan, Paramount Pictures, 1950
No question I am a film noir, especially a crime film noir, aficionado. Recently I have been on a tear reviewing various crime noir efforts and drawing comparisons between the ones that “speak” to me and those that, perhaps, should have been left on the cutting room floor. The classics are easy: films like Out Of the Past, Gilda, The Lady From Shang-hai, and The Big Sleep need no additional comment from me as their plot lines stand on their own merits. Others, because they have a fetching, or wicked, for that matter, femme fatale to muddy the waters also get a pass, or as in Gilda a double nod for the plot and for the femme fatale. (Be still my heart, at the thought of Rita Hayworth, ah, dancing and singing, okay lip synching, and looking, well, fetching while doing those difficult tasks.) The film under review, 1950’s Tension, falls somewhere in the grey area, the plot line while it started out with a certain amount of promise got dragged in the end toward a standard police procedural, a kiss of death for most crime noir films in my book. And the femme fatale is neither fetching (a la Rita) nor wicked (except for an involvement in murder and mayhem, but they all, the femme fatales that is, are involved in that, one way or the other, it comes with the territory).
A quick review of the plot will explain my bewilderment at where to place this one in the crime noir pantheon. Warren (Richard Basehart), a Walter Middy-type, married to Claire (Audrey Totter), a second-rate gold-digger who attached herself to Warren in harder times (her harder times) out in Southern California when that locale was becoming the homeland of the dreams- the post-World War II suburban sun-drenched tract dreams. And Warren is a prime number one prospect for that dream working nights like a mad man to get Claire those things he promised her, or half of them anyway. But Claire, the little round-heels, is looking for speedier stuff now that she is settled into a good thing, and a plaint husband. And sweetheart Claire is flouting her stuff right in front of Warren with a guy of unknown resources (Barney) with some dough, a nice car, and a place on the beach in up-scale Malibu to sun herself. Well, a girl has to look out for herself, a round-heels girl anyway, right?
The plot thickens when Warren, no longer content to be a door-mat, decides to kill somebody over this transgression (Barney, heaven’s no, not lovely, wicked, maybe just misunderstood Claire). The long and short of it is that after planning the perfect murder by changing his identity (new idea, right?) he gets cold feet, as Walter Middys do, or maybe a slug of rationality that maybe, just maybe, sweet Claire ain’t worth it and good riddance. Especially after, as part of his change of identity, he meets a honey, Mary (played by the leggy Cyd Charisse), who is more his speed and, well, is happy to think about that suburban house and that white picket fence with 2.2 kids, and a dog, one dog.
But see the story would become really tedious if somebody didn’t kill somebody, and so old Barney winds up dead. And of course Warren (or his changed identity self, Paul) is fit six ways to Sunday for the frame. Someone is going to the chair for this one, this murder one job, and Warren better start making a list of his last requests.
Except of course, crime noir or not, guys who don’t commit murder and mayhem are not stepping off for such crimes, at least in 1950s movies. And that is where the tedious police procedural aspect of this film meets low-rent femme fatale when L.A.’s finest get on the case and “entrap” if you can believe that about the police in 1950, or now, everybody connected with the crime (except of course, the deceased Barney, although he too might have had a motive, who knows). And guess who is going to take the fall for this one? Well, guess. But you could see where this one was headed from a long way off. Hey didn’t Phillip Marlowe work these slumming L.A. streets in those days. Taking a little off-hand beating before swinging the scales of justice back where they belong. He could have been used here to tell Claire what’s what, and to spice this one up.
DVD Review
Tension, starring Richard Basehart, Audrey Totter, Barry Sullivan, Paramount Pictures, 1950
No question I am a film noir, especially a crime film noir, aficionado. Recently I have been on a tear reviewing various crime noir efforts and drawing comparisons between the ones that “speak” to me and those that, perhaps, should have been left on the cutting room floor. The classics are easy: films like Out Of the Past, Gilda, The Lady From Shang-hai, and The Big Sleep need no additional comment from me as their plot lines stand on their own merits. Others, because they have a fetching, or wicked, for that matter, femme fatale to muddy the waters also get a pass, or as in Gilda a double nod for the plot and for the femme fatale. (Be still my heart, at the thought of Rita Hayworth, ah, dancing and singing, okay lip synching, and looking, well, fetching while doing those difficult tasks.) The film under review, 1950’s Tension, falls somewhere in the grey area, the plot line while it started out with a certain amount of promise got dragged in the end toward a standard police procedural, a kiss of death for most crime noir films in my book. And the femme fatale is neither fetching (a la Rita) nor wicked (except for an involvement in murder and mayhem, but they all, the femme fatales that is, are involved in that, one way or the other, it comes with the territory).
A quick review of the plot will explain my bewilderment at where to place this one in the crime noir pantheon. Warren (Richard Basehart), a Walter Middy-type, married to Claire (Audrey Totter), a second-rate gold-digger who attached herself to Warren in harder times (her harder times) out in Southern California when that locale was becoming the homeland of the dreams- the post-World War II suburban sun-drenched tract dreams. And Warren is a prime number one prospect for that dream working nights like a mad man to get Claire those things he promised her, or half of them anyway. But Claire, the little round-heels, is looking for speedier stuff now that she is settled into a good thing, and a plaint husband. And sweetheart Claire is flouting her stuff right in front of Warren with a guy of unknown resources (Barney) with some dough, a nice car, and a place on the beach in up-scale Malibu to sun herself. Well, a girl has to look out for herself, a round-heels girl anyway, right?
The plot thickens when Warren, no longer content to be a door-mat, decides to kill somebody over this transgression (Barney, heaven’s no, not lovely, wicked, maybe just misunderstood Claire). The long and short of it is that after planning the perfect murder by changing his identity (new idea, right?) he gets cold feet, as Walter Middys do, or maybe a slug of rationality that maybe, just maybe, sweet Claire ain’t worth it and good riddance. Especially after, as part of his change of identity, he meets a honey, Mary (played by the leggy Cyd Charisse), who is more his speed and, well, is happy to think about that suburban house and that white picket fence with 2.2 kids, and a dog, one dog.
But see the story would become really tedious if somebody didn’t kill somebody, and so old Barney winds up dead. And of course Warren (or his changed identity self, Paul) is fit six ways to Sunday for the frame. Someone is going to the chair for this one, this murder one job, and Warren better start making a list of his last requests.
Except of course, crime noir or not, guys who don’t commit murder and mayhem are not stepping off for such crimes, at least in 1950s movies. And that is where the tedious police procedural aspect of this film meets low-rent femme fatale when L.A.’s finest get on the case and “entrap” if you can believe that about the police in 1950, or now, everybody connected with the crime (except of course, the deceased Barney, although he too might have had a motive, who knows). And guess who is going to take the fall for this one? Well, guess. But you could see where this one was headed from a long way off. Hey didn’t Phillip Marlowe work these slumming L.A. streets in those days. Taking a little off-hand beating before swinging the scales of justice back where they belong. He could have been used here to tell Claire what’s what, and to spice this one up.
Tuesday, August 2, 2011
*A Confession, Of Sorts-For Joyce D., Hunter College High School, NYC, Class Of 1966, Out There Somewhere In Cyberspace
Peter Paul Markin comment:
We live in an age, thanks to Internet technology, where one is able to tell-all in an instant pushing the limits of an already previously burgeoning confessional ethos well beyond what the average person needs to know. Needs to know, frankly, even on the high side of the “information super-highway.” Needs to know about anyone else’s personal business, okay. Well, here is my little contribution to the genre with a half-fictional, half-whimsical tale. But only half...
Okay, okay I have a confession to make. I am being forced to do so, kicking and screaming, and not your average kicking and screaming but door-kicking and banshee- screaming so you know, know deep down, that I do not want do this, by my "soul mate." A woman who I have trusted, trust, and will continue to trust until I can trust no more, although this request stretches that trust thing more than a little. Her telling me, moreover, something about coming clean for the good of my soul. I hate that imperative moral tone but I have learned a thing or two over time. One of the things being that you ignore than “tone” of hers at your peril.
In any case one and all should now know that I am on this North Adamsville Class of 1964 classmate site under false pretenses. [Referring to a site set up by do-gooder members of the class to run amok in our sweetly and quietly aging lives, going gentle into that good night, by peppering anyone they could round up via the Internet with endless questions about what we have been doing for the past almost fifty years-jesus, get lives, get lives please, and let me return to writing political stuff-PPM].
Oh, sure, when I originally came on I, like everybody else, was just trying to take a little nostalgic trip down memory lane to the good old high school days. However, once here, I started to spew forth about the fates of various sports figures like the fleet-footed long distance runner, Billy Bailey, and the behemoth football player, Thundering Timmy Riley, and his heroic partners in the victorious 1964 football season. And high school dances, corner boy life, boy meets girls dates and stuff, “watching the submarine” races down at old Adamsville Beach, drive-in movies and restaurants, be-bop nights and not be-bop nights. Kids’ stuff ready, harmless kids’ stuff.
Then, seemingly as an act of hubris, I felt compelled to investigate various aspects of our common past using a very handy copy, a copy made handy by one Bill Bailey, of the North Adamsville Magnet, our class yearbook, as a guide. I ran through a whole series of investigations from rather simple ones like the pressing question of the rationale for white socks and white shorts in gym (and white socks elsewhere) to the more urgent one of the rationale for separate boys' and girls' bowling teams and, ultimately, stumbling on to the apparently nefarious doings of Tri-Hi-Y. Well, you get the drift- a guy with a little time on his hands and a decided penchant for mischief.
Well those would all be good and sufficient reasons for being on the site, if those were indeed the reasons. But here is where the confessional part comes in. The REAL reason I am on the site is the generic class homepage. Apparently in order to finance the website those curmudgeonly class do-gooders rented out space for cyber-advertising, helter-skelter advertising. Also, apparently, unconcerned about heart attacks and other medical problems for their fellow male AARP-worthies (and maybe female as well), they “permitted” advertising by online dating services. Thus, I am very, very curious, among other things, about those 833 nubile young women, courtesy of one such online dating service, who live near my town and who are just dying to meet an old geezer. (Fellow women classmates, I am sure, get the same pitch with hulky, beefcake young guys.) The slender, slinky, saucy (and intelligent, of course) Kerry, in particular, has my attention. But enough of talking about such things. That above-mentioned "soul mate" would take a very dim view on this subject since I am here merely to confess not to speak of ogling. However now I know why the expression "dirty old man" and the word "lecher" were created in the English language long ago, long before the Internet reared its ugly head into our lives.
That hardly ends this sordid tale though. Other, admittedly, lesser kinds of information also intrigued me like my credit rating. Hell, apparently, my credit is too good. I can't raise a bank loan for hell nor high water. Seemingly only GM, Goldman Sachs, AIG and that bankrupt-prone crowd gets the nod these days. (Now, let's not get political here Peter Paul. Save that for another day.) More appropriately, if ominously, our brethren at AARP have seen fit to extol the virtues of long-term care insurance. So you can see how one can get easily sidetracked. So be it. However, here is the good part. I have taken, and I hope others will join me, the PLEDGE. From here on in I will keep my eyes straight forward on my profile page [each member, as in many social networking sites, has his or her own page, for better or worst], the Class Of 1964 home page and only click on the Message Board section. Well, except for one little, little peek at... winsome Kerry.
We live in an age, thanks to Internet technology, where one is able to tell-all in an instant pushing the limits of an already previously burgeoning confessional ethos well beyond what the average person needs to know. Needs to know, frankly, even on the high side of the “information super-highway.” Needs to know about anyone else’s personal business, okay. Well, here is my little contribution to the genre with a half-fictional, half-whimsical tale. But only half...
Okay, okay I have a confession to make. I am being forced to do so, kicking and screaming, and not your average kicking and screaming but door-kicking and banshee- screaming so you know, know deep down, that I do not want do this, by my "soul mate." A woman who I have trusted, trust, and will continue to trust until I can trust no more, although this request stretches that trust thing more than a little. Her telling me, moreover, something about coming clean for the good of my soul. I hate that imperative moral tone but I have learned a thing or two over time. One of the things being that you ignore than “tone” of hers at your peril.
In any case one and all should now know that I am on this North Adamsville Class of 1964 classmate site under false pretenses. [Referring to a site set up by do-gooder members of the class to run amok in our sweetly and quietly aging lives, going gentle into that good night, by peppering anyone they could round up via the Internet with endless questions about what we have been doing for the past almost fifty years-jesus, get lives, get lives please, and let me return to writing political stuff-PPM].
Oh, sure, when I originally came on I, like everybody else, was just trying to take a little nostalgic trip down memory lane to the good old high school days. However, once here, I started to spew forth about the fates of various sports figures like the fleet-footed long distance runner, Billy Bailey, and the behemoth football player, Thundering Timmy Riley, and his heroic partners in the victorious 1964 football season. And high school dances, corner boy life, boy meets girls dates and stuff, “watching the submarine” races down at old Adamsville Beach, drive-in movies and restaurants, be-bop nights and not be-bop nights. Kids’ stuff ready, harmless kids’ stuff.
Then, seemingly as an act of hubris, I felt compelled to investigate various aspects of our common past using a very handy copy, a copy made handy by one Bill Bailey, of the North Adamsville Magnet, our class yearbook, as a guide. I ran through a whole series of investigations from rather simple ones like the pressing question of the rationale for white socks and white shorts in gym (and white socks elsewhere) to the more urgent one of the rationale for separate boys' and girls' bowling teams and, ultimately, stumbling on to the apparently nefarious doings of Tri-Hi-Y. Well, you get the drift- a guy with a little time on his hands and a decided penchant for mischief.
Well those would all be good and sufficient reasons for being on the site, if those were indeed the reasons. But here is where the confessional part comes in. The REAL reason I am on the site is the generic class homepage. Apparently in order to finance the website those curmudgeonly class do-gooders rented out space for cyber-advertising, helter-skelter advertising. Also, apparently, unconcerned about heart attacks and other medical problems for their fellow male AARP-worthies (and maybe female as well), they “permitted” advertising by online dating services. Thus, I am very, very curious, among other things, about those 833 nubile young women, courtesy of one such online dating service, who live near my town and who are just dying to meet an old geezer. (Fellow women classmates, I am sure, get the same pitch with hulky, beefcake young guys.) The slender, slinky, saucy (and intelligent, of course) Kerry, in particular, has my attention. But enough of talking about such things. That above-mentioned "soul mate" would take a very dim view on this subject since I am here merely to confess not to speak of ogling. However now I know why the expression "dirty old man" and the word "lecher" were created in the English language long ago, long before the Internet reared its ugly head into our lives.
That hardly ends this sordid tale though. Other, admittedly, lesser kinds of information also intrigued me like my credit rating. Hell, apparently, my credit is too good. I can't raise a bank loan for hell nor high water. Seemingly only GM, Goldman Sachs, AIG and that bankrupt-prone crowd gets the nod these days. (Now, let's not get political here Peter Paul. Save that for another day.) More appropriately, if ominously, our brethren at AARP have seen fit to extol the virtues of long-term care insurance. So you can see how one can get easily sidetracked. So be it. However, here is the good part. I have taken, and I hope others will join me, the PLEDGE. From here on in I will keep my eyes straight forward on my profile page [each member, as in many social networking sites, has his or her own page, for better or worst], the Class Of 1964 home page and only click on the Message Board section. Well, except for one little, little peek at... winsome Kerry.
Monday, August 1, 2011
*White socks.....and white shorts- For James And John C., Clintondale Class Of 1964
Click on the headline to link to a site that sells "real" gym shorts for comparison with our old white shorts and socks. Is nothing sacred anymore?
Jimmy Taylor was desperate for a pair of gym-worthy white shorts, gym day worthy whites. Desperate enough to go into the dreaded battered white shorts discard cardboard box now slumped across from the shower stalls and rummage, rummage nose held, for a pair that would pass muster. Pass muster when Coach Dickson (everybody called him Coach, although he hadn’t coached a sport in Clintondale since Roosevelt was president, Teddy Roosevelt, Jimmy thought) passed down the line like some imitation colonel inspecting two things-white shorts and white socks. Clean, unwrinkled, better be pressed, white shorts of the appropriate size.
That last quality mattered, at least this is what Jimmy had heard from his own older brother, Kenny, Class of 1961, ever since one small sophomore, or maybe it was a freshman, whose brother was a behemoth on the Clintondale football team, the 1960 one that went on to win the Class D state championship if you remember that great team and that great season, “inherited” his brother’s perfectly good white shorts. Perfectly good according to this lad’s mother, and with the concurrence of many a Clintondale Irish working-class mother who knew things in that neighborhood were dear just then. They kept falling down, the behemoth's white sail shorts that is, exposing, well, exposing the fact that he did not have a jock strap on, and we will leave it at that, or could. Except Coach Dickson, cold-hearted Coach, merely cuttingly commented that he was glad there were no girls around because there would be nothing to see, wink, wink.
Needless to say every boy, particularly every senior boy, every Class of 1964 boy that is, in the place laughed or at least chuckled at Coach’s lame remark, fearful that "His Vengefulness" might hold up their graduations for failure to pass a state-mandated requirement. And according to local school lore, Clintondale High lore any way, back in those Roosevelt days (Teddy or Franklin, could have been either Jimmy again thought) he had actually done so. And the school committee backed him up, creating a legend that he lived, no, feasted off of for the next few decades. There was another story, or maybe stories, of too tight shorts exploding on the wrestling mat or while the guys were doing some gymnastic exercise. Those were just rumors though, Kenny never mentioned anything about that. In any case Coach Dickson’s Rule Three A ruled. (Rule Three being the part about clean and presentable white shorts.)
The failure to observe the afore-mentioned rule branded you as a felon not fit for civilized company, or it might as well have, for you had exactly one excused non-white short, non-white-sock gym period, per year, per student, as per Coach Dickson’s rule. (Rule Four, for all the rules see the bulletin board in front of Coach’s office. Bring a chair and reading glasses, if you need them, you will be there a while). And Jimmy had already used his up back in the fall when he had “forgotten” his after going down one of the back halls, far down in one of the back halls, with a certain girl, a certain nameless girl, and left his bag with his shorts and socks in it behind. (Really, it’s true, guys, and, oh well, he won’t mention names, although he told me it, but a certain girl, a certain very “hot” girl, could back Jimmy’s claim up. Jimmy claimed that you too would have forgotten your foolish gym bag if you had been around her, and her craze-inducing perfume or soap that made her smell like some flower, a gardenia maybe. I agree about the craze-inducing part too.)
Today he had forgotten, real forgotten, to bring his shorts, and in any case he was probably fated for the death penalty anyway since he had also forgotten to have Martha (dear, sweet mother Taylor, for those not familiar with Clintondale, or with the Taylor clan that has been part of Clintondale society since hector was a pup, and who do not know that woman) wash his dirty pairs of shorts and socks.
Of course Jimmy's scramble for white shorts much less for white socks, white matching socks, although the now doddering Coach Dickson was not always careful in inspecting socks so there was some wiggle room, was fated to be nothing but a humiliating experience, and was designed by His Vengefulness as such, since this wretched, battered cardboard box was filled with every thrown-away, nasty, off-white, sweat-grinded pair of shorts that Coach Dickson found lying around the locker rooms, or wherever he could find such things. (Although Jimmy, in a fit of gallows humor, chuckled to himself that he bet that Coach had not found those shorts down that dark hall where he had gone with Liz, oops, no names.)
But the white socks were worst, much worst, thrown hither and yon after doing yeoman’s service on some perspiring feet. All dirt-smudged caused by rubbing against the inners of some too tight sneakers while playing volleyball, basketball, or a really athletic endeavor like throwing the medicine ball and then left on some dank floor to walk home by themselves (no kidding either) when Coach’s charges changed into “civilian” socks-brown, black, or blue to go with their penny loafers. (The rest of the “uniform” being a plaid shirt and black chino pants, cuffed, preferred, uncuffed if your mother bought them.)
Today though he also started to notice some stuff that he could have cared less about yesterday. A lot of the guys on gym day wore their white socks with their uniform (plaid shirts and, cuffed or uncuffed, black chinos, remember) with their penny loafers. Egad. Squaresville, squaresville cubed. Also he started to remember that when the Class of 1964 athletic team pictures were being taken along with the jacket, tie, and slacks he noticed that most of the guys, especially the guys who were sitting down had white socks on. Double squaresville cubed. White socks, jesus. Jimmy was dumbfounded and said to himself what, pray tell (although he may have not used that exact term), was the meaning of this sartorial display. Moreover, did it extend beyond athletics? He knew, as a creature of habit at the time and one who desperately wanted to be “in”, that he too wore his "whites," sometimes unthinkingly.
But what kind of fashion statement were they trying to make at the time? “White socks” meant only one thing- dweeb, nerd, outcast and not cool. He distinctly remembered that term in reference to scientific and engineer-types. And they were not cool. As cool as he and his corner boys tried to be were they really all dweebs who did not get the message fast enough out in the 'sticks' of Clintondale?
And that last question got Jimmy to thinking, rebelliously thinking when he started to get up a head of steam about it. Why, if you forgot your white shorts or white socks, couldn’t you just wear your civilian clothes in gym and not have to go through the indignity of the dread battered box discard pile. And while Fritz was organizing this train of revolutionary thought (to Coach and his rules, if to nobody else) in his head he added why if you did have your white shorts but had forgotten your white socks couldn’t you just use your civilian brownblackblue socks. It’s only two-period-a-week gym, right? And on that note Fritz made a momentous decision. He was, come hell or high water, going to find a pair of decent white shorts and just wear them with his brown civilian socks as a protest against the injustice of Coach’s silly rule. He then found a suitable pair, donned them and walked out to face the music.
Jimmy Taylor was desperate for a pair of gym-worthy white shorts, gym day worthy whites. Desperate enough to go into the dreaded battered white shorts discard cardboard box now slumped across from the shower stalls and rummage, rummage nose held, for a pair that would pass muster. Pass muster when Coach Dickson (everybody called him Coach, although he hadn’t coached a sport in Clintondale since Roosevelt was president, Teddy Roosevelt, Jimmy thought) passed down the line like some imitation colonel inspecting two things-white shorts and white socks. Clean, unwrinkled, better be pressed, white shorts of the appropriate size.
That last quality mattered, at least this is what Jimmy had heard from his own older brother, Kenny, Class of 1961, ever since one small sophomore, or maybe it was a freshman, whose brother was a behemoth on the Clintondale football team, the 1960 one that went on to win the Class D state championship if you remember that great team and that great season, “inherited” his brother’s perfectly good white shorts. Perfectly good according to this lad’s mother, and with the concurrence of many a Clintondale Irish working-class mother who knew things in that neighborhood were dear just then. They kept falling down, the behemoth's white sail shorts that is, exposing, well, exposing the fact that he did not have a jock strap on, and we will leave it at that, or could. Except Coach Dickson, cold-hearted Coach, merely cuttingly commented that he was glad there were no girls around because there would be nothing to see, wink, wink.
Needless to say every boy, particularly every senior boy, every Class of 1964 boy that is, in the place laughed or at least chuckled at Coach’s lame remark, fearful that "His Vengefulness" might hold up their graduations for failure to pass a state-mandated requirement. And according to local school lore, Clintondale High lore any way, back in those Roosevelt days (Teddy or Franklin, could have been either Jimmy again thought) he had actually done so. And the school committee backed him up, creating a legend that he lived, no, feasted off of for the next few decades. There was another story, or maybe stories, of too tight shorts exploding on the wrestling mat or while the guys were doing some gymnastic exercise. Those were just rumors though, Kenny never mentioned anything about that. In any case Coach Dickson’s Rule Three A ruled. (Rule Three being the part about clean and presentable white shorts.)
The failure to observe the afore-mentioned rule branded you as a felon not fit for civilized company, or it might as well have, for you had exactly one excused non-white short, non-white-sock gym period, per year, per student, as per Coach Dickson’s rule. (Rule Four, for all the rules see the bulletin board in front of Coach’s office. Bring a chair and reading glasses, if you need them, you will be there a while). And Jimmy had already used his up back in the fall when he had “forgotten” his after going down one of the back halls, far down in one of the back halls, with a certain girl, a certain nameless girl, and left his bag with his shorts and socks in it behind. (Really, it’s true, guys, and, oh well, he won’t mention names, although he told me it, but a certain girl, a certain very “hot” girl, could back Jimmy’s claim up. Jimmy claimed that you too would have forgotten your foolish gym bag if you had been around her, and her craze-inducing perfume or soap that made her smell like some flower, a gardenia maybe. I agree about the craze-inducing part too.)
Today he had forgotten, real forgotten, to bring his shorts, and in any case he was probably fated for the death penalty anyway since he had also forgotten to have Martha (dear, sweet mother Taylor, for those not familiar with Clintondale, or with the Taylor clan that has been part of Clintondale society since hector was a pup, and who do not know that woman) wash his dirty pairs of shorts and socks.
Of course Jimmy's scramble for white shorts much less for white socks, white matching socks, although the now doddering Coach Dickson was not always careful in inspecting socks so there was some wiggle room, was fated to be nothing but a humiliating experience, and was designed by His Vengefulness as such, since this wretched, battered cardboard box was filled with every thrown-away, nasty, off-white, sweat-grinded pair of shorts that Coach Dickson found lying around the locker rooms, or wherever he could find such things. (Although Jimmy, in a fit of gallows humor, chuckled to himself that he bet that Coach had not found those shorts down that dark hall where he had gone with Liz, oops, no names.)
But the white socks were worst, much worst, thrown hither and yon after doing yeoman’s service on some perspiring feet. All dirt-smudged caused by rubbing against the inners of some too tight sneakers while playing volleyball, basketball, or a really athletic endeavor like throwing the medicine ball and then left on some dank floor to walk home by themselves (no kidding either) when Coach’s charges changed into “civilian” socks-brown, black, or blue to go with their penny loafers. (The rest of the “uniform” being a plaid shirt and black chino pants, cuffed, preferred, uncuffed if your mother bought them.)
Today though he also started to notice some stuff that he could have cared less about yesterday. A lot of the guys on gym day wore their white socks with their uniform (plaid shirts and, cuffed or uncuffed, black chinos, remember) with their penny loafers. Egad. Squaresville, squaresville cubed. Also he started to remember that when the Class of 1964 athletic team pictures were being taken along with the jacket, tie, and slacks he noticed that most of the guys, especially the guys who were sitting down had white socks on. Double squaresville cubed. White socks, jesus. Jimmy was dumbfounded and said to himself what, pray tell (although he may have not used that exact term), was the meaning of this sartorial display. Moreover, did it extend beyond athletics? He knew, as a creature of habit at the time and one who desperately wanted to be “in”, that he too wore his "whites," sometimes unthinkingly.
But what kind of fashion statement were they trying to make at the time? “White socks” meant only one thing- dweeb, nerd, outcast and not cool. He distinctly remembered that term in reference to scientific and engineer-types. And they were not cool. As cool as he and his corner boys tried to be were they really all dweebs who did not get the message fast enough out in the 'sticks' of Clintondale?
And that last question got Jimmy to thinking, rebelliously thinking when he started to get up a head of steam about it. Why, if you forgot your white shorts or white socks, couldn’t you just wear your civilian clothes in gym and not have to go through the indignity of the dread battered box discard pile. And while Fritz was organizing this train of revolutionary thought (to Coach and his rules, if to nobody else) in his head he added why if you did have your white shorts but had forgotten your white socks couldn’t you just use your civilian brownblackblue socks. It’s only two-period-a-week gym, right? And on that note Fritz made a momentous decision. He was, come hell or high water, going to find a pair of decent white shorts and just wear them with his brown civilian socks as a protest against the injustice of Coach’s silly rule. He then found a suitable pair, donned them and walked out to face the music.
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