Click on the headline to link to a YouTube film clip of Tom Waits performing Jersey Girl
"Ain't Got No Time For The Corner Boys, Down In The Streets Making All That Noise"- The first line from Tom Waits classic working class love song, Jersey Girl. The best version of the song by Tom Waits is the one that you can link to on YouTube above.
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Peter Paul Markin, Adamsville Housing Authority Alumnus and North Adamsville, Class Of 1964, (although most AHA alumni graduated from cross-town rival, Adamsville High) comment:
Funny how some stories get their start. A few years back one of my old Adamsville South Elementary corner boys, Denny Romano, he of the squeaky burgeoning tenor in our impromptu 1950s back end of the school-yard summer nights doo wop group (and I of the squeaky bass, low, very low bass) “connected” with me again. He did so not through this site but through one of those looking for old high school graduate-based Internet sites that relentlessly track you down just as, in your dotage; you think you have finally gotten out from under that last remnant speck of fighting off the last forty years of your teen alienation and teen angst.
Denny asked me to speak of the old “corner boy” days down at “the projects,” the Adamsville Housing Authority low-rent housing where the desperately poor, temporarily so or not, were warehoused in our town in the post-World War II good night when some returning veteran fathers needed a helping hand to get them going back into civilian life. Corner boys, in case you were clueless (or too young to know of anything but mall rat-dom), were guys, mainly, who “hung out” together. Poor boy, no money, no other place to go, or with no transportation to get some place, hung out in front of a million mom and pop variety corner variety stores, corner pizza parlors, corner bowling alleys, corner fast food joints, hell, even corner gas stations in some real small towns from what some guys have told me when I asked them. Here is the odd part though. Ya, we were corner boys even that young, although we had no corner, no official corner like a corner mom and pop variety store, or a pizza parlor like I did later at Doc’s Drugstore in middle school and then as the king hell king’s scribe to Frankie Riley in front of Salducci’s Pizza Parlor but just the back end of the elementary school, as long as we were quiet and nobody cried murder and mayhem to the cops. The following, in any case, a little revised, represents my “homage” to Denny and the gang from those by-gone days and even the girls that ninety-three point four percent of the time I was scared to death of/ fascinated by. Well, some things haven’t changed anyway.
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Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, the Old Sailor’s Home, the Shipyard (abandoned now) and Sea Street. Yes, those streets and places from the old public housing project down in the Germantown section of Adamsville surely evoke imagines of the near-by sea that touched its edges, of long ago sailing ships, and of battles fought off some mist-driven coast by those hearty enough to seek fame and fortune. And with the wherewithal to hold on to their booty (no, not that booty, dough, prizes, stuff like that) But, of course, we know that anyone with even a passing attachment to Adamsville had to have an instinctual love of the sea, and fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But, enough of those imaginings.
Today I look to the landward side of that troubled housing project peninsula, that isolated expanse of land jutting out of the water and filled with wreckage of another kind, the human kind . No, this will not be a sociological survey of working class pathologies made inevitable by the relentless struggle to scramble for life's necessities, the culture of poverty, or the like. Nor will it be a political screed about rising against the monsters that held us down, or the need for such a rising. Nor even about the poetic license necessary to cobble pretty words together to speak of the death of dreams, dreamless dreams or, maybe, just accepting small dreams to fit a small life. Rather, I am driven by the jumble of images that passed through the thoughts of a ragamuffin of a project boy as he tried to make sense out of a world that he did not create, and that he had no say in.
Ah, the scenes. Warm, sticky, humid summer nights, the air filled with the pungent, overpowering soapy fragrance from the Proctor & Gamble factory across the channel that never quite left one's nostrils. Waking up each morning to face the now vanished Fore River Shipyard superstructure; hearing the distant clang of metals being worked to shape; and, the sight of flickering welding torches binding metals together. The endless rust-encrusted, low-riding oil tankers coming through the channel guided to port by high whistle-blowing tugs.
The interminable wait for the lifeline, seemingly never on time, Eastern Mass bus that took one and all in and out through that single Palmer Street escape route to greater Adamsville. Or that then imposing central housing authority building where I was sent by my mother, too proud to go herself, with the monthly rent, usually short. Oh, did I mention Carter's Variety Store, the sole store for us all the way to Sea Street but police take notice off limits to corners boys young or old, another lifeline. Many a time I reached in Ma's pocketbook to steal money, or committed other small hoodlum wanna-be larcenies, in order to hike down that long road and get my sugar-drenched stash (candy bars, soda, a.k.a. tonic but that word is long gone, Twinkles, Moon Pies, and so on, sugar-drenched all)
And the kids. Well, the idea in those “golden” post-war days was that the projects were a way-station to better things, or at least that was the hope. So there was plenty of turn-over of friends but there was a core of kids, kids like me and my brothers, who stayed long enough to learn the ropes. Or get beaten down by guys just a little hungrier, a little stronger, or with just a little bigger chip on their shoulder. Every guy had to prove himself, tough or not, by hanging with guys that were "really" tough. That was the ethos, and "thems were the rules." Rules that seemed to come out of eternity’s time, and like eternity never challenged.
I took my fair share of nicks but also, for a moment, well for more than a moment as it turned out, I was swayed by the gangster lifestyle. Hell, it looked easy. With old elementary school classmate Rickie B., Denny knows who I am talking about, who, later, served twenty years, maybe more for all know, for a series of armed robberies, I worked my first "clip" in some downtown Adamsville Square jewelry store, Sid’s I think, the one with all the onyx rings on display in the front and the twelve signs about how you could have anything in the place on very easy terms, only a million installments (with interest piling up, of course). No, thanks. The clip, again for the clueless, is nothing but kids’ stuff, strictly for amateurs because no professional thief would risk his or her good name for such a low-rent payoff. The deal was one guy went in and got the salesperson’s attention while the other guy ripped off whatever was “hanging low on the tree.” In that arrangement I was usually the “tree” guy not because I had quick hands, although come to think of it I did (and big eyes, big greedy eyes for all the booty, and you know what booty means here now since I told you before), but because I didn’t have the knack of talking gibberish to adults. Hell, you probably did the clip yourself, maybe for kicks. And then forgot about it for some other less screwy kick. Not me.
Okay, so at that point maybe every kid, every curious kid ready in whatever manner to challenge authority and I (and most of my then corner boys, although not Denny if I recall correctly) are even. Here is the tie-breaker though. Moving on, I was the "holder" for more expansive enterprises with George H. (who, later, got killed when a drug deal he was promoting, a lonely gringo deal down in Mexico, went south on him). See George was a true artist, a true sneak thief who was able to get into any house by stealth and sheer determination. Mainly houses up in Adams Shore where people actually had stuff worth stealing unlike in the projects where the stuff was so much Bargain Center specials (the local Wal-Mart-like operation of its day). He needed me for two, no three, things. First, I was the “look-out” and even the clueless know what that means. Secondly, I actually held and carried some of the loot that he passed to me out of the window or door, and one time out a backyard bulkhead (the good stuff, televisions, silverware, a stamp collection, a coin collection, and some other stuff that I have forgotten about, was in the basement family room). Lastly, as George started to draw school and police attention I actually “held” the stuff in a safe location (which I will not disclose here just in case the various statutes of limitations have not run out). That went on for a while but George got busted for something else, some unruly child baloney rap thing, and that was that.
That was just a kid’s gangster moment, right? It was not all larcenies and kid dreams of some “big score” to get himself, and his family, out from under though. It couldn’t be for a kid, or the whole world, poor as it was, would have just collapsed over my head, and I would not be here to honor Denny’s request.
Oh, the different things that came up. Oddball things like Christmas tree bonfires on New Year’s Eve where we scurried like rats just as soon as neighbors put their trees out to be taken away in order to assemble them on the beach ready to be fired up and welcome in the new year. Or annual Halloween hooliganism where we, in a sugar frenzy, worked the neighborhood trick or treat racket hitting every house like the 82nd Airborne Division, or some such elite unit running amok in Baghdad or some Iraqi town ...
Hey, wait a minute, all this is so much eyewash because what, at least in my memory's eye, is the driving "projects" image is the "great awakening." Girls. Girls turning from sticks to shapes just around the time that I started to notice the difference, and being interested in that different if not always sure about what it meant. You don’t need a book to figure that out, although maybe it would have helped. And being fascinated and ill at ease at the same time around them, and being a moonstruck kid on every girl that gave me a passing glance, or what I thought was a passing glance, and the shoe leather-wearing out marathon walking, thinking about what to do about them, especially when the intelligence-gatherers told you about a girl who liked you. And the innocent, mostly dreaded, little petting parties, in dank little basements that served as 'family rooms' for each apartment, trying to be picked by the one you want to pick you and, well, you get the drift. Remind me to tell you some time, and here is where Denny comes in, how we put together, a bunch of corner-less corner boys, a ragtag doo wop group one summer for the express, the sole, the only purpose of, well, luring girls to the back of the school where we hung out. And it worked.
Now a lot of this is stuff any kid goes through, except just not in "the projects." And some of it is truly "projects" stuff - which way will he go, good or bad? But this next thing kind of ties it together. Just about the time when I was seriously committed to a petty criminal lifestyle, that “holding” stuff with my corner boy comrade George, I found the Thomas Crane Library branch that was then in the Adamsville South Elementary School (now further up the street toward Adamsville Square). And one summer I just started to read every biography or other interesting book they had in the Children's Section. While looking, longingly, over at the forbidden Adult Section on the other side of the room for the good stuff. And I dreamed. Yes, I am a "projects" boy, and I survived to tell the tale. Is that good enough for you, Denny?
Tom Waits Jersey Girl Lyrics
Got no time for the corner boys,
Down in the street makin' all that noise,
Don't want no whores on eighth avenue,
Cause tonight i'm gonna be with you.
'cause tonight i'm gonna take that ride,
Across the river to the jersey side,
Take my baby to the carnival,
And i'll take you all on the rides.
Down the shore everything's alright,
You're with your baby on a saturday night,
Don't you know that all my dreams come true,
When i'm walkin' down the street with you,
Sing sha la la la la la sha la la la.
You know she thrills me with all her charms,
When i'm wrapped up in my baby's arms,
My little angel gives me everything,
I know someday that she'll wear my ring.
So don't bother me cause i got no time,
I'm on my way to see that girl of mine,
Nothin' else matters in this whole wide world,
When you're in love with a jersey girl,
Sing sha la la la la la la.
And i call your name, i can't sleep at night,
Sha la la la la la la.
This space is dedicated to stories, mainly about Billie from “the projects” elementary school days and Frankie from the later old working class neighborhood high school days but a few others as well. And of growing up in the time of the red scare, Cold War, be-bop jazz, beat poetry, rock ‘n’ roll, hippie break-outs of the 1950s and early 1960s in America. My remembrances, and yours as well.
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