Of Marriage And Its Vows-Spencer Tracy’s “The Father Of The Bride” (1950)-A Film Review

DVD Review

By Frank Jackman

Father of the Bride, starring Spencer Tracy, Joan Bennett, Elizabeth Taylor, directed by Vincente Minelli, 1950

Sometimes it pays to just not say anything. Take the recent case, my recent case, of being handed a review of a 1934 social/romance comedy/drama starring crooner turned actor (and crooner) Dick Powell Happiness Ahead. There I fumed about the on-going tendency of site manager Greg Green to hand out certain less than desirable assignments under the sign of “broadening horizons” He has tried to pull that gag on many of the younger writers, especially the stringers who after all without the least bit of security have to take it-or leave it- which means another assignment in say 2047. When I thought he was trying to pull that old gag on me I took him up short until he mended his ways by telling me that I was the cat’s meow at doing period “slice of life” pieces. So I did the assignment and he liked it and so he tried to smooth my edges by running this Father of the Bride goof film by me on that same “slice of life” mumbo-jumbo. Be forewarned Mr. Green Mrs. Jackman didn’t raise any kids who it took forever to figure out when he has been had. Enough said.   

I learned long ago from Seth Garth (who I am told now got it from that old hawk Sam Lowell) that when you are up against it for a “hook” on an assignment pull the old chestnut “slice of life then” angel angle out of the fire. But that can only get you so far in some films like this dog since the subject matter is about some young daughter of the leafy suburban upper crust crazy to get married and have her own house and family just like millions in previous generations of leafy suburbanites and those to come as well. Can one who has been married three times though like me (and an amazing number, or maybe not so amazing, of corner boys from the old Acre section of North Adamsville) really do justice to such a subject other than the by-the-numbers social reality of in this case post-World War II upscale complete with servant, black and female of course, family life out in what felt like Connecticut.

Well Greg is paying the freight so here goes. Pops, played by versatile Spencer Tracy who seems a little lost and filled with hubris without sweetie and long-time co-star Katharine Hepburn, is sitting around completely spent after footing the bill for daughter Kay, played by a young and startlingly beautiful Elizabeth Taylor who ironically would have a couple of fistfuls of marriage but was the soul of leafy suburban post-debutante in this one, quicksilver marriage to some up and coming guy from town. Being a guy with no married daughters or granddaughters as of yet I don’t know how a guy in 1950 would take the fall for losing his daughter to some young guy who, well who knows, could be a con artist or serial murderer when all is said and done. All I know is that the father of the bride in those days, now too I would think, has to foot the bill for the big day. That is the easy part when you think about it because the real hard part is dealing with losing that daughter who not so long before was wearing pigtails and braces. Yeah, I can see where that would be the tough part then, or today.

This one though is played seemingly strictly for laughs as Pop is so worried about daughter dear that he gets Mom, played by Joan Bennett in a dither. We get to see every aspect of the wedding process back then, similar to now in many ways although I am not sure, based on my own female kin that such a father would get a feminist seal of approval. No indeed. Such is life among the Mayfair swells and their progeny.

Do Not Forsake Me Oh My Darling-Or Political Liberty Either-Grace Kelly And Gary Cooper’s “High Noon” (1952)-A Film Review

DVD Review

By Si Lannon

High Noon, starring Grace Kelly, Gary Cooper, 1952

Sometimes in life, sometimes in the publishing business might be a more appropriate way of putting the matter, you get handed gratis something like the assignment of this film under review High Noon you would have given your eye teeth to get hold of. The way this one played out was recently added stringer Sarah Lemoyne, who apparently as she has advertised is indeed a quick learner, had been assigned the classic Technicolor Western Johnny Guitar starring an over the hill Joan Crawford and getting there Sterling Hayden despite the fact that she knew nothing, hated even, the genre. Her smart move was to attach that gripe to her review which while site manager Greg Green, the guy who hands out the assignments these days, called it a very good one from an unseasoned and unversed critic in the genre the rest of us, and maybe Sarah too, knew was a dog. Showed those tell-tale signs of somebody going through the motions. The fact of putting her gripe in a review left Greg kind of in a box when he wanted her to do this review, another Western, after she said no mas. So, to keep the inmates from getting restless he assigned this iconic beauty to me. Apparently in the back and forth over the issue it became clear to Greg that Sarah really was clueless about how important this film was cinematically and politically. Too young to know of red scares and such.

The reason that I would have been willing to give my eye teeth to review this film though has nothing to do with cinema or politics but my boyhood (and now still) “crush” on “the girl next door” Grace Kelly. I never tire of telling all who will listen the remark made by Seth Garth when I think he was reviewing Ms. Kelly and Cary Grant’s To Catch A Thief and he was so struck by her form of beauty that he could understand why her husband Prince Rainier of Monaco, a man not known for public displays of emotion openly wept at Princess Grace’s funeral after she was killed in a car accident. I could have told Seth that as well ever since my boyhood infatuation.

Now to the story and to the politics which are intertwined with what the creators, or one of the creators of the story line was attempting to do back in 1952 when the height of

the Senator Joe McCarthy-led red scare was hitting full stride and Hollywood was continually in the direct line of fire for alleged “communist influence” and as a hotbed of mostly former Communist Party members and fellow travelers as they were called then. People were forced, maybe against their better judgments to “snitch”, “fink,”  “rat out” their fellows who were under the Red Scare microscope but they still did it to their every lasting shame which hopefully caused more than a few sleepless nights when they “named names” to cover their own asses. Worse let the night-takers have their way without uttering a whisper against the madness. Would not stand up for the innocent, or the guilty if such a word is appropriate in this context. Cowards and other words I would rather no use here but which we used all the time in the old neighborhood when something smelled rotten.             

And that same understanding propels the action in this film where Will Kane, played by Gary Cooper, soon to be ex-Marshall of a Western town which he did much to make hospitable for ordinary folks and taking action against the wild boys who ruled the roost previously. Leaving the profession, the job since he was now married to lovely Quaker convert Amy, played by Ms. Kelly and she insisted they move away and start a new less dangerous life. All well and god except the leader of the bad guys whom he had sent to prison for life had been pardoned and was heading back to town to seek his revenge against Will. Headed back to town on that regularly scheduled noon train which will get plenty of play via many shots of the endless railroad tracks, the ticking clocks and the bad guys waiting for their boss to come back to begin the slaughter. The question is put point blank-can Will leave where danger is afoot and all that he stands for is threatened.

Of course not everybody saw the question in that same way, didn’t see that he was a standup guy and could do no other.  Including Amy who was ready to leave town-with or without him. The story unravels around the fact that friend or foe, upstanding citizens or not, fearless or fearful not one goddam bastard was ready to stand up to the bad guys back in those late 19^th century days when the West was being tamed. Just like standup people were scarce as hen’s teeth when the deal went down in the Cold War red scare night. In the end Will stood down the bad guys alone, well almost alone because his sweetie Amy came through in the end. Best of all after the bad guys were no more and Will gave his fierce look of scorn and contempt on the scurrying town  rats after the dust had settled he and Amy wordlessly left town. Nice.

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Face (Book) Photo That Launched A Thousand Clicks- Or “Foul-Mouth” Phil Hits Pay-Dirt-Finally-With The Coasters Under The Boardwalk In Mind

By Allan Jackson

[Once a corner boy always a corner boy as it turns out as the sketch below amply demonstrates. One of the pinnacles of corner boy-dom being always, and now apparently forever until some dying breathe, ready for the main chance-the main chance to grab (not literally in these #MeToo times-okay) some woman out of nowhere. Funny when I conceived of the rock and roll series I had expected the whole thing to revolve around the past and not have the fate of those characters still standing fifty years later come into play. So of course along the period of the two or three years that the series ran a few OMG situations cried out for coverage. Naturally Phil Larkin, a still standee, was a prime candidate if something weird turned up. And old brother Phil, a stand up corner boy in his day, did not fail us. Allan Jackson]          

*********** 

Yes, I know. I know damn well that I should not indulge my seemingly endlessly sex-haunted old-time corner boys. After all this space is nothing but a high-tone “high communist” propaganda outlet on most days –good days (“red” according to those very same corner boys who thought anything to the left of Genghis Khan in the old days was redder than the sun echoing an old history teacher of mine who unhappy with a surly answer I had given him had called me a “Bolshevik,” or rather asked that as question and Timmy Murphy one of the corner boys who was there in the class after he said that never let me live that one down so I am used to that velvet-handed red-baiting). I should, moreover, not indulge a “mere” part-timer at our old North Adamsville Salducci’s Pizza Parlor hang-out be-bop night “up the Downs” like one “Foul-Mouth” Phil Larkin. (For those who do not know what that reference refers to don’t worry you all had your own “up the Downs” and your own corner boys, or mall rats as the case may be, who hung out there.) Despite his well-known, almost automatic, foul mouth in the old days Phil had his fair share, more than his fair share given that mouth, of luck with the young women (girls, in the old days, okay). I am still mad at him for “stealing” my old-time neighborhood heartthrob, Millie Callahan, right from under my nose. (And right in the Sacred Heart Roman Catholic Church after Mass to boot. If he is still a believer he stands condemned. No mercy. As for me, an old heathen, I was just glad that I stared at her ass during Mass. I stand condemned anyway, if things get worked out that way).

Well, that was then and now is now and if you read about “poor” Phil Larkin’s trials and tribulations with the ladies recently in a sketch entitled Sexless sex sites you know that his old Irish blarney ( I am being kind to the old geezer here) had finally given out and that he was scoreless lately. That is he was scoreless as of that writing. As Phil pointed out to me personally as part of our conversations while I was editing his story on that one he felt that he would have had better luck with finding a woman companion (for whatever purpose) by just randomly calling up names in the telephone directory than from that “hot” sex site that he found himself embroiled in. And, in an earlier time, he might have been right.

But we are now in the age of so-called “social networking” (of which this space, as an Internet-driven format is a part) and so, by hook or by crook, someone placed his story (or rather, more correctly, my post from this blog) on his Facebook wall. As a result of that “click” Phil is now “talking” to a young (twenty-something) woman graduate student from Penn State (that is why just a few minutes ago he was yelling “Go, Nittany Lions” in my ear over the cell phone) and is preparing to head to the rolling Appalachian hills of Pennsylvania for a “date” with said twenty-something. Go figure, right? So my placement of this saga, or rather part two of the saga (mercifully there will be no more), is really being done in the interest of my obscure sense of completeness rather than “mere” indulgence of an old-time corner boy. As always I disclaim, and disclaim loudly for the world to hear, that while I have helped edit this story this is the work of one “Foul-Mouth” Phil Larkin, formerly of North Adamsville and now on some twisted, windy road heading to central Pennsylvania.

Phil Larkin comment:

Jesus, that Peter Paul Markin is a piece of work. Always rubbing in that “foul-mouth” thing. But I guess I did get the better of him on that Millie Callahan thing back in the day and he did provide me a “life-line” just now with his posting of my story on his damn communist-addled blog. It is a good thing we go back to “up the Downs” time and that I am not a “snitch” because some of the stuff that I have read from him here should, by rights, be reported directly to J. Edgar Hoover, or whoever is running the F.B.I., if anybody is. We can discuss that another time because I don’t have time to be bothered by any such small stuff. Not today. Not since I hit “pay-dirt” with my little Heloise. Yes, an old-fashioned name, at least I haven’t heard the name used much lately for girls, but very new-fashioned in her ideas. 

She is a twenty-five graduate student from Penn State and I am, as I speak, getting ready to roll out down the highway for our first “in person” meet.

You all know, or should be presumed to know to use a Markinism (Christ, we still call his silly little terms that name even forty years later), that I was having a little temporary trouble finding my life’s companion through sex sites. I told that story before and it is not worth going into here. [Markin: Fifty years Phil, and every other guy (or gal) from the Class of 1964. Do the math. I hope you didn’t try to con Heloise with that “youthful” fifty-something gag-christ, right back to you, Phil.] Let me tell you this one though because it had done nothing but restore my faith in modern technology.

Little communist propaganda front or not, Peter Paul’s blog goes out into the wilds of cyberspace almost daily (and it really should be reported to the proper authorities now that I have read his recent screeds on a Russian Bolshevik guy named Trotsky who is some kind of messiah to Markin and his crowd). So a few weeks ago somebody, somehow ( I am foggy, just like Markin, on the mechanics of the thing, although I know it wasn’t some Internet god making “good” cyberspace vibes or anything like that) picked it up and place it (linked it) on his Facebook wall ( I think that is the proper word). Let’s call him Bill Riley (not his real name and that is not important anyway) Now I don’t know if you know how this Facebook thing works, although if you don’t then you are among the three, maybe four, people over the age of five that doesn’t.

Here’s what I have gathered. Bill Riley set up an account with his e-mail address, provided some information about himself and his interests and waited for the deluge of fan responses and “social-connectedness” (Markin’s word). Well, not exactly wait. Every day in every way you are inundated with photos of people you may know, may not know, or may or may not want to know and you can add them to your “friends” pile (assuming they “confirm” you request for friendship). Easy, right?

Well, yes easy is right because many people will, as I subsequently found out, confirm you as a friend for no other reason than that you “asked” them to include you. Click- confirm. Boom. This, apparently, is what happened when Bill “saw” Heloise’s photo. I found out later, after “talking” to Heloise for a while, that she did not know Bill Riley or much about him except that he has a wall on Facebook. So the weird part is that Bill “introduced” us, although neither Heloise nor I know Bill. This has something Greek comedic, or maybe a Shakespeare idea, about it, for sure. In any case Heloise, as a sociology graduate student at Penn State, took an interest in the “sexless” sex site angle for some study she was doing around her thesis and, by the fates, got hooked into the idea that she wanted to interview me about my experiences, and other related matters.

Without going into all the details that you probably know already I “joined” Bill Riley’s Facebook friends cabal and through him his “friend” Helosie contacted me about an interview. Well, we “chatted” for a while one day and she asked some questions and I asked others in my most civilized manner. What I didn’t know, and call me stupid for not knowing, was that Heloise not only was a “friend” of Bill’s but, unlike me (or so I thought), had her own Facebook page with photos. Now her photo on Bill’s wall was okay but, frankly, she looked just like about ten thousand other earnest female twenty-something graduate students. You know, from hunger. But not quite because daddy or mommy or somebody is paying the freight to let their son or daughter not face reality for a couple more years in some graduate program where they can “discover” themselves. Of course, naturally old cavalier that I am said, while we were chatting, that she was attractive, and looked energetic and smart and all that stuff. You know the embedded male thing with any woman, young or old, that looks the least bit “hit-worthy.” (Embedded is Markin’s word, sorry.)That photo still is on Bill’s wall and if I had only seen that one I would still be sitting in some lounge whiskey sipping my life away.

Heloise’s “real” photos, taken at some Florida beach during Spring break, showed a very fetching (look it up in the dictionary if you don’t know what that old-time word means) young woman that in her bikini had me going. Let’s put it this way I wrote her the following little “note” after I got an eyeful:

“Hi Heloise - Recently I made a comment, after I first glanced at your photo wall, that you looked fetching (read, attractive, enchanting, hot, and so on). On that first glance I, like any red-blooded male under the age of one hundred, and maybe over that for all I know, got a little heated up. Now I have had a change to cool down, well a little anyway, and on second peek I would have to say you are kind of, sort of, in a way, well, okay looking. Now that I can be an objective observer I noticed that one of your right side eyelashes is one mm, or maybe two, off-balance from the left side. 

Fortunately I have the “medicine” to cure you. If you don’t mind living with your hideous asymmetrical deformation that is up to you. I will still be your friend. But if you were wondering, deep in the night, the sleepless night, why you have so few male Facebook friends or why guys in droves are passing your page by there you have it. Later-Phil.”

The famous old reverse play that has been around for a million years, right? Strictly the blarney, right? [Markin: Right, Phil, right as ever]. That little literary gem however started something in her, some need for an older man to tell her troubles to or something. And from there we started to “talk” more personally and more seriously. See I had it all wrong about her being sheltered out there in the mountains by mom and dad keeping her out of harm’s way until she “found” herself. No, Heloise was working, and working hard, to make ends meet and working on her doctorate at the same time. Her story, really, without the North Adamsville corner boy thing, would be something any of us Salducci’s guys would understand without question. (I was not a part-time corner boy by the way, except by Frankie Riley’s 24/7/365 standards and The Scribe’s). [Markin: Watch it, Phil. I told you not to use that nickname anymore.] I’ll tell you her story sometime depending on how things work but right now I am getting ready to go get a tank full of gas and think a little about those photos that launched a thousand clicks.

Markin comment:

Phil, like I said to Johnny Silver about what people might say about his little teeny-bopper love. Go for it. Don’t watch out. And like I said before we had better get to that “communist” future you keep thinking I think we all need pretty damn quick if for no other reason than to get some sexual breathes of fresh air that such a society promises.

Life According To The Mayfair Swells-Dick Powell’s “Happiness Ahead” (1934)-A Film Review

DVD Review

By Frank Jackman

Happiness Ahead, starring crooner cum actor Dick Powell, Josephine Hutchison, 1934

I am not exactly sure why I drew this film review assignment, an area which I haven’t dealt with much over the past several years doing mostly political commentary during that time. I have a sneaking suspicion current site manager Greg Green, who is the guy who after all makes the assignments of late, has an idea that I will make some pithy social and political comments about the time frame and content of this Happiness Ahead I am stuck with reviewing. A title which while it was produced in the heart of the 1930s Great Depression (I noted the National Recovery Act, NRA, logo a sure fire way to tell the times) could have been the campaign theme of any President or presidential candidate from Franklin Delano Roosevelt to Donald J. Trump.

In any case I am sure Greg was not under the impression that he was trying to “broaden my horizons” with this assignment like he had increasingly tried to use as a reason among the younger writers. He knows, and if he does not I am here to tell him, that I was looking to mine political gold from such socially conscious 1930s films which were a specialty of Warner Brother films when he was reviewing B-film horror movies as a stringer for the American Film Gazette. Now if he assigned this beast under the sign of a 1930s “slice of life” nugget to be gleaned then all is forgiven and he will have hit the nail on the head as to why today’s readers would give a damn about this soapy romance posing as a tribute to the possibilities of the American Dream even when the soup kitchens were lengthening, banks were going bust, houses where being foreclosed, shanty camps were establishing new postal zones, and most germane, New York City financiers were jumping out of freshly “massaged” skyscraper windows.         

Wow the reader might ask all out of a film which is about the budding romance of a daughter of the Mayfair swells out slumming and an up and coming white collar go-getter and side door Johnny crooner in the pocket of Jerome Kern, Cole Porter, Irving Berlin, Jack Sampson and the like. Well, yes, since as I mentioned Warner Brothers was in love with these social uplift sagas as long as they had enough boy meets girl, or is it girl meets boy here, to avoid some right-wing agents’ accusations of Communist International allegiance. Ms. Smith, in really Joan Bradford, played by 1930s film sweetheart Josephine Hutchison, of the very, very Mayfair swells Bradfords who first reached these shores on the old tug The Mayflower and who had ridden out the first rush of the Great Depression pretty well since Father Bradford not only did not jump out of some Windex skyscraper window but is around to advise his young daughter on the dangers of upsetting high society mother and her “plans” for an upscale marriage and doing what she damn well pleased attempts a jail break-out from the stifling confines of New York high society and a horrible marriage to some male scion of another such family. Fair enough.    

One New Year’s night Joan goes slumming amongst the ordinary folk and winds alone in a Chinese jazz joint where she “meets” Bob, get this Bob Lane, all-American Bob Lane, played by crooner Dick Powell last seen in this space as Phillip Marlowe getting knocked around, drugged and kicked in the teeth by some evil high society forces who don’t want him to find his Velma for the Moose in the film adaptation of Raymond Chandler’s Farewell, My Lovely dubbed Murder, My Sweet on the screen. One thing leads to another and they get dated up although dear Joan has to go through about six ruses to “prove” she is just ordinary folk. Joan is so starved for reasonable social interaction she plays along for a while even going with Bob to totally plebian roller skating and such holy goof stuff to be at one with the masses.  

Naturally, and that is exactly the right word, this pair are smitten. Big problem though is that while Bob is a go-getter right at that moment he is nothing but a cheapjack office manager for a company who washes the windows of half the skyscrapers in New York City. He has dreams though of running his own window washing company and there is the rub. No dough, or not enough dough and Mother Bradford of the very, very Bradfords is not going to have a window-washer for a son-in-law. That is when Joan to help things along made what looked like a fatal mistake by getting her Daddy Warbucks father to front the necessary dough and thereby incurring the manly wrath on one Robert Lane who finally gets wise to who his sweetie really is. I hope you were paying attention because I already told you this was a boy meets girl story and therefore requires the adequate happy ending, here happiness ahead ending of the title. Bob a little miffed but still head over heels for Joan (which you can tell is true since every once in a while a song telegraphs his desires) and after working out man to man a deal with her father the deal is done. Hope this has broadened your horizons.  

How The West Was Won-Johnny Too Bad’s “Johnny Guitar” (1954)-A Film Review 

DVD Review

By Sarah Lemoyne

Johnny Guitar, starring Joan Crawford, Sterling Hayden, Scott Brady and whoever else they could round up who played any cowboy roles before 1954, 1954

I am not, never was, a fan of Westerns in any of its transmissions to the screen from iconic Tom Mix mash to High Noon to The Wild Bunch the latter which began to chip away at the angelic white cowboy legend that sustained my late grandfather on many a Saturday morning on television and many a Saturday afternoon movie matinee according to my grandmother. And that seems to me to be exactly the point.  My grandparents born respectively in 1946 and 1948 were probably the remnants, the holy goof remnants according to fellow baby-boomer and thus contemporary Sam Lowell, who allegedly would have given his eye teeth for this assignment since he shared that same commitment to the Western white cowboy legends as my late grandfather did. In any case the assignment fell to me and that was that. (That “white cowboy” reference hot off the heels of reading a review of a new Smithsonian/Folkways compilation by one of the Carolina Chocolate Drops paying homage to the not inconsiderable role of the black cowboy in taming the West, so white in the days when the black contribution was conveniently written out of the picture in everything from dime store novels to “oaters.”)       

But I am still befuddled as to why I grabbed the assignment, this review of the classic iconic Johnny Too Bad Western, Johnny Guitar other than some office politics thing to keep it from Sam and keep him in line. Or as officially came to me in a reply memo when I asked why somebody who could care less about cowboys, and a genre which had zero influence on me growing up was given such an assignment that it would “broaden my horizons.” I accepted that answer until I saw the film and found out the real answer which is that this film breaks the mold, breaks the white male hero cowboy angel ride mold and pays a certain oblique homage to the pioneer women who one way or the other influenced the taming of the West once the gunplay subsided a little. A little startling for a 1954 film if you ask me.    

Vienna, the role played by Joan Crawford who I only know a little, the name mostly, because Jack Kerouac whose book Big Sur I did my master’s thesis on did a short piece for some magazine about Joan Crawford working on some film in San Francisco and had her as some fogged up dame who jammed up the works and gave the very obliging director seven kinds of hell. I don’t know if she was considered some kind of femme earlier in her career but she looked like she had been through the mill by 1954. Which is good because the role of Vienna calls for a woman who has been through the mill, has seen and done it all from saloon bar girl to some Madame La Rue (that courtesy of Seth Garth from the table of Allan Jackson) whorehouse denizen to what knows what else but as the scenes open she is running, she, her, Vienna is running a nice little casino and jip join outside of some dusty town in the real, meaning not the Left Coast, if still mostly untamed West. She might have worn out a few beds in her time and maybe was running her own unseen whorehouse but she was on the high side now. Even better she was laying plans for the railroad to build a depot near her place and extend a line and a new born town bringing plenty of gringos and sad sack immigrants who washed out in the East and think they will find the mother lode before the frontier ends and their dreams go up in opium smoke like Mrs. Miller in McCabe and Mrs. Miller. All you have to say in railroad in 19^th century America, East or West and that meant money, money for those savvy and hungry enough to grab it and pay a little graft for the right to make a fortune. And our Vienna was ready to grab whatever fell to her with all hands.

Of course an independent woman out West running a saloon and gambling den and whatever else she was running was sure to raise the hackles of the good and prosperous town folk who money was made through banking and cattle so the tension would fly through the night especially when some vengeful woman Emma, played by Mercedes McCambridge, has it in for her for reasons from repressed sexuality to class snobbishness and prudery. (I like the sexual repression theory one townie ran by us revolving around one Dancing Kid whom she love/hated and would shoot right through the head in the end but that was much later. Of course, as well, a woman, hell, anybody running a gin mill and clip joint will also have partisans, partisans like the just mentioned Dancing Kid and his gang of cutthroats who will gladly relieve stagecoaches and banks of their precious possessions. (This nickname stuff and we will see with Johnny Guitar in a minute reminded Seth Garth when I told him about the film to get a little advice on a “hook” of when he and the North Adamsville corner boys he grew up with went to California in the Summer of Love in 1967 and all took up monikers to what he called “reinvent” themselves maybe like these earlier travelers and denizens of the low spots.) The Dancing Kid not only a partisan of Vienna’s dreams but with knowledge of her in the Biblical sense which will cause no end of problems and not just with bitch Emma.

Now the scene in set so enter one Johnny Guitar, played by ruggedly handsome Sterling Hayden who Seth said did a great job bleeding himself to death as the heavy lifter in the classic film noir The Asphalt Jungle which he reviewed, with nothing but a guitar on his back (caseless by the way) and tombstones in his eyes. Those tombstones via the cardinal error of trekking West without manly guns and plenty of them like some fool Eastern city slicker. He is in Vienna’s joint to sing troubadour style for his supper and entertain the hooligans while they lose their dough. But that Johnny Guitar front is just baloney because behind that moniker and those easy-going whiskey sot ways is the gun simple killer one Johnny Logan, a name once revealed that even got the Dancing Kid’s attention. Vienna and Johnny were lovers some time and place back and while Vienna played the ice queen and tough hombre bit for a while she only has eyes for Johnny when the deal went down. By the way let’s get this straight now this Johnny Guitar troubadour stuff is strictly lame since he neither sings one damn song nor does he do more than strum that guitar and not very well at that. So unless Johnny is better in bed than he looks he would be hard put to make dimes for donuts today on the mean streets of the city or in the subways.  

  

That interestingly enough though is all side door Johnny stuff. The real war is on, the war between the two vixens Vienna and Emma with Vienna two to one in my book to win this duel to the death with the guys looking on here taking direction from womenfolk. Yes you heard that right all of these cowboys cum civilized town folk are lining up to take sides this this big step off. (Seth Garth also mentioned that in this film virtually every actor who had donned a cowboy hat more than once in films was part of the back-up cast including Scott Brady and Ward Bond.) The Dancing Kid set the whole shooting match up when he and the boyos robbed Ms. Emma’s bank and that gave her the last straw she needed to send Vienna to the gallows by associating her with the Dancer’s action maybe even the brains behind the heist.

The chase was on, big time, because it might be a cliché but it works here-watch out for a woman scorned as twisted sister Emma aint no feminist and wants Vienna’s pretty little neck around some fresh hemp. And she almost has her way but Johnny boy who was on the outs with Vienna for a while came by to save Ms. Vienna’s bacon. Save it and leave the situation fluid enough for the gals to have a final draw-down to see who was queen of the hill. Needless to say I won my bet. Johnny did too taking the ice queen to better surroundings. But please, please, please no more of these   fake Westerns which still leave me cold.      

On The 100^th Anniversary Of American Entry In World War I (1917)-The Golden Age Of The Musical-Judy Garland And Gene Kelly’s “For Me And My Gal” (1942)-A Film Review

DVD Review

By Si Lannon

[Although a few regular readers has asked when this bracketed insert below the name of the writer will be curtailed we feel that given the dramatic internal shake up at American Left History with the ouster of the now gone missing Allan Jackson (who used the moniker Peter Paul Markin which Zack James explained in a recent film review of   Paris When It Sizzles see April 2018 archives) we should continue to do so as long as we are giving each writer full sway to discuss his or her take on the matter. So as mentioned previously as of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website (and through that on-line site linked to the American Folk Digest, Progressive American and Modern Book Library sites), brought in to shake things up a bit.

This shake-up, a major earthquake here given his longevity, after a vote of no confidence in the previous site administrator Peter Markin was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, means the habit, Markin’s habit of assigning writers to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate which Markin instituted over the past few years as he brought in desperately needed younger blood as a “firewall” between him and anyone who might try to tip the increasingly bizarre balance of coverage to the narrow sphere of the turbulent 1960s. After a short-lived experiment designating everybody as “writer” suggested by a clot of older writers seemingly seeing the recent struggle as off-shoot, as an emulation of the French Revolution’s “citizen” or more to the point given the political personal histories of some of the clot member, the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

“For Me And My Gal,” starring Judy Garland, Gene Kelly, George Murphy,  1942

[A number of reviews, commentaries and opinion pieces of late at this American Left History blog site have been prefaced like I am doing with the writer’s take on the recent shake-up at this site with the sudden ouster of the now missing Allan Jackson (aka Peter Paul Markin) at the direction of the newly installed Editorial Board and new day to day site administrator Greg Green. I don’t wish to belabor the points already made by both older and younger writers except as an old-time high school friend I am sure that Allan, as has been his nature since about fourth grade, as far as I know is off on a sulk and neither in forced exile in Siberia or its equivalent Utah (although if it had been rumored that it was Alabama  I would get out my old history book on the internal struggle in the Bolshevik party between “Uncle Joe” Stalin and torch-carrier Leon Trotsky). He will be back as always. See Allan lived in the shadow of the real Markin, who passed away many years ago and which we have written extensively about in this space, and never really felt he was as good as Markin which led to many problems back then. And now too I suppose.          

But enough of that since what I want to write about since I am reviewing this Judy Garland-Gene Kelly dominated musical is that Allan hated musicals or I should say musicals that were not from the 1960s. If you wanted to do a retro-review on Hair, Tommy, Jesus Christ, Superstar be his guest. Otherwise say you wanted to review Chicago forget it. Look at the archives, almost nothing earlier or later. The only way to get such a review through was as a re-post from say American Film Gazette and he had to honor our common commitment on publishing. My feeling, my gut feeling, since we are being candid here is that he did not like musicals because, well, because the real Markin hated them which I will go into a little when I actually get to the review. The only serious exception Allan would make was for Fred Astaire vehicles because of the dancing not because of the music even though that was created by the likes of Cole Porter, the Gershwins, Jerome Kern, Irving Berlin all of whom he loved as part of the American songbook. (By the way the real Markin loved them too so maybe I am on to something).               

Allan did let up a little of late but really only for Gene Kelly vehicles to demonstrate how much better a dancer Fred was against Gene. And truth to tell because he confided this to me while the internal struggle was going on since I supported his retention he relented a little to throw a bone to the younger writers. Enough for now.]

*****

When Allan, the real Markin ( I will just use Markin hereafter),  and I were just out of high school, maybe the summer after graduation we went down to Provincetown to see what was up with what we heard was a swarm of faggots, fairies, sissies, light on their feet guys, whatever, you know gays today. (Provincetown then and today as well Mecca for gays and lesbians mixing it up with the dwindling surplus of native Portuguese heritage fisherman.) Walking down the street we saw a poster-board or whatever they call them in front of Lazy Daisy’s which may still be their although the original owners must have long passed since they were old then announcing a talent night. Since it was getting dark we figured we would go inside and see what there was to see. Jesus, what we saw were “drag queens,” transvestites, cross-dressers, trans-genders although I know that was not a term of usage then. Whatever you called this scene and we settled on “drag queens” the talent in front was everything from Miss Patti Page, Miss Peggy Lee, and this is why I have started this review this way Miss Judy Garland. Christ half the acts were doing some song of hers starting from that old rubbish Somewhere Over The Rainbow from the Wizard Of Oz. Markin was in full grim after that one as much as I said he loved that part of the American songbook.  So Allan was in full grim too. I think, and the archives will bear me out, there is not one reference to Judy Garland in all the years this publication has been around. It might, at least I suspect that it might, have something to do with Markin’s own sexual ambivalence and thus Allan’s, but I will let the pyscho-scholars figure that one out.                

    

So it is actually for me a breath of fresh air to review a Judy Garland effort as here with For Me And My Gal although since it has a significant portion of the film extolling American entry into World War I with everything from war songs to war bonds to war-mongering which although I am not anywhere an American Firster like I was when I was a kid I retroactively have opposed as just another bum American government blunder. Since this year is the 100^th anniversary of American entry into that war it has a sense of poignancy which explains a lot of the naiveté about war that we one hundred years later have come to distrust with a vengeance.   

At bottom like half the film ever made, if not more, and many of the novels as well this is just another “boy meets girl” saga set to music and dance with the lead actors, Judy and Gene, bursting into song and/or dance every chance they get before realizing they were, ah, in love and chaise get ready to do something about the matter-get married.  Let me back up a little to give some background. This one is set in the days just before World War I when the main way to give the masses some entertainment out in the prairies, small towns and such were vaudeville shows. That’s is where “from hunger” Harry, Kelly’s role, is ready to do anything from stealing songs to ditching professional partners to get to the big white way, to get to Broadway and the real deal and Jo, dear sensibly warm-hearted Jo, played by Judy Garland meet and hate/love each other before the deal goes down.

The deal being that just before they are as a professional team  ready to hit the bright lights WWI gets in the way when Harry is drafted. Being a “main chance” guy he tries the old honored draft dodger special which guys have been doing since governments have been impressing soldiers for their needs-fakes and injury bad enough to get him out of the draft. That does not sit well with Jo whose younger brother had been killed in France early in the American intervention. She calls the whole thing off with this bum of the month and heads to Europe to entertain the troops with a YMCA troupe. Forget that bastard Harry and sing every possible WWI song that Tin Pan Alley could produce for the war effort from sentimental to super-patriotic. Remorseful Harry finally gets on that patriotic bandwagon and they meet again (don’t know where, don’t know when, oops that’s a Dame Vera Lynn WWII song) via the YMCA circuit. And love again.

Like I said boy meets girl out of uniform and in. Two points as hard as it to believe Judy out-dances Gene by a mile and you know now I see why all those “drag queens” were so crazy to do Judy Garland stuff. Sometimes you can learn like that something in this wicked old world.           

“The Hardest Working Man In Show Business”- “Mr. Dynamite”-The James, Please, Please, Please Brown Story (2014)-A Documentary Review Of Sorts

DVD Review

By Josh Breslin   

Mr. Dynamite: The Rise Of James Brown,  starring James Brown, the Famous Flames, and others, 2014   

No question I wanted to do this documentary evaluation of the life and times of the “godfather of soul” James Brown who came all surly and cocky out of Augusta, Ga around the middle third of the 20^th century and had to fight off Sam Lowell, the former chief film editor here and now something of an emeritus although such designations are frowned upon under the new dispensation of one site manager Greg Green. The reason that I wanted to do this review though is probably not exactly what the reader would think-the place of a man, a black man in the history of rock and roll, of soulful rock, and his effect on young white guys who came up dirt poor in places like North Adamsville and Carver, Ma and Olde Saco up in Maine without the racial harassment part that James suffered growing up in the redneck, white supremacist Southern non-hospitality. Maybe say three or four years ago I might have centered on those points and only made some pointed but passing reference to his shameful treatment of women throughout his life.

But in the age of #MeToo that is hardly an adequate way to treat his life. The problem, a problem Sam Lowell first brought up a couple of years ago when he did an Alfred Hitchcock film review is exactly what one, no, what a male reviewer, or maybe any reviewer is supposed to do about some kind of balance between whatever cultural meaning any performer from acting to painting and everything in between has on society and the personal life factors where the power balance is askew. I cannot help but in the back of my mind in the case of James Brown be aware that his art, however much honored and historically relevant, is decisively marred by his personal hostilities and actions toward women.          

James Brown came up from the dirt down in Augusta, Ga from a family setting that was not good. He “escaped” via music first through the gospel traditions which a number of musicians from his generation and a little later were grounded in. Later moving “uptown” to rhythm and blue he latched onto various groups which would evolve into the Famous Flames and form the core of back-up bands under various names for most of his early career. The big breakthrough hit was Please, Please, Please in 1956 which had enough sexual energy and innuendo to become something like an anthem for the post-World War II baby boomer generation which was in many ways trying to break out of the many-sided box they had been raised in from sex to patriotism. After that it was more a question of refining his music to ride with the times for a while as long as rock and roll had some energy left. Subsequently he moved on to become, well, the Godfather of Soul, the precursor of funk that had its heyday before hip hop nation emerged in the 1980s, No question James Brown on a professional musical basis deserved all the awards and honors he received all the way up to induction in the Rock and Roll Hall of Fame.

To show how the contradictions worked James Brown also created many songs headed by I’m Black and Proud which became something of an anthem itself although he disclaimed the publicly accepted militant sense of the song. He also went against the black stream politically hanging out with weirdo Republicans like Nixon and Reagan. He fired band members for using drugs yet he had his own drug jones, was practically a junkie. The list of number of allegations of domestic violence is staggering and in the end would do him in. His claim to fame that he chilled the crowd at a concert in Boston when Doctor Martin Luther King was assassinated seems rather an exception to his life although no question he did keep violence epidemic elsewhere down in that town. Maybe it is best to say today in 2018 that like a lot of other men whose cultural talents are unquestioned James Brown carries the sins of his times heavily on his back. That is the best I can do here since he will be among the exhibits of how primitive we were when societies evolve beyond sexism, sexual abuse, domestic abuse, racism, classism and all the other oppressions which hold back humankind.       

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-As The 50th Anniversary Year Of The High School Class Of 1968 Rolls Along… “Forever Young” (Magical Realism 101)-With Ritchie Valen’s Oh, Donna In Mind

By Allan Jackson

A Story As Told To Frank Jackman 

[As I have mentioned previously a lot of the throwback to this series got its start via modern technology specifically around the now fabulous ability to “connect” with people from back in the day, at least the people who want to be connected with and have not left “no forwarding address” on their personal lives by keeping under the radar of modern conveniences and ways to grab information. (I won’t even speak here of NSA-type overreaching or social media platform privacy matters although I could. I know I was able to connect with a number of my corner boys still standing via such methods, and was able to connect with those from my high school graduation class when it came time for a too high a number class reunion celebration. That process similar to the story here told to Frank Jackman who as some may know was originally used in this series as a “front.” As the guy who did the modern introductions to the series.      

 A lot of this use of technology to connect with the past I think can be attributed to members of our generation of ’68 having time on our hands to think about the various roads that were, or could have been, taken. To wonder, wonder like we wondered when we were young and the world was fresh, Fitzgerald’s wonder at the fresh green breast of the new world of those ancient Dutch sailors who came up Long Island Sound before everything began to get spoiled and seek to find some answers while we are still standing and the question still has some urgency before we fall under the earth and face the big sleep which makes such inquiries irrelevant. I take special interest in this rather short sketch because, for one flickering moment, all those dreams, what did the teller call them, yes, puff-cloud dreams came back to the ground and made some sense. The wisdom of age might be overrated but not the dream of those puff-cloud dreams. Allan Jackson]        

Forever Young-lyrics by Bob Dylan
May God bless and keep you always
May your wishes all come true
May you always do for others
And let others do for you
May you build a ladder to the stars
And climb on every rung
May you stay forever young
Forever young, forever young
May you stay forever young

May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the lights surrounding you
May you always be courageous
Stand upright and be strong
May you stay forever young
Forever young, forever young
May you stay forever young

May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift
May your heart always be joyful
May your song always be sung
May you stay forever young
Forever young, forever young
May you stay forever young

Copyright © 1973 by Ram's Horn Music; renewed 2001 by Ram’s Horn Music

******

 Whee, Am I glad that my own 50^th anniversary reunion at North Adamsville High in Massachusetts is over, done, complete and that the “magic” year 1964 has slipped into 1965 and I, no one, has to worry about an odd-ball 51^st anniversary celebration. Of course in all the hoopla over the 50^th anniversary reunion with some classmates setting up a reunion committee (which I assisted around the edges doing odds and ends chores), setting up a big bang class website to draw everybody still around and computer savvy enough to find the Internet, finding a super place to have the event, and setting up the thing on the fall weekend when it occurred I actually, didn’t, couldn’t go to the event. That is a long story, a story about old time teen angst and alienation, about trying to retrace what could not be retraced in a hundred lifetimes, and about how in words taken from a title of one of Thomas Wolfe’s novels-you can’t go home again.

Nevertheless before I could understand the import of those last words, understand that it was better not tempt the fates an angle that developed in the process of helping the reunion committee I wrote a number of small memory-etched sketches for the class website reflecting specific events like high school dances and football rallies, reflecting on various local customs and places like “watching the submarine races” and corner boy hanging out times, that kind of stuff some specific to the town and class, others more broad-based. The following sketch is a reworking of one from the latter category which is “forever” appropriate as long as somebody, some cohort of people make it to 50^th anniversary reunion time. I hope that if you want to go to your 50^th nothing stands in the way of you doing that, that no dragons from the mist of time come up to bite you for thinking you could do so.            

 *******
…an old man bundled up against the December weathers, dark blue navy skull cap pulled down almost to his eyes , brown cotton gloves because his hands sweat which they conveniently absorb when he has built up a head of steam, black  windbreaker complete with fold-away hood in case of rains or snows zippered up to his neck, long, too long for his body blue all-weather jogging pants, topped off, or better bottomed off with the signature of the AARP set New Balance running shoes which he purchases by the half dozen pairs up in the Kittery, Maine outlet malls begins to run, no, better, jog/shuffle along the Causeway end of Adamsville Beach. For those who have not been in the old town for a while that is by the lights across from the 24hour CVS, formerly the First National supermarket back in the day, the old town being North Adamsville not too far outside of Boston if you want to know. But the old man could have been anywhere where old men try to cheat time, or at least slowdown that race to the end by keeping themselves as fit as circumstances and the ten thousand aches of age allow, could have been trundling along congested city streets consumed by traffic smoke and every other treachery, along soothing rivers flowing to the sea like some later day easy rider looking for the next town, out west in the mountains like some pioneer spirit read in history book, along the plains easier to navigate although in the old hitchhike west days if you were left off there by some kindly driver just going up the road but the old man was ocean born and declared to anyone who would listen one time that he would ocean pass away. And spent the in between time within a stone’s throw.

The old man trying to build up a painfully constructed stride, huffing and puffing, head down and this day full of thoughts triggered by his up-coming 50th anniversary class reunion to held in the fall in this very town. Thinking just then of the irony of running along a section of his old high school cross-country course that he had not run since back then and thinking too as he moved along the boardwalk running parallel to that beach of those mist of times Adamsville Beach days when he longingly looked out at the sea, its mucks, its marshes, hell, even it fetid smells and mephitic stinks, as if it could solve some riddle of existence. Thinking too as he trudged along of times when he was young and flexible, when each step did not require an army of support, salves, pills, knee braces, to move forward, to a time when he could “run in pain,” could fall and jump up, dust off his knees  and shake it off and if not fast then able to run the distance in about half the time it would take him on this day (his fast running friend back then, a friend from back in the old projects elementary school days and best friend through high school now lost in the mist of time if he were still alive, Brad Badger, said he had "the slows," well okay Brad had a point).

As he settled into a pace (he always liked to run early, unlike this day when he on other business which necessitated him passing near the old town when he did not start off until almost noon, when there was little traffic, or run on beach sand, or run on soft felt tracks so that he could hear the pitter-patter of his shoes, could hear the sound of his breathe as it steadied) he began thinking about hanging out around places around town, places like Harry’s Variety over on Sagamore that he had passed by on the way to the beach trying to cadge pin-ball games from the rough and tumble corner boys half hero-worship, half fear and a close thing thinking about putting his well-shod boot on the wall holding up the corner bricks with them; hanging out at Salducci’s Pizza Parlor begging girls to play some latest song that he just had to hear on the jukebox like Oh, Donna the name of his current love, or he wanted to be love, and he needed the repetition so he could learn all the words and sing them to her; and, hanging out on sweaty summer nights on the front steps of North, no money in pocket, no car between them, no girl to sit on those forlorn steps with that same Brad Badger, also penniless, speaking of dreams, small dreams of escape and big puffed-ball cloud dreams of success.

Remembering, an old man’s harmless flash remembering, of standing in corridors between classes day-dreaming of, well, you know, certain now nameless girls and of giving furtive glances to a few which they totally ignored (that furtive glance an accepted acknowledgement of interest as against the dweeb flat-out stare that got nothing but girlish scorn). But that was another story. And remembrances too of sitting in classes, maybe some dank seventh period study hall, wondering about what would happen Friday night when he and his corner boys from Jack Slack’s bowling alleys cruised Adamsville Beach in Digger Jones’ rebuilt Chevy. HoJo’s, the big orange roof operation ice cream place a must stop on hot summer nights, make his cherry vanilla, the Southern Artery  well past the other end of the beach, Marley’s, Pisa’s Tower of Pizza, Adventure Car-Hop, some not the real names but memory fails) , and in a pinch going “up the Downs” to Doc’s Drugstore, looking, looking for adventure, looking for some magic formula to wipe away the teen angst and alienation blues that crept up on him more than was good for him...

...an old woman (Jesus, better not say that in this day in age, maybe never not if you want to avoid that still potent girlish scorn preserved intact since about fifth grade in elementary school, yes, better make that a mature woman) also bundled up, thick woolen scarf providing protection for her head, another scarf almost as thick wrapped around her neck, ear muff against that nagging sound in her ears when the wind was up like that day, a full-length goose down coat against fashion but warm, showing underneath the telltale all-weather running pants with their comfortable strings again against fashion, big almost catcher’s mitt mittens, topped off, or better bottomed off with the signature of the AARP set New Balance running shoes which she had recently  purchased at City Sports against the December weathers, begins to walk, haltingly, but with head up (proper posture just like her mother taught her long ago along with that proper girlish scorn preserved intact taught in that same fifth grade), along Adamsville Beach from the Adams Shore end (having parked her Toyota around what is now Creely Park named after some fallen Marine, although she remembered the place as Treasure Island when her family took their obligatory weekly summer Friday night ventures there for barbecues  so Mother did not have to cook in the nasty heat) thinking thoughts triggered by her up-coming 50th class reunion as well.

Thinking thoughts about old flames, about all those young men who had practically tripped over each other to give her that telltale furtive glance in the corridors that spoke of interest (and too of the fools like Frank Jackman who stared, stared if you could believe that, at her in the hallways like they had just gotten off the boat, or something and she laser-eyed her well know look of scorn to freeze them up). Laughed, or rather tittered about how she had half the boys in the class convinced that she was “unapproachable” once she put the freeze on the heroic captain of the football team and all the girls could not believe he came begging for more. Thought about what had happened to them and as she walked toward the old Clam Shack she began to get creeping in thoughts about that first kiss sitting in the back seat of her girlfriend's boyfriend's car with him right across from that establishment, some old flame now un-nameable, at this very beach and about, she blushed as she thought of it, that first French kiss and how she had felt awkward about it. (Felt awkward about lots of things sexual since while her mother had been an excellent teacher of the fine art of freeze-outs and girlish scorn she never said word one about sex, about the feelings, about what to do, or not do about it, and had learned about sex like every other girl she knew from the experienced girls in the girls’ locker or really from some boy fumbling with her until they figured stuff out.   

Later in her walk thoughts flashed by, funny thoughts, emerged about all the lies she told about those same steamy nights just to keep up with the other girls at talkfest time -the mandatory Monday morning before school girls '"lav" talkfest, boys had theirs' too she found out from a later flame after high school. Laughing now but then not knowing until much later that the other girls too were lying just to keep up with her. And of all the committees she had been on; the senior dance committee which planned the prom, The North Star the school newspaper that she wrote for and which had made her blush when she had recently gone up into the attic looking for her old articles in anticipation of the reunion, Magnet, the class yearbook also found in that same attic, whatever would keep her busy and make her a social butterfly.

Then a mishmash of thoughts flooded her mind as she passed Kent Park near the now vanished Jack Slack’s bowling alleys of the girls’ bowling team and wondering, now wondering, why they kept the boys’ team separate; of reading in that cranky old Thomas Crane Public Library up the Square where she first learned to love books and saw them as a way to make a success of herself and had done so; and, of hot sweltering summer afternoons with the girls down at the beach trying to look, what did Harry call it, “beautiful” for the guys.

Somewhere between the Adamsville Yacht Club and the North Adamsville Boat Club the old man and the mature woman crossed paths on that wide boardwalk. He, she, they gave a quick nod of generational solidarity to each other and both thought despite their bundled up conditions they knew the other from some place but couldn’t quite place where. After they passed each other the old man’s pace quickened for a moment as he heard some phantom starter’s gun sounding the last lap and the mature woman’s walk became less halting as she thought once again about that first kiss (whether it was the French kiss that stirred her we will leave to the reader’s imagination) as each reflected back to a time when the world was fresh and all those puffed-cloud dreams of youth lay ahead of them.