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Monday, April 9, 2012

Ancient dreams, dreamed-Save The Last Dance For Me- Magical Realism 101

A tow-headed boy walks, endless forget waiting for erratic Eastern Mass. bus-stop non-stop walks, up named streets, Captain’s Walk (evoking New England Captain Ahab madnesses, a kindred spirit, and land-bound searches for the great blue-pink American west night drive the frenzy instead of holy death-seeking sea drifts, although that is unnamed just now), Snug Harbor Avenue (evoking, well, just evoking home, or the theory of home, or some happy black and white television version of home), and Sextant Circle (like such a useful nautical instrument could guide some lonely, lonesome boy out of the fetid bog-fed marshes and visions of pirates seeking booty, or death). On to Taffrail Road, ah, Taffrail Road evoking ship-wreaked damsels, young, waiting for swashbuckling sailor boys risen from local old tar graveyards to restore their honor, their freedom, or just to share their bed. That last is the rub and that is the heart of the matter along those endless non-stop streets where erratic buses serve as the only way out of those clinched fist streets. That tow-headed boy is enthralled, no better, enraged and engorged with his first stirring of interest in damsel time, thus the time of his time. Yes, clinch those fists very tightly and take the ride.

Unnamed streets abound too, up crooked cheap, low-rent, fifty-year rutted pavement streets, deeply-gouged, one-lane snow-drift hassles streets impassable in winter hard glare and summer sweated heat. A Street cutting off the flow to that old tar cemetery seeking exotic writ names deep-etched in granite slab washed now by birdsong, and dung, rather than damsel sweet smell perfumes. B Street the same, C Street the same, same like some alphabet conspiracy against the boyhood night, against the boyhood dream night when he dreams of manhood, or better feelings of manhood but is clueless, utterly clueless, about what those feelings portent, ominously portent. But what knows he of ominous, or portents for that matter. He confesses, and no church confession either but etched, gravestone old tar etched, no mortal, not even hangmen evil brothers or harassing cousins, boy or girl, should ever have to face the fifth-grade night rudderless, compass-less and with the mark of cain upon his neck.

After walking, endless walking through named and unnamed streets, he heads home, not the home of home but his dream home with her, her house home. After all who in their right mind could curse and rail against the fifth grade-night, and why, if not for budding portentous romance with some green tree-coded she. He dare not speak her name for fear of jinx, or unrequitedness. The year before, that innocent last fourth-grade year, they, the shes of his enflamed imagination, were all just sticks, hardly distinguishable from boys but except perhaps a little smaller, just sticks to be avoided, or ignored, but this year a few, and she among the few, suddenly got interesting and he was stuck, struck really, by that ironic fact, or would have been if he had known what ironic travails he would go through before the end.

But here, watch him from afar, as he crosses for the fifth, or fifteenth time, or fifteen hundredth time past trees are green, coded, coded fifty years coded, endless trees are green secret-coded waiting, waiting against boyish infinite time, infinite first blush of innocent manhood, boyhood times, gone now, for one look, one look, that would elude him, elude him forever such is life in lowly spots, lowly, lowly spots. She some fair Rosamund and he a mere serf, and they knew it, or he knew it although it did not stop him from wanting, or waiting for that one glance, and that dancing blue-eyed smile.

The dance of all damn things, the upcoming one-size-fits-all school dance, parent-approved, headmaster-approved, hell, bishop-approved when you came right down to it, and, hell, blessed too from what he had heard, maybe jesus, blessed, is what has him in a mental whirl. Such tow-headed fifth-grade boy whirls made an existence, a walked streets existence, possible just as well as reds under every bed scare, russkie atomic-bomb-dropping, get out of the stinking projects and get a new shirt at all costs that disturbed his other nights. But, christ, a two bit dance, some later laughable Podunk gym fiesta, crepe-hanging, some surly drafted, imprisoned teacher to “spin platters” from some RCA music box, and her with the dancing blue-eyes and rounding shape. Yes, that thing drove him crazy, or the possibility of it in the fragrant perfume-soap, some girlish bath soap for all he knew or heard from girl cousins, american bandstand night,

And dreams of private dances in dark shadow corners while that silly hung crepe begins to droop above their spot and he first, and then she, laughs about how some fourth-grader must have hung it, their private laugh. And dance too, no Fred Astaire waltz old-time fox trot (except maybe that slow one at the end of the night although that was mere planned dream echo in walked streets), but full-blossomed be-bop wild hands and ass gyrating to some Elvis good night rocking or Chuck driving some car over the cliff for love, or something, something unspoken, or ask the older kids who know, know through their well-tuned grapevine, what “it” is. If they will tell you.

All a dream, a street-walked dream until, and when, really when he got up the nerve, the endless streets walking nerve, to ask her. But no dance floor numbness would slake that footsore walking thirst not then, and no high school confidential dance either (hell elementary school was tough enough, man), handy man, breathless, Jerry Lee freak-out blaring off some truck-bed bandstand. Too improbable for words. So Rosamund fate, young damsel sighted off the sea-side taffrail slid by, and with time the footsoreness turned into dust, or some other psychic pain whirl. But here and now when it counted, at least, no all the rage potato sack stick-turning-into-shape dance with coded name, trees are green, brunette. That will come, that will come. But when?

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