You’ve Got Mail-James
Stewart’s The Shop Around The Corner (1940)-A Film Review
DVD Review
By Si Lannon
The Shop Around The
Corner, starring James Stewart, Margaret Sullavan, based on the play by Hungarian
playwright Miklos Laszlo, 1940
Sometimes you just have
to concede defeat in this movie reviewing business. Granted I don’t do nearly
as many film reviews as I used when I started out slaving away for Greg Green
when he was over at American Film Gazette
but I still keep my hand in and believe that I can figure out what old boss
Sam Lowell called the “hook” on a story. This film, The Shop Around The Corner, baffles me though as I will explain in
a minute. Even Sam’s old chestnut about looking at the “slice of life” aspect
if all else fails fails here since there is no “slice of life” aspect that an
American audience would gravitate to so we are left with the holy of holies-the
boy meets girl story line that has saved a million Hollywood movies and two
million film reviews. I never liked to pitch a movie that way by there you have
it. By the way Seth Garth told me when he reviewed Meg Ryan and Tom Hanks’ You’ve Got Mail in 1998 which is based
on the same play by Hungary playwright Miklos Laszlo he had the same
befuddlement (his term) and was reduced to the formula boy meets girl last desperate
gasp.
Here’s where the dilemma
comes in right from the first scene. We are supposed to believe this whole
story takes place in a luxury goods shop on a downtown street in Budapest,
Hungary in the 1930s but from the get-go this stage scene could have been anywhere,
any city in the world, except for the few signs in Serbo-Croatian or Magyar or whatever
language those guys and gals speak. Moreover the lead characters Klara Novik,
played by Margaret Sullavan, and Alfred Kralik, played by James Stewart are straight
out the central committee of WASP nation so the whole feel is wrong. You can
see why I too am befuddled.
So down in the mud to that
“boy meets girl” sinkhole-with a twist. Klara and Alfred have “met” through, no,
not the Internet that is today’s method among some, a personal ad in a newspaper
and have been cheerfully corresponding via, no, not e-mails, that too is today’s
method but letters via a post office box drop. They have many interests in
common but as we rev up they have never met. We learn all of this second hand
when Alfred, lead salesman in the leather goods shop, tells a sympathetic fellow
employee about his good fortune. For years the owner, an onsite owner, has
relied on Alfred to keep his business afloat which he has done despite occasional
differences (although why the owner has so many employees in such a small and
for most of the film almost empty shop is another conundrum producer).
The way Alfred and Klara
“meet” in person (without knowing they are co-correspondents) is the day when Klara
shows up looking for work and she is able to con the owner in hiring her.
Naturally to maintain some kind of dramatic tension they don’t like each other and
harbor romantic feelings only for the phantom “other” co-correspondent who ultimately
agree to meet in a public place (good idea). The works get jammed up though
through a subplot where the wife of the owner is having an affair with a
womanizing employee (who would seem to be number one to let go just to cut labor
costs) who the owner mistakenly thinks is Alfred. Alfred gets the sack, for a while.
As it turned out the owner had hired detectives to follow the wife and that was
the end of that caddish womanizer and the return of Alfred as a manager since
the owner was so distraught he had attempted suicide. Had been hospitalized and
told to take life easier.
But back to Klara and Alfred.
Through a happenstance, nice word right, Alfred finds out Klara is his pen pal.
What to do, what to do. As it turned out Alfred had romantic feelings for Klara
as pen pal or as fellow employee and he plays that card for a while before he
finally clues her in that he, she have been correspondents-and soon to be lovers.
Yeah, classic boy meets girl stuff in Budapest, or Bucharest. Yawn.
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