***Out In The 1950s Crime Noir Night- Robert Mitchum Watch Out For Fetching Femmes Fatales, Will You- "His Kind Of Woman"- A Review
DVD Review
His Kind Of Woman, starring Robert Mitchum, Jane Russell, Raymond Burr, Vincent Price, produced by Howard Hughes, RKO Pictures, 1951
Just when you think a guy, in this case a Robert Mitchum 1950s crime noir movie actor guy, hasn’t got enough sense to come in out of the rain when some vampish femme fatale displays her charms he finally gets some sense, a little anyway. Previously I had the following to say about Brother Mitchum in a review of Angel Face (co-starring young femme fatale Jean Simmons):
Some guys never learn, never learn to leave well enough alone, and stay away, far away from femmes fatales that have that slightly mad look in their eyes and lust in their hearts, as here in the Otto Preminger-directed crime noir, Angel Face, with Robert Mitchum. See, it is not like Brother Robert hadn’t been down that road before and had all the trouble he could handle and then some with femme fatale Jane Greer in Out Of The Past. Ms. Greer “took him for a ride” six ways to Sunday in that one. But you know when a guy gets heated up by a dame, well, let’s just leave it at you know, okay. Needless to say Brother Robert is set to get “taken for a ride” six ways to Sunday here too, although the femme fatale here is a little younger, and maybe has better manners than Ms. Greer. Maybe. But that all goes for naught when the heat rises. Yes, we guys (and maybe gals too) know, we know, nature.”
And a summary of the plot in the comedic crime noir under review here, His Kind Of Woman, will tell the tale of why I qualified that wising up a little part. Mitchum plays a profession gambler a little off his game, about six aces up the sleeve worth, and so, as anybody is that situation might do, he listens to any proposition that will get him out from under. In this case a proposition about changing his identity for a wad of dough from a deported gangster (played by a non-lawyerly, a very non-lawyerly, Raymond Burr), looking to get back in the old U.S. of A. so he can get his usual infusion of illegal dough. Now this is something that Mitchum might have passed on in sunnier times. But times are hard and suckers are not as plentiful to rope in when you don’t have dough, or a way to get it.
Of course the action here, due to Burr’s, ah, immigration problems, has to take place in, well, sunny Mexico (this is stage-door Mexico before the ax fell down there and crime, and criminals got nastier, very much nastier than that of the criminal skills displayed here) at a tropical seaside resort (naturally). And here is where the dame comes in, also naturally. A sweet-singing down-on-her-heels night club singer (maybe) posing as an heiress, played by Jane Russell (producer Howard Hughes’ paramour at the time), is working her own angles for dough in the person of a vacationing ham, strictly B-movie actor, played by Vincent Price. But when broad-shouldered, bedroom eyes, world-wary Mitchum shows up she is, he is, well, they are smitten (after a little cat and mouse game, as expected). When Mitchum, after putting together some acute observations (putting two and two together, okay) about the set-up, fully realized that he is to be the fall guy and may not get to spend that promised wad of dough everything goes awry. But get this- when things get hairy Ms. Russell, instead of throwing him to the wolves like some of his past companions, actually tries to help him (trying to provide a gat in the bargain). A lot.
Now Robert this is a woman to hang onto, and she looks, well, fetching in a bathing suit in the bargain. Speaking of which, while he is trying to bring a little justice in this old wicked old world Mitchum shows plenty of beefcake for the ladies, the 1950s ladies I would guess. Plenty of comic moments here, some corny some clever but the main thing is that Brother Mitchum does not have to keep looking over his shoulder for an off-hand bullet to pass by every time he kisses Ms. Russell like with some of that earlier female company he kept. Whee!
Note: Naturally with a hunky guy like Robert Mitchum, he of the broad shoulders to fend off the world’s troubles, or at least any women’s troubles, those smoldering eyes, and that glib world-wary cigarette and whiskey manner, the ladies will surely be flocking to his door. Sorry, in this one heart-of- gold faux gold-digger Russell has him slated as exclusive property. And Mitchum tries, tries like hell, for once to stay in that orbit, unlike in the past, where he let those maddened femme fatale eyes and ruby red lips that speak to some dark adventure get the best of him. Progress, definitely progress, Brother Mitchum.
DVD Review
His Kind Of Woman, starring Robert Mitchum, Jane Russell, Raymond Burr, Vincent Price, produced by Howard Hughes, RKO Pictures, 1951
Just when you think a guy, in this case a Robert Mitchum 1950s crime noir movie actor guy, hasn’t got enough sense to come in out of the rain when some vampish femme fatale displays her charms he finally gets some sense, a little anyway. Previously I had the following to say about Brother Mitchum in a review of Angel Face (co-starring young femme fatale Jean Simmons):
Some guys never learn, never learn to leave well enough alone, and stay away, far away from femmes fatales that have that slightly mad look in their eyes and lust in their hearts, as here in the Otto Preminger-directed crime noir, Angel Face, with Robert Mitchum. See, it is not like Brother Robert hadn’t been down that road before and had all the trouble he could handle and then some with femme fatale Jane Greer in Out Of The Past. Ms. Greer “took him for a ride” six ways to Sunday in that one. But you know when a guy gets heated up by a dame, well, let’s just leave it at you know, okay. Needless to say Brother Robert is set to get “taken for a ride” six ways to Sunday here too, although the femme fatale here is a little younger, and maybe has better manners than Ms. Greer. Maybe. But that all goes for naught when the heat rises. Yes, we guys (and maybe gals too) know, we know, nature.”
And a summary of the plot in the comedic crime noir under review here, His Kind Of Woman, will tell the tale of why I qualified that wising up a little part. Mitchum plays a profession gambler a little off his game, about six aces up the sleeve worth, and so, as anybody is that situation might do, he listens to any proposition that will get him out from under. In this case a proposition about changing his identity for a wad of dough from a deported gangster (played by a non-lawyerly, a very non-lawyerly, Raymond Burr), looking to get back in the old U.S. of A. so he can get his usual infusion of illegal dough. Now this is something that Mitchum might have passed on in sunnier times. But times are hard and suckers are not as plentiful to rope in when you don’t have dough, or a way to get it.
Of course the action here, due to Burr’s, ah, immigration problems, has to take place in, well, sunny Mexico (this is stage-door Mexico before the ax fell down there and crime, and criminals got nastier, very much nastier than that of the criminal skills displayed here) at a tropical seaside resort (naturally). And here is where the dame comes in, also naturally. A sweet-singing down-on-her-heels night club singer (maybe) posing as an heiress, played by Jane Russell (producer Howard Hughes’ paramour at the time), is working her own angles for dough in the person of a vacationing ham, strictly B-movie actor, played by Vincent Price. But when broad-shouldered, bedroom eyes, world-wary Mitchum shows up she is, he is, well, they are smitten (after a little cat and mouse game, as expected). When Mitchum, after putting together some acute observations (putting two and two together, okay) about the set-up, fully realized that he is to be the fall guy and may not get to spend that promised wad of dough everything goes awry. But get this- when things get hairy Ms. Russell, instead of throwing him to the wolves like some of his past companions, actually tries to help him (trying to provide a gat in the bargain). A lot.
Now Robert this is a woman to hang onto, and she looks, well, fetching in a bathing suit in the bargain. Speaking of which, while he is trying to bring a little justice in this old wicked old world Mitchum shows plenty of beefcake for the ladies, the 1950s ladies I would guess. Plenty of comic moments here, some corny some clever but the main thing is that Brother Mitchum does not have to keep looking over his shoulder for an off-hand bullet to pass by every time he kisses Ms. Russell like with some of that earlier female company he kept. Whee!
Note: Naturally with a hunky guy like Robert Mitchum, he of the broad shoulders to fend off the world’s troubles, or at least any women’s troubles, those smoldering eyes, and that glib world-wary cigarette and whiskey manner, the ladies will surely be flocking to his door. Sorry, in this one heart-of- gold faux gold-digger Russell has him slated as exclusive property. And Mitchum tries, tries like hell, for once to stay in that orbit, unlike in the past, where he let those maddened femme fatale eyes and ruby red lips that speak to some dark adventure get the best of him. Progress, definitely progress, Brother Mitchum.
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